A great American architect who lived from 1867 to 1959, Frank Lloyd Wright designed houses, office buildings, museums, churches, a doghouse, and a gas station, always insisting that architecture should be organic. Wright thought that most houses were dark and crowded and constricting: he loved sunlight and freedom of movement, and he believed that the best buildings connected to their environments. His early home designs were very linear (or rectangular), with long roofs that went with the flat expanse of the American prairie. Many of these buildings had art glass windowsmade of countless small pieces of tinted glass held in zinc or brass frames. Those windows and other designs inspired the stickers in this book. Wright was taught about shapes at an early age. He used the circle, square, triangle, and hexagon as the basic shapes to create his buildings and his graphic designs. The square became his most recognized shape, as he set his signature on a red square at the bottom right corner of each drawing he approved. Wright once said, Colors; in paste or crayon, pencil; always a thrill. To this day I love to hold a handful of manycolored pencils and open my hand to see them lying loose upon my palm, in the light. 8 page softcover book with 150 reusable paper stickers (50 different designs) featuring designs by Frank Lloyd Wright.

Book Description: Frank Lloyd Wright's mammoth contribution to architecture is universally acknowledged, but his graphic work has been largely overlooked in the existing literature about this seminal architect. His designs for typography, books, posters, murals, and magazines have remained relatively obscure, even though they are key components of his oeuvre. Penny Fowler has thoroughly investigated the artist's innovative graphic work and placed it within the context of various aesthetic movements, from Arts and Crafts to Bauhaus and De Stijl. Wright's publications - including The House Beautiful and An Autobiography - his delineations for the Wasmuth Portfolio, and his mural designs for Midway Gardens and the Imperial Hotel are explored, and one chapter is devoted to the festive covers Wright created for Liberty magazine. (Wright's designs were considered far too radical from the current trends, so Liberty turned them down.) Now this important part of the artist's work has been succinctly reviewed and amply illustrated. The ten chapters - carefully annotated with endnotes - explore Wright's foray into the world of graphic design, including book design; his influence by international sources; and his visits to Japan and Europe. Exhibitions and publications are included in the last chapter. Frank Lloyd Wright: Graphic Artist suggests that the man's genius simply knew no bounds.

Oak Park and River Forest are a mecca for Wright scholars and enthusiasts. Nowhere else can one visit so many Frank Lloyd Wright buildings and experience the architect's Prairie-style philosophy so fully. Hometown Architect is a thorough chronicle of that experience. Even if you have not had the good fortune to see these houses firsthand, the textual and photographic tours comprising this book will make you feel as though you have. Hometown Architect presents twenty-seven Wright homes, and Unity Temple, documenting one of the architect's most influential periods of his career. The last chapter surveys eight lost, altered, and possibly Wright homes. More than ninety photographs of the buildings' exteriors and interiors are accompanied by descriptive captions, while introductory text to each chapter details the story behind each commission, addressing Wright's relationships with his clients, the importance of each building in Wright's oeuvre, and the characteristics that make each house unique. The endpapers of this book feature a map locating all the sites discussed. By Patrick F. Cannon, introduction by Paul Kruty, photography by James Caulfield. Published in cooperation with the Frank Lloyd Wright Preservation Trust.

Published in conjunction with a major exhibition at The Museum of Modern Art, this catalogue reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives, the book is a collection of scholarly explorations rather than an attempt to construct a master narrative. Each chapter centers on a key object from the archive that an invited author has "unpacked"-interpreting and contextualizing it, tracing its meanings and connections, and juxtaposing it with other works from the archive, from MoMA, or from outside collections. The publication aims to open up Wright's work to questions, interrogations, and debates, and to highlight interpretations by contemporary scholars, both established Wright experts and others considering this iconic figure from new and illuminating perspectives.

Sixteen full-page designs adapted from windows in Wright buildings: Robie House, Dana House, Coonley Playhouse, many more. Geometrics, florals, etc. Color and hang near light source for glowing stained glass effects.

A chronicle of the design, history, and restoration of Frank Lloyd Wright's artist studio perched high on a cliff above the Snake River.

Determined to create a completely integrated environment, Wright designed not only buildings, but furnishings, fixtures, appliances, decorative items and more. Noted architectural and design authority David Hanks has provided an informative, insightful text, along with over 200 line drawings and photos. 219 black-and-white illus. 24 in full color. New preface by the author.