Framing Blackness
Title | Framing Blackness PDF eBook |
Author | Ed Guerrero |
Publisher | Temple University Press |
Pages | 270 |
Release | 2012-06-20 |
Genre | Performing Arts |
ISBN | 1439904138 |
A challenge to Hollywood's one-dimensional images of African Americans.
Reframing Blackness and Black Solidarities through Anti-colonial and Decolonial Prisms
Title | Reframing Blackness and Black Solidarities through Anti-colonial and Decolonial Prisms PDF eBook |
Author | George J. Sefa Dei |
Publisher | Springer |
Pages | 231 |
Release | 2017-05-19 |
Genre | Education |
ISBN | 3319530798 |
This book grounds particular struggles at the curious interface of skin, body, psyche, hegemonies and politics. Specifically, it adds to current [re]theorizations of Blackness, anti-Blackness and Black solidarities, through anti-colonial and decolonial prisms. The discussion challenges the reductionism of contemporary polity of Blackness in regards to capitalism/globalization, particularly when relegated to the colonial power and privileged experiences of settler. The book does so by arguing that this practice perpetuates procedures of violence and social injustice upon Black and African peoples. The book brings critical readings to Black racial identity, representation and politics informed by pertinent questions: What are the tools/frameworks Black peoples in Euro-American/Canadian contexts can deploy to forge community and solidarity, and to resist anti-Black racism and other social oppressions? What critical analytical tools can be developed to account for Black lived experiences, agency and resistance? What are the limits of the tools or frameworks for anti-racist, anti-colonial work? How do such critical tools or frameworks of Blackness and anti-Blackness assist in anti-racist and anti-colonial practice? The book provides new coordinates for collective and global mobilization by troubling the politics of “decolonizing solidarity” as pointing to new ways for forging critical friends and political workers. The book concludes by offering some important lessons for teaching and learning about Blackness and anti-Blackness confronting some contemporary issues of schooling and education in Euro-American contexts, and suggesting ways to foster dialogic and generative forums for such critical discussions.
Black American Cinema
Title | Black American Cinema PDF eBook |
Author | Manthia Diawara |
Publisher | Psychology Press |
Pages | 338 |
Release | 1993 |
Genre | Fiction |
ISBN | 9780415903974 |
On Black cinema
Sporting Blackness
Title | Sporting Blackness PDF eBook |
Author | Samantha N. Sheppard |
Publisher | University of California Press |
Pages | 269 |
Release | 2020-06-16 |
Genre | Performing Arts |
ISBN | 0520307798 |
Sporting Blackness examines issues of race and representation in sports films, exploring what it means to embody, perform, play out, and contest blackness by representations of Black athletes on screen. By presenting new critical terms, Sheppard analyzes not only “skin in the game,” or how racial representation shapes the genre’s imagery, but also “skin in the genre,” or the formal consequences of blackness on the sport film genre’s modes, codes, and conventions. Through a rich interdisciplinary approach, Sheppard argues that representations of Black sporting bodies contain “critical muscle memories”: embodied, kinesthetic, and cinematic histories that go beyond a film’s plot to index, circulate, and reproduce broader narratives about Black sporting and non-sporting experiences in American society.
Redefining Black Film
Title | Redefining Black Film PDF eBook |
Author | Mark A. Reid |
Publisher | Univ of California Press |
Pages | 194 |
Release | 1993-02-23 |
Genre | Performing Arts |
ISBN | 9780520912847 |
Can films about black characters, produced by white filmmakers, be considered "black films"? In answering this question, Mark Reid reassesses black film history, carefully distinguishing between films controlled by blacks and films that utilize black talent, but are controlled by whites. Previous black film criticism has "buried" the true black film industry, Reid says, by concentrating on films that are about, but not by, blacks. Reid's discussion of black independent films—defined as films that focus on the black community and that are written, directed, produced, and distributed by blacks—ranges from the earliest black involvement at the turn of the century up through the civil rights movement of the Sixties and the recent resurgence of feminism in black cultural production. His critical assessment of work by some black filmmakers such as Spike Lee notes how these films avoid dramatizations of sexism, homophobia, and classism within the black community. In the area of black commercial film controlled by whites, Reid considers three genres: African-American comedy, black family film, and black action film. He points out that even when these films use black writers and directors, a black perspective rarely surfaces. Reid's innovative critical approach, which transcends the "black-image" language of earlier studies—and at the same time redefines black film—makes an important contribution to film history. Certain to attract film scholars, this work will also appeal to anyone interested in African-American and Women's Studies.
Outlines and Highlights for the African American Image in Film
Title | Outlines and Highlights for the African American Image in Film PDF eBook |
Author | Cram101 Textbook Reviews |
Publisher | Academic Internet Pub Incorporated |
Pages | 154 |
Release | 2011-05-01 |
Genre | Education |
ISBN | 9781618129727 |
Never HIGHLIGHT a Book Again! Virtually all of the testable terms, concepts, persons, places, and events from the textbook are included. Cram101 Just the FACTS101 studyguides give all of the outlines, highlights, notes, and quizzes for your textbook with optional online comprehensive practice tests. Only Cram101 is Textbook Specific. Accompanys: 9781566391269 9781566391252 .
Film Blackness
Title | Film Blackness PDF eBook |
Author | Michael Boyce Gillespie |
Publisher | Duke University Press |
Pages | 253 |
Release | 2016-08-25 |
Genre | Performing Arts |
ISBN | 0822373882 |
In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.