Details the likely murder of 21-year-old millionaire Billy McClintock in December 1924 through the administration of typhoid germs by his guardians, who stood to inherit everything, but only if Billy died before his February 1925 wedding.

As an aesthetic notion and dramatic genre, tragedy has enjoyed a privileged place in French culture, particularly during the early modern period when debates over its nature and philosophy reflected fascination with a style whose fundamental principles were drawn from ancient Greek sources. Through the works of Pierre Corneille and Jean Racine, routinely cited for an alleged regularity of form and content exemplifying the academic notion of French Classicism, tragedy has grounded the French literary canon. Because of its place at the heart of canonical French literary studies, tragedy’s traditionally prescribed boundaries and interpretations have rarely been questioned. Fortune and Fatality: Performing the Tragic in Early Modern France challenges conventional notions of the nature and function of tragedy and the ends to which philosophical, theatrical, and performative aspects of the tragic were appropriated during the sixteenth and seventeenth centuries. The scope of material explored in this volume will be of interest not only to scholars and students of sixteenth- and seventeenth-century literature, but to those working in areas such as theater, gender studies, aesthetics, history, religion, philosophy, classics, and cultural studies.

Excerpt from Prince Fortune and Prince Fatal, Vol. 2 of 3 It was a strange, dreamy life that they led upon this mountain-side, girt by the sea - the all of human nature about them, only a few peasant folks, with their light hearts, and simple ignorance, and serious faith, and the wealth of their few wants. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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This is the story of Darmot Kromwell, as told by him, in his words. It details his journey from the land of Eystlund to Arcadia and beyond. A personal diary of his adventures.