This remarkable book, written soon after the French Revolution, has traditionally been considered one of the founding documents in the history of socialism. It introduces the best-known and most extraordinary utopia written in the last two centuries. Charles Fourier was among the first to formulate a right to a minimum standard of life. His radical approach involved a systematic critique of work, marriage and patriarchy, together with a parallel right to a sexual minimum. He also proposed a comprehensive alternative to the Christian religion. Finally, through the medium of a bizarre and extraordinary cosmology, Fourier argued that the poor state of the planet is the result of the evil practices of civilisation. Translated into English, this classic text will be of particular interest to students and scholars of the history of sexuality and feminism, political thought and socialism.

This remarkable book, written soon after the French Revolution, has traditionally been considered one of the founding documents in the history of socialism. It introduces the best-known and most extraordinary utopia written in the last two centuries. Charles Fourier was among the first to formulate a right to a minimum standard of life. His radical approach involved a systematic critique of work, marriage and patriarchy, together with a parallel right to a sexual minimum. He also proposed a comprehensive alternative to the Christian religion. Finally, through the medium of a bizarre and extraordinary cosmology, Fourier argued that the poor state of the planet is the result of the evil practices of civilisation. Translated into English, this classic text will be of particular interest to students and scholars of the history of sexuality and feminism, political thought and socialism.

Admired by Marx and Engels, the Surrealists, the Situationists, Walter Benjamin and Roland Barthes, the great utopian socialist Charles Fourier (1772-1837) has been many things to many people: a proto-feminist, a Surrealist ancestor, a cantankerous cosmologist, a social critic and humorist and to this day one of France's truest visionary thinkers. He was also, as this volume demonstrates, a maniacal taxonomist. In this zoological guidebook to cuckoldry and commerce, Fourier offers a caustic critique of the bankruptcy of marriage and the prostitution of the economy, and the hypocrisies of a civilization that over-regulates sexual congress while allowing the financial sector to screw over the public. Gathered together here for the first time are Fourier's two "Hierarchies" --humorously regimented parades of civilization's cheaters and cheated-on in the domestic sphere of sex and the economic sphere of buying and selling commodities. "The Hierarchy of Cuckoldry" --translated into English for the first time--presents 72 species of the male cuckold, ranging from such "common class" cases as the Health-Conscious Cuckolds, to the short-horned Sympathetic, Optimist and Mystical Cuckolds, and the Long-horned varieties of the Irate, Disgraced and Posthumous Cuckolds. For Fourier, these amount to 72 manifestations of women's "secret insurrection" against the institution of marriage. "The Hierarchy of Bankruptcy" presents 36 species of the fraudulent bankrupt: a range of Light, Grandiose, and Contemptible shades of financial manipulators who force creditors, cities and even nations to bail them out of ultimately profitable bankruptcies. In these attacks on the morality of monogamy and the perils of laissez-faire capitalism, Fourier's "Hierarchies" resonate uncannily with our contemporary world.

A TIME Magazine Top 10 Nonfiction Book of 2012 A New Yorker Best Book of the Year Los Angeles Magazine's #1 Music Book of the Year A unique and revelatory book of music history that examines in great depth what is perhaps the best-known and most-popular symphony ever written and its four-note opening, which has fascinated musicians, historians, and philosophers for the last two hundred years. Music critic Matthew Guerrieri reaches back before Beethoven’s time to examine what might have influenced him in writing his Fifth Symphony, and forward into our own time to describe the ways in which the Fifth has, in turn, asserted its influence. He uncovers possible sources for the famous opening notes in the rhythms of ancient Greek poetry and certain French Revolutionary songs and symphonies. Guerrieri confirms that, contrary to popular belief, Beethoven was not deaf when he wrote the Fifth. He traces the Fifth’s influence in China, Russia, and the United States (Emerson and Thoreau were passionate fans) and shows how the masterpiece was used by both the Allies and the Nazis in World War II. Altogether, a fascinating piece of musical detective work—a treat for music lovers of every stripe.

This 1988 book is an English translation of the major political works of Benjamin Constant.