Back and Forth The 100 plus new abstract canvases, carefully reproduced in this book with its unusual format, are the result of one of the most intensive phases of work by Günther Förg in recent years, which took place between Autumn 2008 and Spring 2009. The artist places a sequence of calculated colour fields into a basic grid, which changes from format to format, each individual painting having its own tonal rhythm characterised in turn by a high degree of physical concentration. It is then no coincidence that Rudi Fuchs' linguistically stirring yet acutely observed text discerns an affinity between this work and Piet Mondrians's last und most unusual painting, »Victory Boogie Woogie«. However, the way the palette of colours is organised, supplemented by the structure of each individual colour field, substantially differentiates Günther Förg's endeavour from that his predecessor. In fact it is the free flow of the brushstrokes, the delicate upward and more forceful downward movement alongside the choice of colours, which together propel each individual composition beyond the scope of all previously known abstraction. Or as Rudi Fuch's puts it: »Whether he painted vibrating colour fields, irregular grids comprising raw, fibrous lines, he always had clever interruptive strategies in the implementation. Figuration had to give way in order to release the primordial energy of the brushstroke in its purest form: vigorous abstraction«.

Simple text and photographs provide examples of back and forth movement, including the pendulum in a clock, a child in a rocking chair, and tree in the wind.

"This book left me breathless!" --R. L. Stine, #1 New York Times bestselling author of Goosebumps and Fear Street "Move over, Stranger Things. . . The Darkdeep will pull you into an irresistibly eerie world beyond your wildest dreams--and nightmares." --Melissa de la Cruz, #1 New York Times bestselling author of the Descendants series New York Times bestselling authors Ally Condie and Brendan Reichs team up to co-author this thrilling first book in a darkly suspenseful middle grade series. Everyone in Timbers knows Still Cove is off-limits, with its creepy Beast sightings and equally terrifying legends. But when a bullying incident sends twelve-year-old Nico Holland over a cliff and into Still Cove's icy waters, friends Tyler and Emma--and even Opal Walsh, who usually runs with the popular kids--rush to his rescue . . . and discover a mysterious island hiding in the murky, swirling mists below. Though the island appears uninhabited, the kids can't shake a feeling that something about it is definitely not right. Their suspicions grow when they stumble upon an abandoned houseboat filled with all sorts of curiosities: odd-looking weapons, unnerving portraits, maps to unknown places, and a glass jar containing something completely unidentifiable. And in its lowest depths churns a dark, deep secret. As the group delves deeper into this mysterious new clubhouse, their lives begin to intertwine in weird and dangerous ways. For something ancient has awakened . . . and it can detect not only their wishes and dreams, but also their darkest, most terrible imaginings. Do they have what it takes to face the shadowy secrets lurking within their own hearts? Told from alternating points of view, this pulse-racing tale from bestselling duo Ally Condie and Brendan Reichs is the start of a high-stakes, thrilling series about friendship and believing in yourself--and each other.

History of one of the shortest, oldest and most unusual ferries.

Ethan loves both his mom and his dad, but going back and forth between two homes is hard! Joint custody allows children whose parents are divorced or separated lots of time with each parent, but the actual transitions back and forth can be tough. Children will relate to Ethan's changing feelings as he goes from his dad's house to his mom's house. Parents get nice modeling on how to help their children.

Everyone who is born is someday going to die. Some of us will die peacefully in our sleep, some will die in accidents, and some as the result of diseases, cancer or AIDS. Because we do not usually know when we are going to die, most of us are frightened of death. We do not want to talk about it, do not want to face it, and we run from it as long as we can. And some of us die a lonely death--in a hospital, surrounded by strangers and white sheets, while family and loved ones are kept out of the room at the final moment. Anya Foos-Graber believes that death, like birth, should be a shining, light filled, conscious moment. Death is not a disease. It is the most natural passage we will make since birth. Looking at death before the time comes is like learning about natural childbirth before having a baby. Just as women are choosing to be conscious participants in the birth process, Foos-Graber feels that all of us should be conscious as well of our eventual death--that we should prepare for it the way the Tibetan Buddhists and American Indians used to do. The author calls this process of conscious preparation and practice deathing. The book presents two teaching stories, illustrating both a conscious death and an unconscious one. The second half of the book is a step-by-step manual, containing complete instruction and simple exercises--such as breathing, visualization, and the all important, "6th technique," or your chosen "Name and form of God" to which you direct your attention in life and the death transition. You can use the formless LIGHT itself as referent, an absence of any belief structure. A support person rather like the father's presence in natural childbirth can assist in the event of coma, or accident death. Other books have been written about grief, about wills, about taking care of your affairs. This is a book about taking care of yourself, and how to be helpful to someone you care for. Deathing has two aims: to make sure that the dying are comfortable and comforted as they die, and to help all of us prepare for the greatest adventure we will face since birth.

#1 NEW YORK TIMES BESTSELLER • A special 25th anniversary edition of the beloved book that has changed millions of lives with the story of an unforgettable friendship, the timeless wisdom of older generations, and healing lessons on loss and grief—featuring a new afterword by the author “A wonderful book, a story of the heart told by a writer with soul.”—Los Angeles Times “The most important thing in life is to learn how to give out love, and to let it come in.” Maybe it was a grandparent, or a teacher, or a colleague. Someone older, patient and wise, who understood you when you were young and searching, helped you see the world as a more profound place, gave you sound advice to help you make your way through it. For Mitch Albom, that person was his college professor Morrie Schwartz. Maybe, like Mitch, you lost track of this mentor as you made your way, and the insights faded, and the world seemed colder. Wouldn’t you like to see that person again, ask the bigger questions that still haunt you, receive wisdom for your busy life today the way you once did when you were younger? Mitch Albom had that second chance. He rediscovered Morrie in the last months of the older man’s life. Knowing he was dying, Morrie visited with Mitch in his study every Tuesday, just as they used to back in college. Their rekindled relationship turned into one final “class”: lessons in how to live. “The truth is, Mitch,” he said, “once you learn how to die, you learn how to live.” Tuesdays with Morrie is a magical chronicle of their time together, through which Mitch shares Morrie’s lasting gift with the world.