Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Commentary (stories not included). Pages: 32. Chapters: The Santaroga Barrier, The Lathe of Heaven, The Colour Out of Space, Spacehounds of IPC, Trullion: Alastor 2262, The Skylark of Space, Triplanetary, The Second Trip, Armageddon 2419 A.D., The Master Mind of Mars, Skylark Three, I, Robot, Breakfast at Twilight, After 12,000 Years, Tarzan and the Foreign Legion, Anniversary, The Planet Savers, Llana of Gathol, Savage Pellucidar, The Sunken World, The Crime and the Glory of Commander Suzdal, The Weapon Too Dreadful to Use, Marooned Off Vesta, Gateway to Strangeness, What is This Thing Called Love?, Robot AL-76 Goes Astray, Time Enough, The Builder, One Million Tomorrows, Satisfaction Guaranteed, The Return of Tharn, The Crystal Horde, The Hidden Universe, The Days of Perky Pat, Sshhh ..., Billennium, Islands of Space, The Bridge of Light, Seeds of Life, Birth of a Notion, The Ship Who Searched, Project Nightmare, Encounter in the Dawn, Divided We Fall, Uphill Climb, Whatll We Do with Ragland Park'. Excerpt: The Lathe of Heaven is a 1971 science fiction novel by Ursula K. Le Guin. The plot revolves around a character whose dreams alter reality. The story was first serialized in the American science fiction magazine Amazing Stories. The novel received nominations for the 1972 Hugo and the 1971 Nebula Award, and won the Locus Award for Best Novel in 1972. Two television film adaptations have been released: the acclaimed PBS production, The Lathe of Heaven (1980); and Lathe of Heaven (2002), a remake produced by the A&E Network. The title is taken from the writings of Chuang Tzu - specifically a passage from Book XXIII, paragraph 7, quoted as an epigraph to Chapter 3 of the novel: To let understanding stop at what cannot be understood is a high attainment. Those who cannot do it will be destroyed on the lathe of heaven. ( ...

Carefully selected and represented, the plays in this collection showcase both the fantastic and the realistic innovations of Korean dramatists during a time of rapid social and historical change. Stretching from 1962 to 2004, these seven works tackle major subjects, such as the close of the Choson dynasty and the aftermath of the Korean War, while delving into trenchant cultural issues, such as the marginalization of students who rebel against mainstream education and the role of traditional values in a materialistic society. Longtime scholar of Korea and its vibrant, politically acute theater, Richard Nichols opens with a general overview of modern Korean drama since 1910 and concludes with an appendix describing theater production and audience attendance in Seoul. He chooses works that aren't just for Korean audiences. These texts confront universal themes and situations, tackling the problem of ambition, the trouble with fidelity, and the complexity of sexual and interpersonal relationships. Nichols situates each work critically, historically, and culturally, including brief biographies of playwrights and extensive notes. A bibliography also provides alternative readings and the titles of additional plays currently available in English. Primed for production, these skillful translations provide Western directors with exciting new material for the stage. At the same time, they offer students and scholars a sophisticated survey of the modern Korean dramatic tradition.

By bringing the plays together in this collection, Esther Kim Lee highlights the themes and styles that have enlivened Korean diasporic theater in the Americas since the 1990s. Some of the plays are set in urban Koreatowns. One takes place in the middle of Texas, while another unfolds entirely in a character's mind. Ethnic identity is not as central as it was in the work of previous generations of Asian diasporic playwrights.

Modern Asian Theatre and Performance 1900 – 2000 is a ground-breaking survey, tracking the advent of modern drama in Japan, India, China, Korea and Southeast Asia. It considers the shaping power of realism and naturalism, the influence of Western culture, the relationship between theatrical modernisation and social modernisation, and how theatre operates in contemporary Asian society. Organised by period, nation and region, each chapter provides: ·a historical overview of the culture; ·an outline of theatre history; ·a survey of significant playwrights, actors, directors, companies, plays and productions. With contributions from an international team of scholars, this authoritative introduction will uniquely equip students and scholars with a broad understanding of the modern theatre histories of Asia.

"Korean Theatre: From Rituals to the Avant-Garde is the most comprehensive book on Korean theatre which covers from ancient rituals to the modern theatre. It is an essential book for anyone who is interested in theatre or Korean theatre . . . The research that went in to make this book possible can only be described as phenomenal." Alyssa Kim, Ph.D. Hankuk University of Foreign Studies "The book has a clear, understandable organization. Professor Cho’s prose is succinct, readable, and void of fashionable academic jargon. I find the chapter beginning-historical context very useful, most especially those surrounding and shaping Korean theatre since the ‘50s. The early chapters on masked-dance plays and puppet theatre provide important information about Korean culture and the later chapters on Madanggŭk and North Korean proletarian drama shed light on area little known or understood by Western students of Korea. This book promises to be a singular contribution to English-language materials on Korean theatre, one written by a scholar with an encyclopedic knowledge of his subject." Richard Nichols, Ph.D. Emeritus Professor of Theatre Pennsylvania State University

This book, the third volume in the K-Culture series intended to promote contemporary Korean culture overseas, introduces foreign audiences to Korean dramas. K-Drama and Hallyu K-Drama: The Beginning of Hallyu K-Drama Reaches into Asia and Beyond Why K-Drama? The Appeal of K-Drama Foreign Media Respond to K-Drama History of K-Drama 1960s: The Age of Enlightenment 1970s: Entering the Era of True Entertainment 1980s: Portraits of a Modern Korea 1990s: More Ideas, Better Results 2000s to the Present: K-Drama Goes Global Top K-Dramas and Stars Top 10 K-Dramas Top K-Drama Stars From Little Acorns

A riveting debut novel set in contemporary Seoul, Korea, about four young women making their way in a world defined by impossible standards of beauty, after-hours room salons catering to wealthy men, ruthless social hierarchies, and K-pop mania “Powerful and provocative . . . a novel about female strength, spirit, resilience—and the solace that friendship can sometimes provide.”—The Washington Post NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Time • NPR • Esquire • Bustle • BBC • New York Post • InStyle Kyuri is an achingly beautiful woman with a hard-won job at a Seoul “room salon,” an exclusive underground bar where she entertains businessmen while they drink. Though she prides herself on her cold, clear-eyed approach to life, an impulsive mistake threatens her livelihood. Kyuri’s roommate, Miho, is a talented artist who grew up in an orphanage but won a scholarship to study art in New York. Returning to Korea after college, she finds herself in a precarious relationship with the heir to one of the country’s biggest conglomerates. Down the hall in their building lives Ara, a hairstylist whose two preoccupations sustain her: an obsession with a boy-band pop star, and a best friend who is saving up for the extreme plastic surgery that she hopes will change her life. And Wonna, one floor below, is a newlywed trying to have a baby that she and her husband have no idea how they can afford to raise in Korea’s brutal economy. Together, their stories tell a gripping tale at once unfamiliar and unmistakably universal, in which their tentative friendships may turn out to be the thing that ultimately saves them.