Found Art is a collection of spiritually enriching, uplifting stories from the author's life. These stories are insightfully woven around the seasons found in Ecclesiastes 3 and include birthing and dying, planting and harvesting, speaking and remaining silent, weeping and laughing, mourning and dancing, war and peace.

The newest development in alternative art: the use of salvaged and repurposed materials by contemporary artists. Tristan Manco reveals how artists of all kinds are bringing creativity to basic, often unglamorous materials—from broken bottles, old flip-flops, and skateboards to sustainable resources such as wood, straw, and paper. Through hundreds of illustrations, in-depth artist profiles, and detailed discussions of various materials, he showcases the work of more than thirty innovative and inspiring artists from around the world, from the United States, Mexico, Brazil, and Chile to the UK, Spain, France, and Italy. Some of the artists have invented new techniques—American artist Rosemarie Fiore uses fireworks to create paintings—while others have pushed the envelope in the presentation of their work by creating fresh, dynamic forms of display. Whether it is Chilean artist Carlos Zuniga’s creative use of text pages from found books and directories or Brazilian sculptor Henrique Oliveira’s ambitious organic forms in salvaged plywood, the book highlights how imaginative approaches to media and technique encourage us to look at the world in new ways.

Found materials are taking the craft world by storm because the creative potential is tremendous. Contemporary mosaic artists--who continue to expand the limits of construction and materials--can benefit greatly from this movement toward reuse. Even the mosaic neophytes among us can explore the myriad possibilities of these new materials with this fabulous guide. Learn everything you need to get started in the world of found art mosaics, from materials, glass, ceramics, natural materials, grouts, surfaces, sealants, safety gear, and more. The 27 projects here--including the Buttons & Pebbles Vase, Glittering Jewels Belt Buckle, and Recycled Bathtub Garden Planter--each reuse and repurpose objects differently, as the found object may be the surface, the tesserae, or both.

In this first book of interviews with visual artists from across Texas, more than sixty artists reflect on topics from seminal influences and inspirations to their common engagement with found materials. Beyond the art itself, no source is more primary to understanding art and artist than the artist’s own words. After all, who can speak with more authority about the artist’s influences, motivations, methods, philosophies, and creations? Since 2010, Robert Craig Bunch has interviewed sixty-four of Texas’ finest artists, who have responded with honesty, clarity, and—naturally—great insight into their own work. None of these interviews has been previously published, even in part. Incorporating a striking, full-color illustration of each artist’s work, these absorbing self-examinations will stand collectively as a reference of lasting value.

If you've ever wanted to learn the secrets which turn a tap handle into a mysterious woman from the sea, which transform plastic aquarium plants into subterranean roots stretching far beneath the known world and those which can make an icy cave from a bourbon box, then prepare yourself for inspiration that will have you checking your trash bin, twice. &break;&break;In Secrets of Rusty Things, renowned assemblage artist Michael DeMeng guides you down the intuitive, curious and often rock-strewn path of an artist's creative process, where illusions are just as important as any other aspect to the art. You'll discover new ideas of where to look for, not only discarded objects, but new items that you may not have previously seen as having a place in a future work of art. You'll be inspired by ways to add meaningful symbolism to your artworks' stories both through the use of color and shape. And you'll see how an ancient tale can parallel the artist's plight and invoke a new piece of art. &break;&break;From the pondering of each ancient myth and its connection to the modern-day artist, to the gluing together of objects, to the paint that unifies and disguises the original bits and pieces, this is an intimate view into the creative process unlike any workshop you've ever attended.

This book shows how art therapists can use found objects in their work with clients. Found objects can be a highly affordable, imaginative and creative way of working, and are particularly effective when working with marginalised populations and clients who have experienced trauma. This edited collection contains chapters from a wide variety of contributors from around the world and covers a vast array of topics, including the use of found objects in clinical settings, community and art practice, pedagogy and self-care. This is the ideal resource for any art therapist wishing to explore the use of this non-traditional medium to enrich their practice.

British art and architecture of the 1950s are little known but extraordinarily topical today. Of particular relevance are the activities of the Independent Group, a loosely structured organization whose members included artists Richard Hamilton, Eduardo Paolozzi, and Magda Cordell, More...photographer Nigel Henderson, critics Reyner Banham and Lawrence Alloway, and architects Alison and Peter Smithson, James Stirling, and Colin St. John Wilson, who sought the essence of the everyday through a sensitivity to the hardships and charm of life in the raw. As Found encounters the transdisciplinary relationship between the constructed environment as it is visually perceived and verbally expressed. Edited by Claude Lichtenstein & Thomas Schregenberger. Artists include: Magda Cordell, Richard Hamilton, Nigel Henderson and Eduardo Paolozzi. Architects include: Alison & Peter Smithson, James Stirling and Colin St. John Wilson.