The Baron Brightmore is the exact sort of rake a debutante should stay far away from… Not that Miss Alexi Starlit need worry about rogues. She’s too busy blending into the wall to catch the eye of a man like that. That is until this wallflower stumbles across a derelict and drunk baron having a tryst in the garden with an unknown lady. And when that woman escapes into the dark, Alexi is left alone with the worst sort of lord. She can’t imagine the situation could get any worse until her hosts happen upon them and mistake her for the tryster. And then the entire affair gets published in the paper. And, of course, her father insists she weds Baron Brightmore. Luck is not on her side. But Alexi is determined to prove her innocence and change her fate. With the baron’s help, can they track down the mysterious woman who was breaking all the rules? And why is she tempted, every time she looks at Brightmore, to break them too? They are only investigating together to escape a marriage, not become further embroiled. Still, Alexi can’t deny, rakes are nothing if not tempting. When might she have an opportunity like this again? And is there truth to the saying that rakes make the best husbands? Perhaps, she should find out…

She is not stalking the duke. She’s just following him. Very closely… When Miss Mona Ayers finds herself betrothed to a marquess older than her father’s father, there is only one thing to do. Find a better suitor. But who is better than a marquess? A duke, of course. The problem is the only one currently on the market, the Duke of Durham, is as derelict as he is determined not to marry. She knows, she’s done her research. She’s read every article ever printed about him in the London Times. She might have even cut them out and saved them. And when the opportunity to catch him alone and make him an offer he hopefully can’t refuse, Mona doesn’t hesitate. Any fate is better than be married to an elderly marquess. But that’s when things really start to get tricky. He refuses the offer. Worse yet, some woman from his past is seeking retribution and just because Mona’s saved a few articles, all right, several, he thinks she might be said lady. She’s determined, yes. But deranged? Most certainly not. But how to prove that to the Duke of Durham, convince him her plan for a marriage of convenience is sound, and save him from whatever woman wishes him ill? It’s a big task. Mona, however, is up for the challenge. The only other dilemma? Her heart has decided that convenience just won’t do.

What if this princess didn’t wish to leave her tower? Fern liked being alone, tucked away from the rest of the world. People had a way of being so…disappointing. But when a viscount knocks at her door, he makes her an offer she can hardly refuse. Help him gain revenge on her evil stepsister, the very one who chased her into the tower, and he’d give her the means to pursue any future Fern wished. It was the perfect solution except for one detail. Leaving meant facing the demons of her past. And as attraction crackles between her and her new partner, the Viscount with a vendetta of his own, and a million reasons to double cross her, she has to decide, is the adventure worth the risk? And what if all her reasons for hiding away from the world turned out to be exactly right? There was only one way to find out.

No one can play the game like her… Though her title is lady now, Mirabelle Smith wasn’t always. Bastard daughter to the Earl of Easton, she grew up without any of her father’s wealth or power to protect her. Which is why when she determines to be the belle of next London’s season, she knows that playing fair won’t get her what she most desires. The only way to win is to use every trick she’s carefully stashed up her lace cuff. Because if growing up on the wrong side of London has taught her anything, it’s that cheaters often win, and gambling only works if you know how to play… The problem? She needs the help of a certain baron. Partial owner of a new gaming hell, Hell’s Corner, Baron Boxby’s part of her dark world and the glittering ton that’s just past her reach… But how to convince a man who doesn’t want any entanglements to aid her quest? A bet ought to do nicely… Are you a fan of Bridgerton? Julia Quinn? Sabrina Jeffries? Tessa Dare? Kate Bateman? Regency romance? Check out, Lords of Temptation!

What if Prince Charming wasn’t so charming? What if he was the bad guy? And Baron Robinson liked it that way. Except when his best friend’s sister, the lovely Miss Emily Cranston, is suddenly alone in the world, he knows it’s his duty to protect her. Which turns out to be a much larger job than he anticipated. Because while Emily is the picture of innocence, the trouble nipping at her heels is anything but. Jacob might be a no-good rake… but a lady that vulnerable needs to be protected from real evil. And that fact that she tempts him in all sorts of ways she ought not…. Well, he’s just going to have to keep her safe from that too. But while saving her from the world is a challenge, keeping his hands off her is proving to be impossible.

The award-winning columnist, regular TV and radio contributor and former campaign advisor presents a no-holds-barred, behind-the-scenes glimpse into the world of big time politics where young, drunk, eager twentysomethings, Godophiles and press tarts co-exist to shape the nation's laws. Original.

Baron Roman Fedorovich von Ungern-Sternberg (1885–1921) was a Baltic German aristocrat and tsarist military officer who fought against the Bolsheviks in Eastern Siberia during the Russian Civil War. From there he established himself as the de facto warlord of Outer Mongolia, the base for a fantastical plan to restore the Russian and Chinese empires, which then ended with his capture and execution by the Red Army as the war drew to a close. In The Baron’s Cloak, Willard Sunderland tells the epic story of the Russian Empire’s final decades through the arc of the Baron’s life, which spanned the vast reaches of Eurasia. Tracking Ungern’s movements, he transits through the Empire’s multinational borderlands, where the country bumped up against three other doomed empires, the Habsburg, Ottoman, and Qing, and where the violence unleashed by war, revolution, and imperial collapse was particularly vicious. In compulsively readable prose that draws on wide-ranging research in multiple languages, Sunderland re-creates Ungern’s far-flung life and uses it to tell a compelling and original tale of imperial success and failure in a momentous time. Sunderland visited the many sites that shaped Ungern’s experience, from Austria and Estonia to Mongolia and China, and these travels help give the book its arresting geographical feel. In the early chapters, where direct evidence of Ungern’s activities is sparse, he evokes peoples and places as Ungern would have experienced them, carefully tracing the accumulation of influences that ultimately came together to propel the better documented, more notorious phase of his career. Recurring throughout Sunderland’s magisterial account is a specific artifact: the Baron’s cloak, an essential part of the cross-cultural uniform Ungern chose for himself by the time of his Mongolian campaign: an orangey-gold Mongolian kaftan embroidered in the Khalkha fashion yet outfitted with tsarist-style epaulettes on the shoulders. Like his cloak, Ungern was an imperial product. He lived across the Russian Empire, combined its contrasting cultures, fought its wars, and was molded by its greatest institutions and most volatile frontiers. By the time of his trial and execution mere months before the decree that created the USSR, he had become a profoundly contradictory figure, reflecting both the empire’s potential as a multinational society and its ultimately irresolvable limitations.