The following book is a collection of stories featuring Max Carrados, a sleuth created by Ernest Bramah. The characters and identities of Max Carrados and his usual accomplice Mr Carlyle are explained in the first story, 'The Coin of Dionysius', which can be found in the first chapter of this book. Mr Carlyle is a private investigator, running a private inquiry agency concerned mainly with divorce and defalcation. He is directed to the home of Wynn Carrados at The Turrets, Richmond, London, for an expert opinion on a tetradrachm of Dionysius the Elder of Sicily which he believes may be a forgery substituted into a famous collection in the course of a theft. At their meeting, the blind Carrados immediately recognises Mr Carlyle (from his voice) as his former school friend (at St Michael's), Louis Calling. Carlyle then recognizes him in turn as Max Wynn ("Winning" Wynn). Max explains that he was made financially independent by a rich American cousin who left him a fortune won by doctoring his crop reports, on condition that he adopt the surname Carrados. He was blinded some twelve years before the first story, as a result of a minor incident while out horse-riding with a friend. His friend, who was leading, brushed past a twig which flicked back and caught Max in the eye. From this he was blinded by the illness called amaurosis.

The adventures of a blind detective in London, featuring four compact mysteries: The Coin of Dionysius, The Knight's Cross Signal Problem, The Tragedy at Brookbend Cottage & The Last Exploit of Harry the Actor.

This early work by Ernest Bramah was originally published in 1914 and we are now republishing it with a brand new introduction. 'Max Carrados' is a collection of Bramah's classic detective tales. Ernest Bramah Smith was born was near Manchester in 1868. He was a poor student, and dropped out of the Manchester Grammar School when sixteen years old to go into the farming business. Bramah found commercial and critical success with his first novel, The Wallet of Kai Lung, but it was his later stories of detective Max Carrados that assured him lasting fame.

This is a richly entertaining collection of stories from the golden age of crime fiction - a period when crimes were solved by the wit and ingenuity of the sleuth with only his own intelligence to rely on

This early work by Ernest Bramah was originally published in 1914 and we are now republishing it with a brand new introduction. 'The Coin of Dionysius' is a mystery short story of a coin and a blind man. Ernest Bramah Smith was born was near Manchester in 1868. He was a poor student, and dropped out of the Manchester Grammar School when sixteen years old to go into the farming business. Bramah found commercial and critical success with his first novel, The Wallet of Kai Lung, but it was his later stories of detective Max Carrados that assured him lasting fame.

The Dead Witness gathers the finest adventures among private and police detectives from the nineteenth century and into the early twentieth--including a wide range of overlooked gems creating the finest ever anthology of Victorian detective stories. "The Dead Witness," the 1866 title story by Australian writer Mary Fortune, is the first known detective story by a woman, a suspenseful clue-strewn manhunt in the Outback. This forgotten treasure sets the tone for the whole anthology-surprises from every direction, including more female detectives and authors than you can find in any other anthology of its kind. Pioneer women writers such as Anna Katharine Green, Mary E. Wilkins, and C. L. Pirkis will take you from rural America to bustling London. Female detectives range from Loveday Brooke to Dorcas Dene and Madelyn Mack. In other stories, you will meet November Joe, the Canadian half-Native backwoods detective who stars in "The Crime at Big Tree Portage" and demonstrates that Sherlockian attention to detail works as well in the woods as in the city. Holmes himself is here, too, of course-not in another reprint of an already well-known story, but in the first two chapters of A Study in Scarlet, the first Holmes case, in which the great man meets and dazzles Watson. Authors range the gamut from luminaries such as Charles Dickens to the forgotten author who helped inspire Edgar Allan Poe's "The Murders in the Rue Morgue," the first real detective story. Bret Harte is here and so is E. W. Hornung, creator of master thief Raffles. Naturally Wilkie Collins couldn't be left behind. Michael Sims's new collection unfolds the fascinating and entertaining youth of what would mature into the most popular genre of the twentieth century.

This masterful collection of seventeen classic mystery stories, dating from 1837 to 1914, traces the earliest history of popular detective fiction. Today, the figure of Sherlock Holmes towers over detective fiction like a colossus—but it was not always so. Edgar Allan Poe’s Dupin, the hero of “The Murders in the Rue Morgue,” anticipated Holmes’ deductive reasoning by more than forty years. In A Study in Scarlet, the first of Holmes’ adventures, Doyle acknowledged his debt to Poe—and to Émile Gaboriau, whose thief-turned-detective Monsieur Lecoq debuted in France twenty years earlier. If Rue Morgue was the first true detective story in English, the title of the first full-length detective novel is more hotly contested. Among the possibilities are two books by Wilkie Collins—The Woman in White (1859) and The Moonstone (1868)—Mary Elizabeth Braddon’s The Trail of the Serpent (1861) or Aurora Floyd (1862), and The Notting Hill Mystery (1862-3) by the pseudonymous “Charles Felix.” As the early years of detective fiction gave way to two separate golden ages—hard-boiled tales in America and intricately-plotted “cozy” murders in Britain—and these new sub-genres went their own ways, their detectives still required the intelligence and clear-sightedness that characterized the earliest works of detective fiction: the trademarks of Sherlock Holmes, and of all the detectives featured in these pages.