Arguably the single most influential literary work of the European Middle Ages, the Roman de la Rose of Guillaume de Lorris and Jean de Meun has traditionally posed a number of difficulties to modern critics, who have viewed its many interruptions and philosophical discussions as signs of a lack of formal organization and a characteristically medieval predilection for encyclopedic summation. In Fortune's Faces, Daniel Heller-Roazen calls into question these assessments, offering a new and compelling interpretation of the romance as a carefully constructed and far-reaching exploration of the place of fortune, chance, and contingency in literary writing. Situating the Romance of the Rose at the intersection of medieval literature and philosophy, Heller-Roazen shows how the thirteenth-century work invokes and radicalizes two classical and medieval traditions of reflection on language and contingency: that of the Provençal, French, and Italian love poets, who sought to compose their "verses of pure nothing"in a language Dante defined as "without grammar," and that of Aristotle's discussion of "future contingents" as it was received and refined in the logic, physics, theology, and epistemology of Boethius, Abelard, Albert the Great, and Thomas Aquinas.Through a close analysis of the poetic text and a detailed reconstruction of the logical and metaphysical concept of contingency, Fortune's Faces charts the transformations that literary structures (such as subjectivity, autobiography, prosopopoeia, allegory, and self-reference) undergo in a work that defines itself as radically contingent. Considered in its full poetic and philosophical dimensions, the Romance of the Rose thus acquires an altogether new significance in the history of literature: it appears as a work that incessantly explores its own capacity to be other than it is.

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Medieval writers were fascinated by fortune and misfortune, yet the critical problems raised by such explorations have not been adequately theorized. Allan Mitchell invites us to consider these contingencies in relation to an "ethics of the event." His book examines how Middle English writers including Chaucer, Gower, Lydgate, and Malory treat unpredictable events such as sexual attraction, political disaster, social competition, traumatic accidents, and the textual condition itself - locating in fortune the very potentiality of ethical life. While earlier scholarship has detailed the iconography of Lady Fortune, this book alters and advances the conversation so that we see fortune less as a negative exemplum than as a positive sign of radical phenomena.

In 'The Greatest Works of E. Nesbit (220+ Titles in One Illustrated Edition)', readers are presented with a comprehensive collection of stories that showcase Nesbit's talent for blending fantasy with reality. Known for her captivating storytelling and incorporation of magical elements in everyday settings, Nesbit's work has been influential in the development of children's literature. This edition includes well-loved classics such as 'Five Children and It', 'The Enchanted Castle', and 'The Railway Children', all adorned with vibrant illustrations that bring her imaginative world to life. Nesbit's ability to engage both children and adults through her enchanting narratives is evident throughout this extensive collection. Edith Nesbit, a prolific author and poet, drew inspiration from her own experiences as a mother and her deep connection to the English countryside. Her keen observation of children's behavior and emotions is reflected in her characters, making her stories relatable and endearing to readers of all ages. Nesbit's unique storytelling style has solidified her reputation as a trailblazer in children's literature, with her works continuing to captivate generations of readers. I highly recommend 'The Greatest Works of E. Nesbit' to anyone who appreciates timeless classics that combine adventure, humor, and a touch of magic. Nesbit's masterful storytelling and depth of character development make this collection a must-read for fans of children's literature and literary enthusiasts alike.

Modern theoretical approaches throw new light on the concepts of face and faciality in the Roman de la Rose and other French texts from the Middle Ages.

The Silver Viper comes across a small, badly damaged vessel with one life sign. Captain Amber Raine brings the small spaceship aboard The Silver Viper to rescue the single occupant. Kael Yarrow was on his way into a dangerous nebula to seek a fabled treasure when he was attacked by space pirates and left for dead… Until The Silver Viper comes to his aid.