Identifying himself as both an Indian and a Canadian but first and foremost a Sikh, Tara Singh has shuttled back and forth between Canada and India for most of his life, finding personal harmony while incorporating two very different countries and cultures into his life. Tara Singh was raised within an amritdhari, or baptised, Sikh tradition in a small village in Punjab, India; his values and identity are firmly rooted in Punjabi Sikh culture. As a child and adolescent he suffered mercilessly from his father's verbal and physical cruelty, but the support that he drew from his village environment and his religion gave him strength. He married, according to traditional practices, the woman that his family had arranged for him to wed. Sponsored by his sister, Tara Singh emigrated to Canada in the early 1950s and settled in British Columbia. He came alone, without his wife and children, as most Punjabis did. His greatest initial shock in Canada was his experience with racism, and its impact on his relatives who tried to persuade him to shave his beard and abandon his turban - two sacred symbols of the Sikh. Refusing to betray his beliefs, he resisted the relentless pressure of his family just as he later fought against the exploitation of immigrants in the saw mills where he worked. Tara Singh became active in fighting for immigrant rights and protecting the Sikh faith in Canada. The Four Quarters of the Night is more than one man's life story: his single voice reveals much about the collective experience of immigrants. Tara Singh's narrative presents an evocative picture of a newcomer's experiences in a land of foreign customs, culture, and religious beliefs. Hugh Johnston, to whom Tara Singh told his story, has created a unique and invaluable document in immigration and ethnic history.

For fans of When You Trap a Tiger and A Place to Belong comes a gentle, “touching” (Booklist, starred review) middle grade novel about love and resilience, interwoven with Chinese mythology, a Little World made completely of paper, and the ever-changing, but constant moon. The night of the Mid-Autumn Festival, making mooncakes with Ah-Ma, was the last time Peijing Guo remembers her life being the same. She is haunted by the magical image of a whole egg yolk suspended in the middle like the full moon. Now adapting to their new life in Australia, Peijing thinks everything is going to turn out okay as long as they all have each other, but cracks are starting to appear in the family. Five-year-old Biju, lovable but annoying, needs Peijing to be the dependable big sister. Ah-Ma keeps forgetting who she is; Ma Ma is no longer herself and Ba Ba must adjust to a new role as a hands-on dad. Peijing has no idea how she is supposed to cope with the uncertainties of her own world while shouldering the burden of everyone else. If her family are the four quarters of the mooncake, where does she even fit in?

That many have no better acquaintance with Christ and his Apostles, is, because they are such strangers with Moses and Aaron: Were Customes antiquated thorowly known, many difficulties in Scripture would appear Elegancies; and the places which now (through obscurity) dishearten the Reader, would then become sweet invitements to an unwearied assiduity in perusing those sacred Oracles. If my present labour shall give such light to some obscure passages, that thereby Gods people shall be drawn on with the greater delight, to the exercising themselves in reading of Holy Writ, it shall not repent me of my tedious travels in these Rites and Customes, of Generations long since past; which whosoever undertaketh, shall find the way long and thorny, the path over-grown and hardly disernable; the Guides few to direct, and those speaking in strange Languages; and many apt to discourage him, because themselves are either lazy, and will not, or lame and cannot walk the same way. But now (through Gods assistance) being come to the end of my Journey, the discoveries made on the way, such as they are (and such some are, as not observed before) humbly crave your Lordship's protection. From Kensington, Feb. 21. 1624. Your Honour's in all duty, and service devoted, Tho. Godwyn.

Appearing for the first time in English, Karl Anton Nowotny’s Tlacuilolli is a classic work of Mesoamerican scholarship. A concise analysis of the pre-Columbian Borgia Group of manuscripts, it is the only synthetic interpretation of divinatory and ritual codices from Mexico. Originally published in German and unavailable to any but the most determined scholars, Tlacuilolli has nevertheless formed the foundation for subsequent scholarly works on the codices. Its importance extends beyond the study of Mexican codices: Nowotny’s sophisticated reading of these manuscripts informs our understanding of Mesoamerican culture. Of particular importance are Nowotny’s corrections of errors in fact and interpretation in the Spanish edition of Eduard Seler’s commentary on the Borgia Group. George A. Everett and Edward B. Sisson have translated Nowotny’s masterwork into English while maintaining the flavor of the original German edition. To the core text they have added an extensive bibliography and constructed a framework of annotation that relates the principles in Tlacuilolli to current research. This edition includes a selection of eleven stunning full-color images chosen from the original catalog.