I want a man who's ready to settle down and make babies with me, but I can't seem to stay away from the bad boys - especially when there are four of them! I've always loved men, and I've had my fun, but now I'm looking for a commitment.My four new bosses, Nathan, Ash, Derek, and Landon - each of them sexier than the last - have different ideas. Gorgeous and wildly successful, they're playboys who love to have a good time - no strings, just for kicks. How can I focus on finding a family man if I'm having meaningless fun with them?So I resist ... until ... well, a girl can only take so much temptation.Surely there could be no harm in agreeing to spend a weekend with the four of them. What could possibly go wrong when whipped cream and blindfolds are involved?My body has the best time ever, but my heart just might be in danger. Is there any chance I could have my cake and eat it, too?FOUR Kicks is a full-length standalone mega menage/reverse harem romance. It involves sizzling MMFMM and MFM scenes guaranteed to fuel your fantasies.

With the playoffs over, Devin and her seventh-grade friends decide to try out for a soccer travel team, but friendships are threatened because not everyone makes it on to the tough, competitive team, and in the mean time the girls are faced with a crisis--budget cuts threaten to eliminate the soccer program at the elementary school Devin's little sister attends.

From the New York Times Bestselling Author of The Magnolia Palace: A thrilling story about love, sacrifice, and the pursuit of dreams, set amidst the glamour and glitz of Radio City Music Hall in its mid-century heyday. New York City, 1956: Nineteen-year-old Marion Brooks knows she should be happy. Her high school sweetheart is about to propose and sweep her off to the life everyone has always expected they’d have together: a quiet house in the suburbs, Marion staying home to raise their future children. But instead, Marion finds herself feeling trapped. So when she comes across an opportunity to audition for the famous Radio City Rockettes—the glamorous precision-dancing troupe—she jumps at the chance to exchange her predictable future for the dazzling life of a performer. Meanwhile, the city is reeling from a string of bombings orchestrated by a person the press has nicknamed the “Big Apple Bomber,” who has been terrorizing the citizens of New York for sixteen years by planting bombs in popular, crowded spaces. With the public in an uproar over the lack of any real leads after a yearslong manhunt, the police turn in desperation to Peter Griggs, a young doctor at a local mental hospital who espouses a radical new technique: psychological profiling. As both Marion and Peter find themselves unexpectedly pulled in to the police search for the bomber, Marion realizes that as much as she’s been training herself to blend in—performing in perfect unison with all the other identical Rockettes—if she hopes to catch the bomber, she’ll need to stand out and take a terrifying risk. In doing so, she may be forced to sacrifice everything she’s worked for, as well as the people she loves the most.

"Discusses the final game of the 1999 women's World Cup soccer match and iconic photograph that captured the historic event"--

Thirty-two new dance learning experiences for K-12 students of all ability levels. Wide variety of dance styles. Instructional videos and online resources to make teaching effective and smooth. Strategies in developing learning experiences and planning lessons and units.

Formats, modalities, and trends in group exercise are constantly evolving. Methods of Group Exercise Instruction, Third Edition With Online Video, explores the most common group exercise modalities, enhancing readers’ marketability by giving them the skills to lead dynamic, safe, and effective classes. This text highlights the commonalities of a variety of group exercise formats through training principles, correction and progression techniques, and safety tips to enhance the skills of both group exercise leaders and program directors. Methods of Group Exercise Instruction, Third Edition, moves from theory to practice in a logical progression. Rather than simply providing routines, this book helps instructors develop the core skills needed for creating routines, use proper cueing, and adapt their teaching to new modalities. Teaching techniques convey appropriate training for each muscle group and methods for warm-up, cardiorespiratory training, muscular conditioning, neuromotor training, and flexibility. In addition, starter routines, modification strategies, and instructor assessment criteria are presented for seven class formats: kickboxing, step training, stationary indoor cycling, sport conditioning and boot camp, water exercise, yoga, and mat-based Pilates. The text also touches on alternative modalities, including dance-based classes, fusion, and mind–body training. Thoroughly revised and reorganized based on industry standards, the third edition of Methods of Group Exercise Instruction offers expanded content to help readers become better instructors. Updates to the third edition include the following: • Online video, totaling over 100 minutes, demonstrates key content in the text. • New chapters cover social aspects of group exercise, coaching-based instructional models, and neuromotor and functional training. • Callout boxes highlight important topics, research findings, technique and safety checks, and practice drills, which facilitate quick learning. • Short assignments at the close of each chapter encourage readers to look beyond the text to gain practical experience. • Evaluation forms and evaluation key points allow instructors to gauge their teaching success and adapt the key criteria of a successful class to each exercise modality. The three-part structure of this book is retained from the previous edition, but the content is reorganized to better reflect industry standards and guidelines. Part I provides a general overview of group exercise: the evolution and advantages of group exercise; the strategies for creating group cohesion in a class; the core concepts in class design; and the use of music, choreography, and cueing methods in designing and leading a class. Part II offers guidelines for leading the four major segments of a group exercise class: warm-up, cardiorespiratory training, muscular conditioning, and flexibility training, and includes a new chapter on neuromotor and functional training. These basic concepts pertain to all modalities covered in part III, which focuses on practical teaching skills. Basic moves, choreography, and training systems are covered for each type of class. Sample routines and class formats for each modality offer a confident starting point for novice instructors and fresh material for veterans. The final chapter discusses customized or hybrid classes such as lifestyle physical activity–based classes, equipment-based cardio classes, and mind and body classes. When used as a course text, Methods of Group Exercise Instruction, Third Edition, includes instructor ancillaries, which offer suggestions for effective use of the book and online video, lesson plan outlines, a sample week-by-week syllabus, lab activities, and test questions. The third edition also features a newly added image bank containing all the figures and photos from the text to use in presentations.

Introduction to Digital Music with Python Programming provides a foundation in music and code for the beginner. It shows how coding empowers new forms of creative expression while simplifying and automating many of the tedious aspects of production and composition. With the help of online, interactive examples, this book covers the fundamentals of rhythm, chord structure, and melodic composition alongside the basics of digital production. Each new concept is anchored in a real-world musical example that will have you making beats in a matter of minutes. Music is also a great way to learn core programming concepts such as loops, variables, lists, and functions, Introduction to Digital Music with Python Programming is designed for beginners of all backgrounds, including high school students, undergraduates, and aspiring professionals, and requires no previous experience with music or code.