English by birth, Prussian by marriage, rebellious by nature, the beautiful Arabella von Deppe steers her family through turbulent historical times in this thrilling story of love and loss, betrayal and revenge, ambition and beliefs, friendship and fate. With music as her inspiration and a murderer as her friend, she proves a worthy adversary of Fortune as she weathers winds beyond her control. Against a vivid backdrop of Frederick the Great's court, the French Revolution and the Napoleonic Wars, the action in Edward Glover's sequel to The Music Book spans four decades and four countries – Prussia, Russia, England and France – bringing the English countess face to face with Prussian kings, a Russian empress, Beethoven and Mozart. The second volume in the compelling Herzberg trilogy, Fortune's Sonata ends with an intriguing mystery that sets the scene for the final book, about two families on the road to the First World War.

ASCAP-Deems Taylor Award winner A fresh look at the life of Mozart during his imperial years by one of the world's leading Mozart scholars. "I now stand at the gateway to my fortune," Mozart wrote in a letter of 1790. He had entered into the service of Emperor Joseph II of Austria two years earlier as Imperial-Royal Chamber Composer—a salaried appointment with a distinguished title and few obligations. His extraordinary subsequent output, beginning with the three final great symphonies from the summer of 1788, invites a reassessment of this entire period of his life. Readers will gain a new appreciation and understanding of the composer's works from that time without the usual emphasis on his imminent death. The author discusses the major biographical and musical implications of the royal appointment and explores Mozart's "imperial style" on the basis of his major compositions—keyboard,chamber, orchestral, operatic, and sacred—and focuses on the large, unfamiliar works he left incomplete. This new perspective points to an energetic, fresh beginning for the composer and a promising creative and financial future.

Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.

The Nuremburg war crimes tribunal has just ended. Major Richard Fortescue, previously part of the British prosecution team, is returning to London when he encounters Karin Eilers, a young German woman with a dark past. Against the backdrop of war-devastated Berlin and the continuing search for former Nazis, their brief affair and a mysterious black notebook make them unwitting pawns in a deadly game of intrigue and betrayal played by British and Soviet intelligence. What wartime secrets will the notebook unravel? Who else will become a victim of the battle for its possession? Edward Glover, author of the Herzberg novel trilogy, draws on his Foreign Office posting in Berlin to bring this suspenseful story vividly to life.

Mystery, obsession, rage, joy, demons, death, secrets and a lute. All to be found on Johannes’ journey – a father’s search, an artist’s mission, a lost soul’s quest – where nothing, especially Khadra the lute player, is ever quite what it seems. Let Edward Glover be your guide as you venture beyond the borders of the Herzberg trilogy and The Executioner’s House to an intensely personal landscape in which fantasy, fable and metaphysics overlay ancient civilisations, and threads of history, music and art weave through a vividly conjured seeker’s story.

In 1998, Ron Rosenbaum published Explaining Hitler, a national bestseller and one of the most acclaimed books of the year, hailed by Michiko Kakutani in The New York Times as "lucid and exciting . . . a provocative work of cultural history that is as compelling as it is thoughtful, as readable as it is smart." Time called it "brilliant . . . restlessly probing, deeply intelligent." The acclaim came as no surprise to those who have been reading Ron Rosenbaum's journalism, published widely in America's best magazines for three decades. The man known to readers of his New York Observer column as "The Edgy Enthusiast" has distinguished himself as a writer with extraordinary range, an ability to tell stories that are frequently philosophical, comical, and suspenseful all at once. In this classic collection of three decades of groundbreaking nonfiction, Rosenbaum takes readers on a wildly original tour of the American landscape, deep into "the secret parts" of the great mysteries, controversies, and enigmas of our time. These are intellectual adventure stories that reveal: ¸ The occult rituals of Skull and Bones, the legendary Yale secret society that has produced spies, presidents, and wanna-bes, including George Bush and his son George W. (that's the author, with skull, on the cover, in front of the Skull and Bones crypt) ¸ The Secrets of the Little Blue Box, the classic story of the birth of hacker culture ¸ The Curse of the Dead Sea Scrolls; "The Great Ivy League Nude Posture Photo Scandal"; the underground realms of "unorthodox" cancer-cure clinics in Mexico; the mind of Kim Philby, "the spy of the century"; the unsolved murder of JFK's mistress; and the mysteries of "Long Island, Babylon" ¸ Sharp, funny (sometimes hilarious) cultural critiques that range from Elvis to Elisabeth Kübler-Ross, Bill Gates to Oliver Stone, Thomas Pynchon to Mr. Whipple, J. D. Salinger to the Zagat Guide, Helen Vendler to Isaac Bashevis Singer ¸ And a marriage proposal to Rosanne Cash Forcefully reported, brilliantly opinionated, and elegantly phrased, The Secret Parts of Fortune will endure as a vital record of American culture from 1970 to the present.