C.J. St. Clair's success as a police officer has brought her a new job and a fresh start with Internal Affairs in Colfax, Colorado. It's a long way from her hometown of Savannah, and among the many welcome sights on her new horizons is Alex Ryan, the head of the Detective Unit. Captain Ryan loves her department, her detectives and her family. Loving another woman isn't in the game plan, but C.J.'s southern charms are difficult to ignore. Romantic possibilities are crushed when a murder and scandal erupt within Alex's command. The system they have both sworn to uphold makes them enemies separated by mounting evidence—and there is no honorable way to cross the divide. Fragmentary Blue is a sizzling novel of forbidden attraction and heart-pounding tension from an exciting new writer!

Two early volumes of poetry (1913–1914) contain many of the poet's finest, best-known works: "Mending Wall," "After Apple-Picking," "The Death of the Hired Man," many more.

Weaving together stories of his hiking adventures with reflective explorations of literary works set along the Appalachian Trail, Marshall traces a literary geography of the trail that ranges from Georgia to Maine and spans three centuries.

A landmark book by marine biologist Wallace J. Nichols on the remarkable effects of water on our health and well-being. Why are we drawn to the ocean each summer? Why does being near water set our minds and bodies at ease? In Blue Mind, Wallace J. Nichols revolutionizes how we think about these questions, revealing the remarkable truth about the benefits of being in, on, under, or simply near water. Combining cutting-edge neuroscience with compelling personal stories from top athletes, leading scientists, military veterans, and gifted artists, he shows how proximity to water can improve performance, increase calm, diminish anxiety, and increase professional success. Blue Mind not only illustrates the crucial importance of our connection to water; it provides a paradigm shifting "blueprint" for a better life on this Blue Marble we call home.

Two-volume set of text and figures and plates This volume presents the 1994-1997 excavation of the Lower Terraces of the Mycenaean citadel of Midea in the Argolid Plain of Greece. It compliments the author's previous volume on the Lower Terraces of Midea, which was published in 1998. A shrine and megaron were discovered on Terraces 9 and 10. The stratigraphy, architecture, pottery, lithics, small finds, and human and faunal remains dating from the Final Neolithic through Byzantine periods are discussed and cataloged. Additionally, the continuous sequence of LH IIIB-LH IIIC strata on the Lower Terraces revealed the ground plan and expansion of the megaron complex.

Millions of people have learned to draw using the methods of Dr. Betty Edwards's bestseller The New Drawing on the Right Side of the Brain. Now, much as artists progress from drawing to painting, Edwards moves from black-and-white into color. This much-awaited new guide distills the enormous existing knowledge about color theory into a practical method of working with color to produce harmonious combinations. Using techniques tested and honed in her five-day intensive color workshops, Edwards provides a basic understanding of how to see color, how to use it, and-for those involved in art, painting, or design-how to mix and combine hues. Including more than 125 color images and exercises that move from simple to challenging, this volume explains how to: see what is really there rather than what you "know" in your mind about colored objects perceive how light affects color, and how colors affect one another manipulate hue, value, and intensity of color and transform colors into their opposites balance color in still-life, landscape, figure, and portrait painting understand the psychology of color harmonize color in your surroundings While we recognize and treasure the beautiful use of color, reproducing what we see can be a challenge. Accessibly unweaving color's complexity, this must-have primer is destined to be an instant classic.

The author of The Land’s Wild Music depicts Australia’s Blue Mountains through stories of the land and the lives within it. At the farthest extent of Australia’s Blue Mountains, on the threshold of the country’s arid interior, the Blue Plateau reveals the vagaries of a hanging climate: the droughts last longer, the seasons change less, and the wildfires burn hotter and more often. In The Blue Plateau, Mark Tredinnick tries to learn what it means to fall in love with a home that is falling away. A landscape memoir in the richest sense, Tredinnick’s story reveals as much about this contrary collection of canyons and ancient rivers, cow paddocks and wild eucalyptus forests as it does about the myriad generations who struggled to remain in the valley they loved. It captures the essence of a wilderness beyond subjugation, the spirit of a people just barely beyond defeat. Charting a lithology of indigenous presence, faltering settlers, failing ranches, floods, tragedy, and joy that the place constantly warps and erodes, The Blue Plateau reminds us that, though we may change the landscape around us, it works at us inexorably, with wind and water, heat and cold, altering who and what we are. The result is an intimate and illuminating portrayal of tenacity, love, grief, and belonging. In the tradition of James Galvin, William Least Heat-Moon, and Annie Dillard, Tredinnick plumbs the depths of people’s relationship to a world in transition. Praise for The Blue Plateau “One of the wisest, most gifted and ingenious writers you could hope to find.” —Michael Pollan, author of In Defense of Food and The Omnivore’s Dilemma “I’ve never been to Australia, but now—after this book—it comes up in my dreams. The landscape in the language of this work is alive and conscious, and Tredinnick channels it in prose both wild and inspired. . . . Part nonfiction novel, part classic pastoral, part nature elegy, part natural history, the whole of The Blue Plateau conveys a deep sense, rooted in the very syntax of a lush prose about an austere land, that there can be no meaningful division between nature and culture, between humans and all the other life that interdepends with us, not in the backcountry of southeastern Australia, nor anywhere else.” —Orion “Absorbed slowly, as a pastoral landscape of loss and experiment in seeing and listening, the book richly rewards that patience.” —Publishers Weekly