"Heinemann Advanced History" offers a differentiation strategy, with books covering AS and A2. Exam preparation includes practice questions, advice on what makes a good answer and help for students on interpreting questions and planning essays.

Series statement and numbering from Brepols Publishers website.

Rococo Fiction in France reconfigures the history of the "long eighteenth century" by revealing the rococo as a literary phenomenon that characterized a range of experimental texts from the end of the French Renaissance to the eve of the French Revolution. Tracing the literary rococo's evolution from the late 1500s to the early 1700s, and exploring its radicalization during the 1670s, '80s, and '90s, Allison Stedman unearths the seventeenth century rococo's counter-vision for the trajectory of the French monarchy and the dawn of the French Enlightenment. The first part of the study investigates the relationship between Montaigne's philosophy of literary production and those of early seventeenth-century "table-talk" novelists, libertine writers, and playwrights involved in the quarrel over Corneille's play Le Cid. She thus establishes the existence of a rococo philosophy of literary production whose goal was to innovate, to bring pleasure, and to create communities. The second part of the study explores the impact that the Duchess de Montpensier's literary portrait galleries, Jean Donneau de Vis 's periodical the Mercure Galant, and other forms of rococo literary production--by such authors as Charles Sorel, Alcide de Saint-Maurice, J.N. de Parvial and Jean de Pr chac--had in the creation of a textually mediated social sphere that served as the foundation of the publicly critical culture of the French Enlightenment. The study concludes with an investigation of the influx of salon sociability into the textually mediated social sphere during the 1690s. Stedman examines the role of interpolated literary fairy tales, proverb plays and other rococo publication strategies--in such late seventeenth-century women writers as d'Aulnoy, Lh ritier, Murat, and Durand--in transfiguring the salon from an exclusive social circle mediated by physical presence to an inclusive social diaspora mediated by texts. Rococo Fiction in France challenges established views of early modern French literary history and discusses a range of little known works in a generous and engaging manner.

The first wide-ranging collection of articles on the history of hospitals in the Mediterranean, northern Europe, and the Americas for over 17 years. The contributions present a nuanced approach to the impact of hospitals on society over a very long time period and an exceptional geographical range.

Covers the period between Louis XIV's death in 1715 and the outbreak of the French Revolution in 1789

War and Society in Early Modern Europe takes a fresh approach to military history. Rather than looking at tactics and strategy, it aims to set warfare in social and institutional contexts. Focusing on the early-modern period in western Europe, Frank Tallett gives an insight into the armies and shows how warfare had an impact on different social gro

Much of the period 1661-1815 appeared to be the age of France. France was the greatest power in Western Europe in the late seventeenth and eighteenth centuries and Louis XIV and Napoleon seemed to dominate their periods. yet when Louis XIV died in 1715, and again after Napoleon's attempt to resume power was defeated at Waterloo a century later, France appeared as a waning power. This failure in Europe was matched on the world scale. France was overtaken by Britain in the struggle for maritime predominance, and ended the period with her empire in ruins. From Louis XIV to Napoleon is a scholarly yet accessible account which considers why France was not more successful and throws light on French history, international relations, warfare and the rise and fall of French power.