New Zealand-born Frances Hodgkins (1869-1947) arrived in London in 1901 and, by the 1920s, had become a leading British modernist, exhibiting frequently with avant-garde artists such as Ben Nicholson, Barbara Hepworth and Henry Moore. This book explores Hodgkins as a traveller across cultures and landscapes - teaching and discovering the cubists in Paris, absorbing the landscape and light of Ibiza and Morocco, and exhibiting with the progressive Seven & Five Society in London. Complete with a rich visual chronology of the artist's encounters abroad, alongside over one hundred of Hodgkins' key paintings and drawings, the book is an illuminating journey that moves us from place to place through the writings of a number of distinguished national and international art historians, curators and critics: Frances Spalding (University of Cambridge, England), Alexa Johnston (Auckland-based writer and curator), Elena Taylor (University of New South Wales, Australia), Antoni Ribas Tur (Ara newspaper, Spain), and Julia Waite, Sarah Hillary, Catherine Hammond and Mary Kisler (Auckland Art Gallery Toi o Tamaki, New Zealand).

Letters of Frances Hodgkins is a generous selection of letters written by New Zealand's most internationally well-known artist. It shows that Hodgkins deserves not only her considerable reputation as a painter, but also that of a brilliant and engaging writer. The letters reveal Hodgkins' changing moods, impressions and fortunes and provide vivid sketches of the people and landscapes she came across. Spanning from colonial Dunedin to her travels across Europe and North Africa, the letters continue through her final flowering in her 60s and 70s. Linda Gill's careful scholarship and sensitive appreciation of Hodgkins' talents and personality make her introduction and notes the perfect framework for the artist's own words. A chronology, an in-depth bibliography and an index of letter recipients complement the work. Extensively illustrated, with eight pages of color reproductions of Hodgkins' paintings, Letters of Frances Hodgkins is central to understanding Hodgkins as artist and woman.

The life of Frances Hodgkins was full of adventure, involving both physical and artistic journeys in which she crossed hemispheres, cultures, epochs and styles. She took huge risks, had intense focus and exhibited enormous vitality. An encourager of young artists, she attracted ardent, unstinting support herself, yet she also suffered hurtful dismissals. Hodgkins worked with and was highly regarded by such well-known artists as Henry Moore, Barbara Hepworth, Ben and Winifred Nicholson - and she became a leading figure of twentieth century British Modernism. She is one of the most internationally significant New Zealand-born artists to date. In FRANCES HODGKINS: A PRIVATE VIEWING, art historian Dr Joanne Drayton captures Hodgkins's life vividly, drawing on the artist's extensive correspondence with close friends and family on the other side of the world. She critiques individual works (many shown here in full colour) and surveys Hodgkins's entire career, displaying her unique achievements in their proper international context. The result is a beautiful, compelling and highly readable book that is indeed a private viewing: it offers a sense of immediacy and intimacy and yet also the first comprehensive exploration of Frances Hodgkins.

A vivid and revealing book published alongside a landmark exhibition focused on one of New Zealand's most internationally recognised artists, Frances Hodgkins. Marking the 150th anniversary of the artist's birth New Zealand-born Frances Hodgkins (1869–1947) arrived in London in 1901 and, by the 1920s, had become a leading British modernist, exhibiting frequently with avant-garde artists such as Ben Nicholson, Barbara Hepworth and Henry Moore. Published to coincide with a touring exhibition of her work initiated by Auckland Art Gallery Toi o Tamaki, this book explores Hodgkins as a traveller across cultures and landscapes—teaching and discovering the cubists in Paris, absorbing the landscape and light of Ibiza and Morocco, and exhibiting with the progressive Seven & Five Society in London. Complete with a rich visual chronology of the artist's encounters abroad, alongside over one hundred of Hodgkins' key paintings and drawings, the book is an illuminating journey that moves us from place to place through the writings of a number of distinguished national and international art historians, curators and critics: Frances Spalding (University of Cambridge, England), Alexa Johnston (Auckland-based writer and curator), Elena Taylor (University of New South Wales, Australia), Antoni Ribas Tur (Ara newspaper, Spain), and Julia Waite, Sarah Hillary, Catherine Hammond and Mary Kisler (Auckland Art Gallery Toi o Tamaki, New Zealand).

"To celebrate the 150th anniversary of Frances Hodgkins birth, Jonathan Grant Galleries have curated a selection of works, dating from 1893 - 1945, by the esteemed expatriate artist. The exhibition, A New Zealand Modernist, features 14 works for sale and an extensively researched exhibition catalogue, written by Jonathan Gooderham & Richard Wolfe. The exhibition is on 30 May - 23 June 2019 at Jonathan Grant Galleries, 280 Parnell Road, Parnell, Auckland'--Publisher's website.

In 1911, Emily Carr returned from a sixteen-month trip to France with a new understanding of French Modernism and a radically transformed painting style that infused her later representations of Northwest Coast First Nations communities in British Columbia. Emily Carr: Fresh Seeing?French Modernism and the West Coast showcases this dramatic evolution by presenting works Carr produced before, during, and after her artistic explorations in France.00Exhibition: Audain Art Museum, Whistler, Canada (21.09.2019-19.01.2020).