The Ethical Vision of George Eliot is one of the first monographs devoted entirely to the ethical thought of George Eliot, a profoundly significant, influential figure not only in nineteenth-century English and European literature, nineteenth-century women’s writing, the history of the novel, and Victorian intellectual culture, but also in the field of literary ethics. Ethics are a predominant theme in Eliot’s fictional and non-fictional writings. Her ethical insights and ideas are a defining element of her greatness as an artist and novelist. Through meticulous close readings of Eliot’s fiction, essays, and letters, The Ethical Vision of George Eliot presents an original, complex definition of her ethical vision as she developed it over the course of her career. It examines major novels like Adam Bede, Middlemarch, and Daniel Deronda; many of Eliot’s most significant essays; and devotes two entire chapters to Eliot’s final book Impressions of Theophrastus Such, an idiosyncratic collection of character sketches that Eliot scholars have heretofore generally overlooked or ignored. The Ethical Vision of George Eliot demonstrates that Eliot defined her ethical vision alternately in terms of revealing and strengthening a fundamental human communion that links us to other persons, however different and remote from ourselves; and in terms of recognizing and respecting the otherness of other persons, and of the universe more generally, from ourselves. Over the course of her career, Eliot increasingly transitions from the former towards the latter imperative, but she also considerably complicates her conception of otherness, and of what it means to be ethically responsible to it.

Malaysia is an increasingly important player. Prime Minister Dr Mahathir Mohamad is now Asia's longest-serving leader. This work on Malaysian politics offers an analysis of the Mahathir project, examining how Mahathir has, over 20 years, translated the basis of the ruling bloc's legitimacy from one of coercive domination and ethnic card-playing into a more consensual form of hegemonic support. It argues that Mahathir has made considerable progress in building consent. Since the 1997 economic crisis and purging of Mahathir's former deputy Anwar Ibrahim, new problems have appeared within the ruling Barisan Nasional coalition and its leadinf g party, the United Malays National Organization (UMNO). As Mahathir seeks to rebuild ideological support other parties have mounted a counter-hegemonic alternative to the prevailing project. This book provides an understanding of these contending forces and the new engagement of ideas taking place within Malaysia's changing political landscape.

Moving image culture seems to privilege the instantly identifiable: the recognizable face, the well-timed stunt, the perfectly synchronized line of dialogue. Yet perfect, in-focus visibility does not come 'naturally' to the moving image, and if there is one visual effect the eye of the camera can record better than the human eye it is blur. Looking beyond popular media to works of experimental cinema and video art, this groundbreaking collection addresses the aesthetics and politics of moving images in states of decay, distortion, indistinctness and fragmentation. A range of international scholars examines what is at stake in these images' sometimes radical foregrounding of materiality and mediation, or of evanescence and spectrality, as well as their challenging of the dominant position accorded to 'legible' images. How have artists and filmmakers rendered the 'indefinite' image, and what questions does it pose? With a range of approaches, from aesthetics to phenomenology to production studies, the authors in this volume investigate techniques, themes and concepts that emerge from this wilful excavation of the moving image's material base.

This book explores the Victorian concept of vision across scientific and cultural forms. Willis charts the characterization of vision through four organizing principles – small, large, past and future – to arrive at a Victorian conception of what vision was. Willis then explores how this Victorian vision influenced twentieth-century ways of seeing.

Looking beyond the impact photographs have on the perpetuation and expression of social norms and stereotypes, and the influence of the act of taking a photograph, this new collection brings together international scholars to examine the camera itself as an actor. Bringing the camera back into view, this volume furthers our understanding of how, and in what ways, imaging technology shapes us, our lives, and the representations out of which we fashion knowledge, base our judgments and ultimately act. Through a broad range of case studies, the authors in this collection make the convincing claim that the camera is much more than a mechanical device brought to life by the photographer. This book will be of interest to scholars in photography, visual culture, anthropology and the history of photography.

Agent Relative Ethics asks what the world would look like if we adopted agent relativity wholeheartedly, clinging to no shred of absolute morality. Alastair MacIntyre’s haunting image of a post-apocalyptic world, in which our knowledge of ethics has been fragmented, poses a contrast between modern morality and ancient ethics. The two stand divided along the fault line of the nature of the good. Modern ethics has placed its stake in the absolute good, while ancient ethics rests upon the foundation of the relative good. Following the lead of Bernard Williams, Agent Relative Ethics identifies alienation as a disturbing symptom of the present focus upon absolute goods. It then completes the diagnosis of the malady afflicting modern moral theory by clarifying the difference between absolute and relative goods. The remainder of the book explores how agent relativity can overcome the modern fragmentation of our ethical knowledge. Not just any relative goods can rectify the modern disorder. Only shared goods, belonging to a union of individuals, are sufficiently robust to overthrow the contemporary despotism of neutral goods. These shared goods exhibit many parallels with common sense morality, including partiality, impartiality, punishment, and an antagonism toward harmfully using others, together with a more lenient attitude toward foreseeing harm. The final chapters probe the conditions, often unpalatable to the modern mind, by which ethics might be restored. Agent Relative Ethics will be of interest to scholars and advanced students working in ethics and moral theory, ancient ethics, and the history of philosophy.

This brochure, realized by field professionals from the Royal Institute for Deaf and Blind specialized in the support of visually impaired persons, should be considered as a toolbox offering the basis for the first steps with a visually impaired person.