A cabin boy in 1839 could steal cards and cheat the boys at eleven stock a deck at fourteen bested soldiers on the Rio Grande during the Mexican war won hundreds of thousands from paymasters, cotton buyers, defaulters and thieves fought more rough and tum

George H. Devol was the greatest riverboat gambler in the history of the Mississippi. Born in Ohio in 1829, he ran away from home and worked as a cabin boy at age ten. At fourteen he could stack a deck of cards. Over the years, he bilked soldiers, paymasters, cotton buyers, thieves, and businessmen alike. He fought more fights than anyone, and was never beaten. This is his story. Nobody was ever bored by it.

In this informative and entertaining book, learn from Cousin Sal how not to gamble your life away -- along with many other life lessons -- so you don't have to learn the hard way. Over the last forty years, Cousin Sal has made bets with doctors, lawyers, teachers, agents, bookies, writers, comedians, radio DJs, tv producers, baseball players, front office executives, bandleaders, movie stars, publicists, weed lab owners, hedge fund operators, and even professional wrestlers. From his early days growing up in Brooklyn and Long Island flipping baseball cards to now hosting podcasts and TV shows and managing several offshore accounts we don't talk about, Cousin Sal has truly become the average American sports fan's go to source for gambling tips. So here's how not to do it . . . With hilarious tales of love and loss, winning and (a lot) of losing, crazy family and fatherhood, and a life saga that inspired the Phil Collins' song, "Against All Odds," Cousin Sal has now written THE Vegas super-system, MIT-algorithmic, sharp-approved book for how to gamble like a pro -- or at least not how not to go broke and lose your kids to Child Protective Services.

Wexler's compulsive gambling spiraled out of control....after forty-plus years in recovery, he's become a nationally known expert on gambling addiction.

In Blacklegs, Card Sharps, and Confidence Men, Thomas Ruys Smith collects nineteenth-century stories, sketches, and book excerpts by a gallery of authors to create a comprehensive collection of writings about the riverboat gambler. The voices of canonized writers such as William Dean Howells, Herman Melville, and, inevitably, Mark Twain hold prominent positions. But they mingle seamlessly with lesser-known pieces such as an excerpt from Edward Willett's sensationalistic dime novel Flush Fred's Full Hand, raucous sketches by anonymous Old Southwestern humorists from The Spirit of the Times, and colorful accounts by now nearly forgotten authors like Daniel R. Hundley and George W. Featherstonhaugh. Smith puts the twenty-eight selections in perspective with an Introduction that for the first time thoroughly explores the history and myth surrounding this endlessly fascinating American cultural icon.

“An exquisitely crafted memoir” by two brothers who lost their parents, lost their inheritance—and almost lost their freedom (The Wall Street Journal). Frederick Barthelme and his brother Steven were both accomplished, respected writers with stable adult lives when they lost both of their parents in rapid succession. They had already lost their other brother, just a few years earlier. Suddenly they were on their own, emotionally unmoored—and unprepared for what would happen next. Their late father had been a prominent architect, and the brothers were left with a healthy inheritance. Over the following several years, they would lose close to a quarter million dollars in the gambling boats off the Mississippi coast. Then, in a bizarre twist, they were charged with violating state gambling laws, fingerprinted, and thrown into the surreal world of felony prosecution. For two years these widely publicized charges hung over their heads, shadowing their every step. Double Down is the wry, often heartbreaking story of how Frederick and Steven Barthelme got into this predicament. It is also a reflection on the allure of casinos and the pull and power of illusions that can destroy our lives if we aren’t careful. “One of the best firsthand accounts ever written about organized gambling. Like Goodman Brown, taking a walk with a hooded stranger into the darkness of the New England woods, the Barthelme brothers suddenly find themselves inside the maw of the monster. The compulsion to control, to intuit the future, to be painted by magic, could not be better or more accurately described.” —James Lee Burke “Beautifully evoking the gamblers’ addiction, their mesmerizing account is best read as a novel Camus might have imagined, with the writer/protagonists as their own lost characters. A work of high art; enthusiastically recommended.” —Library Journal