Steinberg explores the work of Fra Girolamo Savonarola in relationship to Italian Renaissance artists of the period and the influence of Savonarola's sermons as an icongraphic source in works of Renaissance art.

Girolamo Savonarola (1452–1498), the religious reformer, preacher, and Florentine civic leader, was burned at the stake as a false prophet by the order of Pope Alexander VI. Tamar Herzig here explores the networks of Savonarola’s female followers that proliferated in the two generations following his death. Drawing on sources from the fifteenth and sixteenth centuries, many never before studied, transcribed, or contextualized in Savonarolan scholarship and religious history, Herzig shows how powerful public figures and clerics continued to ally themselves with these holy women long after the prophet’s death. In their quest to stay true to their leader’s teachings, Savonarola’s female followers faced hostile superiors within their orders, local political pressures, and the deep-rooted misogynistic assumptions of the Church establishment. This unprecedented volume demonstrates how reform circles throughout the Italian peninsula each tailored Savonarola’s life and works to their particular communities’ regionally specific needs. Savonarola’s Women is an important reconstruction of women’s influence on one of the most important and controversial religious movements in premodern Europe.

Born on 21 September 1452, the very same year that Leonardo Da Vinci was born, Girolamo Savonarola: The Renaissance Preacher tells the story of a man who believed so wholeheartedly in God and the message that He was giving, that he gave his life for it. The book is an introduction to the life and times of this infamous preacher, a man who was witness to the dramatic downfall of the Medici dynasty in fifteenth-century Florence, who instigated some of the most dramatic events in Florentine history and whose death is still commemorated today. ------------ 'Thoroughly well researched and enthusiastically written. It is clear that Samantha Morris has great care for her subject and this is reflected in the quality of this work. A great introduction to Florentine politics in the late 15th century and the life of one of the most infamous individuals of the Renaissance'. - Katharine Fellows, St Peter's College, University of Oxford AUTHOR INTERVIEW What makes the medieval history of Florence special? Florence, unlike the majority of Italy's city states during the Renaissance, was a Republic, but run by the Medici family who were kings in all but name. It was also the city that birthed the Renaissance, a city full of political intrigue, violence, art and religion. Who was Savonarola? Girolamo Savonarola was a Dominican friar who badly wanted to see Church reform not only within Florence but throughout the World. Unfortunately for Savonarola, despite his best intentions, the city turned against him and his hard lined ways, just as they had with the Medici family. Why should readers give your non-fiction history books a try? My books offer a well researched historical introduction to some of the most fascinating periods in both Italian and World history - a stepping stone, if you will, into the torrid history of the Renaissance. Within them you get to meet and learn about, personalities who lived and worked in this era - sex, violence, murder and religious fervour is only a little of what you will find within.

Five hundred years after his death at the stake, Girolamo Savonarola remains one of the most fascinating figures of the Italian Renaissance. This wide-ranging collection, with an introduction by historian Alison Brown, includes translations of his sermons and treatises on pastoral ministry, prophecy, politics, and moral reform, as well as the correspondence with Alexander VI that led to Savonarola’s silencing and excommunication. Also included are first-hand accounts of religio-civic festivities instigated by Savonarola and of his last moments. This collection demonstrates the remarkable extent of Savonarola’s contributions to the religious, political, and aesthetic debates of the late fifteenth century.

This ebook is a selective guide designed to help scholars and students of Islamic studies find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated related. This ebook is a static version of an article from Oxford Bibliographies Online: Renaissance and Reformation, a dynamic, continuously updated, online resource designed to provide authoritative guidance through scholarship and other materials relevant to the study of European history and culture between the 14th and 17th centuries. Oxford Bibliographies Online covers most subject disciplines within the social science and humanities, for more information visit www.oxfordbibliographies.com.

Tracing the history of St. Antoninus' cult and burial from the time of his death in 1459 until his remains were moved to their final resting place in 1589, this interdisciplinary study demonstrates that the saint's relic cult was a key element of Florence's sacred cityscape. The works of art created in his honor, as well as the rituals practiced at his fifteenth- and sixteenth-century places of burial, advertised Antoninus' saintly power and persona to the people who depended upon his intercessory abilities to negotiate life's challenges. Drawing on a rich variety of contemporary visual, literary, and archival sources, this volume explores the ways in which shifting political, familial, and ecclesiastical aims and agendas shaped the ways in which St. Antoninus' holiness was broadcast to those who visited his burial church. Author Sally Cornelison foregrounds the visual splendor of the St. Antoninus Chapel, which was designed, built, and decorated by Medici court artist Giambologna and his collaborators between 1579 and 1591. Her research sheds new light on the artist, whose secular and mythological sculptures have received far more scholarly attention than his religious works. Cornelison draws on social and religious history, patronage and gender studies, and art historical and anthropological inquiries into the functions and meanings of images, relics, and ritual performance, to interpret how they activated St. Antoninus' burial sites and defined them in ways that held multivalent meanings for a broad audience of viewers and devotees. Among the objects for which she provides visual and contextual analyses are a banner from the saint's first tomb, early printed and painted images, and the sculptures, frescoes, panel paintings, and embroidered textiles made for the present St. Antoninus Chapel.