“A superb study of what a stellar group of architects accomplished in the Iowa locale, not to mention the vision of the locals” (Universitas). In the early 1900s, Frank Lloyd Wright transformed a small midwestern prairie community into one of the world’s most important architectural destinations. Mason City, Iowa, became home to his City National Bank and Park Inn—the last surviving Wright hotel. In addition, his prototype Stockman House helped launch the Prairie School architectural style. Soon after, architect Walter Burley Griffin followed in Wright’s footsteps, designing a cluster of Prairie School homes in the Rock Crest/Rock Glen neighborhood. Design historian Roy Behrens leads the way through Mason City’s historic development from the Industrial Revolution to the modern era of Frank Lloyd Wright. Includes photos “A fine job of showcasing Wright’s work in Mason City while incorporating some of Wright’s personal (and scandalous!) history with the evolution of this north central Iowa town.” —The Poetry of Sight

In the early 1900s, Frank Lloyd Wright transformed a small midwestern prairie community into one of the world s most important architectural destinations. Mason City, Iowa, became home to his City National Bank and Park Inn the last surviving Wright hotel. In addition, his prototype Stockman House helped launch the Prairie School architectural style. Soon after, architect Walter Burley Griffin followed in Wright s footsteps, designing a cluster of Prairie School homes in the Rock Crest/Rock Glen neighborhood. Design historian Roy Behrens leads the way through Mason City s historic development from the Industrial Revolution to the modern era of Frank Lloyd Wright."

Racine, Wisconsin, which celebrates its role as invention city, welcomed the architectural innovations of Frank Lloyd Wright and is now the site of many examples of Wright's designs of private homes and public structures. Hertzberg, photography director at the Racine Journal Times, has created a history of Wright's work in Racine using photograph

Between 1898 and 1909, Frank Lloyd Wright’s residential studio in the idyllic Chicago suburb of Oak Park served as a nontraditional work setting as he matured into a leader in his field and formulized his iconic design ideology. Here, architectural historian Lisa D. Schrenk breaks the myth of Wright as the lone genius and reveals new insights into his early career. With a rich narrative voice and meticulous detail, Schrenk tracks the practice’s evolution: addressing how the studio fit into the Chicago-area design scene; identifying other architects working there and their contributions; and exploring how the suburban setting and the nearby presence of Wright’s family influenced office life. Built as an addition to his 1889 shingle-style home, Wright’s studio was a core site for the ideological development of the prairie house, one of the first truly American forms of residential architecture. Schrenk documents the educational atmosphere of Wright’s office in the context of his developing design ideology, revealing three phases as he transitioned from colleague to leader. This heavily illustrated book includes a detailed discussion of the physical changes Wright made to the building and how they informed his architectural thinking and educational practices. Schrenk also addresses the later transformations of the building, including into an art center in the 1930s, its restoration in the 1970s and 80s, and its current use as a historic house museum. Based on significant original and archival research, including interviews with Wright’s family and others involved in the studio and 180 images, The Oak Park Studio of Frank Lloyd Wright offers the first comprehensive look at the early independent office of one of the world’s most influential architects.

In June 1950, Frank Lloyd Wright paid a surprise visit to the Grant house, under construction near Cedar Rapids, Iowa. This was Wright's first visit to the site, and he was worried about the house because, unlike most of Wright's clients, Doug Grant was building it himself, serving as his own general contractor and doing his own electrical work and carpentry. He and his wife, Jackie, quarried all of the stone for the house from their own quarry on the property, and both took an active part in the construction. Upon his return to Taliesin, Wright told the assembled group of architects and apprentices that he was extremely pleased by what he had seen. He delivered a long tribute to Grant, calling the act of building one's own house "an American proceeding." The book's foreword, contributed by the Wright Foundation's Director of Archives, Bruce Brooks Pfeiffer, calls the Grant house, "among some of the finest and most inspired that Frank Lloyd Wright ever designed."

Kim Bixler's family owned Frank Lloyd Wright's 1908 Edward E. Boynton House in Rochester, New York from 1977-1994. Growing Up in a Frank Lloyd Wright House recounts the joys and pitfalls of owning a Wright-designed home. The tumultuous history of the house is recounted through interviews with former and current owners. Living with the public's curiosity, playing hide-and-seek, coping with the habitually leaky roof, and managing constant renovations make this an unforgettable story.

A summary of Wright's life and career as well as dramatic color photographs of his three homes capture the essence of this innovative man who forever changed the way we look at the spaces around us.