You love a good mystery. The first one is: which book do you start with? It took Rafe Vega five years to figure out a horrific crime had been committed against his family, and another three to figure out what to do about it. The only one left standing, he thinks he knows what happened to his wife and daughters. But Fortune Flores is hiding secrets even she doesn’t know. With the FBI looking for the girl, Rafe has to make them understand he’s not what they think he is. The eight-year-old is going to help him prove how his own family was methodically destroyed. Is Fortune the key he thinks she is? Or will her DNA prove him a liar? Fortune is a two book set that tells the same story from two perspectives by a USA Today bestselling author. Learn more about the secrets eight-year-old Fortune is hiding. Find out why was Fortune taken. . . FORTUNE'S two books follow the same timeline, so you can read either one first. We call it an "E-quel." If you can’t decide which book to start with, let our randomizer pick for you! www.ReadAJS.com/Fortune/

Move over, Thelma and Louise! When Lana Mae Hopkins, owner and proprietress of the Wishy Washy Washateria, hires Katie to help out in the laundromat, they soon find themselves up to their elbows in soap, suds, and cheatin' hearts. Watch these two country angels join forces to turn their good ol' laundromat into a bootscootin' honky-tonk, exacting a touch of revenge against those that done 'em wrong, all while guaranteeing every customer a good, clean time! Take a ride to Nashville heaven in this new musical from Roger Bean (The Marvelous Wonderettes, Life Could Be A Dream). Featuring the music of Carrie Underwood, Trisha Yearwood, Martina McBride, Reba McEntire, Sara Evans, Dixie Chicks, Chely Wright, Dolly Parton, Pam Tillis, Gretchen Wilson, Terri Cark, Tammy Wynette, Loretta Lynn and Patsy Cline!

Comedy / Characters: 7 male, 5 female Set Requirements: Interior Produced in New York City. Three young men and three young women share an apartment in all innocence; they are would be stage folk and they are doing this for economic security. Their apartment is immediately above that of a Broadway producer who is about to cast a road company. They rehearse the play but how can they get him upstairs to see it? It happens that the producer is an amateur chef and, right in the middle of a culi

One year ago, Edmond died in a horrible fire. He took with him the dreams of his fiancee, Meredith, the trust of his best friend, Eric, and the answers to the burning questions that still linger about his death and the terrible crime he committed. But on a stormy night at the cemetery where he rests, the secrets from his past will finally refuse to stay buried; and those he left behind will finally refuse to stay silent. In this original, suspense-filled musical thriller by the author/composer of "Thrill Me," there are enough twists, turns and surprises to keep the audience guessing up until the final shocking moments.

In this EU referendum year, it's time for people across Europe to look at what really goes on in Brussels in our name. It has been estimated that the EU costs us around £1,000 billion a year - an incredible £2000 for every man, woman and child in Europe. So what do we get for our money? Politicians and administrators selflessly working to bring us efficient government? Well-targeted regulations that promote economic prosperity? A safe and free society? A well-protected environment? Help for people in poorer countries? Or is our money being squandered by a self-serving euro-elite of unaccountable politicians and incompetent bureaucrats, or else devoured in a feeding frenzy of fraud and corruption where a few lucky insiders become unimaginably rich at our expense? And is the tsunami of regulation pouring out of Brussels in reality strangling industry, destroying jobs, restricting personal freedom, desecrating the environment and further impoverishing the developing world? Using their extensive network of insider sources, David Craig and Matthew Elliott smash through the secrecy and disinformation that are the Brussels hallmark to reveal what our European rulers are really getting up to. The result is a horrifying story of bureaucracy, hypocrisy and kleptocracy - and how we are all suffering as a result.

Federico García Lorca (1898–1936) had enormous impact on the generation of American poets who came of age during the cold war, from Robert Duncan and Allen Ginsberg to Robert Creeley and Jerome Rothenberg. In large numbers, these poets have not only translated his works, but written imitations, parodies, and pastiches—along with essays and critical reviews. Jonathan Mayhew’s Apocryphal Lorca is an exploration of the afterlife of this legendary Spanish writer in the poetic culture of the United States. The book examines how Lorca in English translation has become a specifically American poet, adapted to American cultural and ideological desiderata—one that bears little resemblance to the original corpus, or even to Lorca’s Spanish legacy. As Mayhew assesses Lorca’s considerable influence on the American literary scene of the latter half of the twentieth century, he uncovers fundamental truths about contemporary poetry, the uses and abuses of translation, and Lorca himself.