'66 Frames chronicles encounters with Timothy Leary, Allen Ginsberg and many others as - in the words of Lawrence Ferlinghetti - "the young Southern innocent sets forth in all his whiteness to find himself among visionary New York poets and other flaming creatures." Gordon Ball offers a swirl of sixties life - working as assistant to film pioneer Jonas Mekas in his Third Avenue loft; visits with Andy Warhol at his Factory; antiwar marches - in a journey through the decade that took visual imagery outside the box, beyond the frame.

The history of picture frames and a sampling of styles from 1800s to 1940s. Over 400 color photographs show wall and table-top frames. Different frame materials are described with information on identifying and dating your pieces.

On role of family in photography

For some time now, thinkers across the humanities and social sciences have increasingly called into question the once-dominant view of the relationship between modernity and secularism, prompting some to speak of a "postsecular turn." Until now, film studies has largely been silent about this development, even though cinema itself has been a major vehicle for such reflection. This fact became inescapable in 2011 when Terrence Malick's The Tree of Life and Lars von Trier's Melancholia were released within days of each other. While these two audacious and controversial films present seemingly opposite perspectives—the former a thoughtful meditation on faith, the latter a portrayal of nontriumphalist atheism—together they raise critical questions about transcendence and immanence in modern life. These films are, however, only the most conspicuous of a growing body of works that call forth similar and related questions—what this collection aptly calls "postsecular cinema." Taking the nearly simultaneous release of The Tree of Life and Melancholia as its starting point and framing device, this pioneering collection sets out to establish the idea of postsecular cinema as a distinct body of films and a viable critical category. Adopting a film-philosophy approach, one group of essays examines Malick's and von Trier's films, while another looks at works by Chantal Akerman, Denys Arcand, the Dardenne brothers, and John Michael McDonagh, among others. The volume closes with two important interviews with Luc Dardenne and Jean-Luc Nancy that invite us to reflect more deeply on some of the central concerns of postsecular cinema.

A collection of some of the best framing projects published by American Woodworker magazine with expert step-by-step instructions, workshop tips and matting and mounting instructions. Add a special touch to cherished photos or artwork with hand-made picture frames. The experts at American Woodworker give step-by-step instructions using a variety of woods and styles.