Frances Partridge: the last survivor of the Bloomsbury group - the authorised biography. Frances Partridge was one of the great British diarists of the 20th century. She became part of the Bloomsbury group encountering Virginia Woolf, Lytton Strachey, the Bells, Roger Fry, Maynard Keynes, Dora Carrington and Ralph Partridge. She and Ralph fell in love and married in 1933. During the Second World War they were committed pacifists and they enjoyed the happiest times of their lives together, entertaining friends such as E.M. Forster, Robert Kee and Duncan Grant. Despite losing both her husband and son, Frances maintained an astonishing appetite for life, whether for her friends, travelling, botany, or music. Her diaries (which she continued to write until her death in 2004) chronicle her life from the 1930s onwards. Their publication brought her recognition and acclaim, and earned her the right to be seen not as a minor character on the Bloomsbury stage but standing at the centre of her own.

The Bloomsbury Group was as well known for its love affairs as for the work that was produced by its members. Of all the romantic entanglements, the love quadrangle between Frances Partridge, her husband Ralph Partridge, his first wife, Dora and Lytton Strachey was one of the most tortured (Frances loved Ralph, who loved Dora, who loved Lytton, who loved Ralph) - and tragic, ending in the death of Strachey and the suicide of Dora. Love in Bloomsbury, Frances Partridge's celebrated account of these turbulent years, describes her Victorian upbringing and tells the story of the star-crossed quartet, two of whom were doomed, the other two survivors. Replete with vivid accounts of parties and infused with the heady, Bohemian atmosphere which flourished after the First World War and revealing character sketches of all the principal "Bloomsberries" - Leonard and Virginia Woolf, her sister Vanessa Bell, John Maynard Keynes and Roger Fry. This is 'Bloomsbury laid bare' - a window onto the lives, loves and excesses of some of the 20th centuries most intriguing, yet engimatic, players.

Frances Partridge, 100 this year, is now recognised as one of the great British diarists of the century. She was born in Bedford Square, Bloomsbury in 1900, the daughter of a progressive mother and architect father whose friends included Henry James and Arthur Conan Doyle. After studying Moral Sciences and English at Cambridge University, she worked a bookshop in London, Birrell and Garnett, and became part of the Bloomsbury Group, encountering Virginia Woolf, the Bells, Roger Fry and Maynard Keynes. She met and fell in love with Ralph Partridge who was at the time married to Dora Carrington. After the death of Lytton Strachey, with whom she was in love, Carrington committed suicide. Ralph and Frances married in 1933. During the war they were both committed pacifists and opened their house, Ham Spray, to numerous waifs and strays of war. After it was over they enjoyed the happiest time of their life together, entertaining friends such as E M Forster, Robert Kee and Duncan Grant. This life of great warmth and friendship was brought to an abrupt end when Ralph died of a heart attack in 1960. Three years later another tragedy struck when their only son, Burgo, died at the age of 28 from a brain haemorrhage. ¿I have utterly lost heart: I want no more of this cruel life,¿ Frances wrote and yet she made a decision ¿to live in the present¿ and ¿to get a better seat on my bicycle¿. Despite such enormous suffering, she maintained an astonishing appetite for life, whether for her friends, travelling, botany, or music. Her diaries, written without thought of publication, chronicle a remarkable life. Beautifully written, full of an infectious enthusiasm and unending curiosity, they are utterly riveting and rank amongst the greatest diaries of the century.

One of the most significant novels in Latin American literature, written by Cuba's most important modern novelist—to win a bet with Gabriel Garcia Marquez. In the early 1970s, friends Gabriel García Márquez, Augusto Roa Bastos and Alejo Carpentier reached a joint decision: they would each write a novel about the dictatorships then wreaking misery in Latin America. García Márquez went on to write The Autumn of the Patriarch and Roa Bastos I, the Supreme. The third novel in this remarkable trinity is Reasons of State, hailed as the most significant novel ever to come out of Cuba. As with Garcia Marquez, Reasons of State is a bold story, boldly told --- daring in its perceptions, rich in lush detail, inventive in prose, and deadly compelling in its suspenseful plot. Inexplicably out of print for years, it tells the tale of the dictator of an unnamed Latin American country who has been living the life of luxury in high-society Paris. When news reaches him of a coup at home, he rushes back and crushes it with brutal military force. But returning to Paris he is given a chilly welcome, and learns that photographs of the atrocities have been circulating among his well-to-do friends. Meanwhile World War One has broken out, and another rebellion forces the dictator back across the ocean. As he struggles with the Marxist forces beginning to find footing in his own country, and Europe is devastated, Carpentier constructs a masterful and biting satire of the new world order.

An orgy, the dictionary tells us, is “a wild gathering, marked by promiscuous sexual activity, excessive drinking, etc.” Burgo Partridge tells us precisely what that has meant down through the ages. He begins with the Greeks, who celebrated sexuality at Dionysian festivals, and the Romans, who imported unwholesome brutalities into their orgiastic celebrations. We then learn of the penchant for group sex displayed by medieval popes, the junketings of Restoration England, the aristocratic hedonists of the Hellfire Club and Scotland’s notorious Wig Club, the orgiastic tastes of Casanova and the Marquis de Sade, right into the 20th century and the bizarre excesses of Aleister Crowley.

In 1945, Eddy Sackville-West, Desmond Shawe-Taylor and Eardley Knollys - writers for the New Statesman and a National Trust administrator - purchased Long Crichel House, an old rectory with no electricity and an inadequate water supply. In this improbable place, the last English literary salon began. Quieter and less formal than the famed London literary salons, Long Crichel became an idiosyncratic experiment in communal living. Sackville-West, Shawe-Taylor and Knollys - later joined by the literary critic Raymond Mortimer - became members of one another's surrogate families and their companionship became a stimulus for writing, for them and their guests. Long Crichel's visitors' book reveals a Who's Who of the arts in post-war Britain - Nancy Mitford, Benjamin Britten, Laurie Lee, Cyril Connolly, Somerset Maugham, E.M. Forster, Cecil Beaton, Vita Sackville-West and Harold Nicolson - who were attracted by the good food, generous quantities of drink and excellent conversation. For Frances Partridge and James Lees-Milne, two of the twentieth century's finest diarists, Long Crichel became a second home and their lives became bound up with the house. Yet there was to be more to the story of the house than what critics variously referred to as a group of 'hyphenated gentlemen-aesthetes' and a 'prose factory'. In later years the house and its inhabitants were to weather the aftershocks of the Crichel Down Affair, the Wolfenden Report and the AIDS crisis. The story of Long Crichel is also part of the development of the National Trust and other conservation movements. Through the lens of Long Crichel, archivist and writer Simon Fenwick tells a wider story of the great upheaval that took place in the second half of the twentieth century. Intimate and revealing, he brings to life Long Crichel's golden, gossipy years and, in doing so, unveils a missing link in English literary and cultural history.

A brilliant historical survey of the development of language in the West, translated from the French by Frances Partridge. When did men stop speaking Latin? How did the actions of society or religion influence vocabulary? What effect did the conquest of the Anglo-Saxon countries by William the Conqueror and his French-speaking knights have on language? Speech and writing play a fundamental part in man's activities. Social life is inconceivable without some system of signs enabling us to communicate with each other, and language is chief among these signs. From Cicero to Gutenberg, WESTERN LANGUAGES AD 100 - 1500 shows how it is impossible to claim any real understanding of the development of the West without knowing about the development of its languages.