Fort Martin Scott still stands guard in the heart of Texas 150 years after its construction, which was prompted by a peace treaty between Germans and the Penateka Comanches. The first frontier fort in Texas, the original complex of twenty-one buildings allowed soldiers to patrol the Upper Immigrant Trail through Comanche and Apache territory. The old fort was a hub for military patrols during the Texas Indian Wars. Famous army units, including the First and Eighth Infantries, as well as the Second Dragoons and Fourth Cavalry, were all stationed at this post at one time or another. Fort Martin Scott was the locality of much partisan conflict during the Civil War. Author and historian Joseph Luther tells the full story of this historic Texas icon.

Fort Martin Scott still stands guard in the heart of Texas 150 years after its construction, which was prompted by a peace treaty between Germans and the Penateka Comanches. The first frontier fort in Texas, the original complex of twenty-one buildings allowed soldiers to patrol the Upper Immigrant Trail through Comanche and Apache territory. The old fort was a hub for military patrols during the Texas Indian Wars. Famous army units, including the First and Eighth Infantries, as well as the Second Dragoons and Fourth Cavalry, were all stationed at this post at one time or another. Fort Martin Scott was the locality of much partisan conflict during the Civil War. Author and historian Joseph Luther tells the full story of this historic Texas icon. Book jacket.

The forts of Texas, once teeming with soldiers, settlers and Native Americans, today stand like silent sentinels, abandoned to the ravages of sun, wind, and time. Their legends and stories are ghostly reminders of a past steeped in violence and tragic loss. Tales of Indians wrapped in buffalo robes and a ghostly lady delivering white roses to an officer's desk are woven with historical facts, placing the reader in the midst of the action. Photographs of these historic places send the reader back in time as haunted souls of long-lost legends fill the pages.

Texas Tales and Tall Ships, Vol. 1: Texas History from 1528-1945 the End of WW 2 By: Malcom Lee Johnson Texas Tales & Tall Ships is a well-documented book on the history of the region of the United States now known as Texas, covering the time period from 1528 when Cabeza de Vaca arrived, to the end of World War II in 1945. This well-referenced and educational look into the past is an important work for understanding the history of Texas and how it has evolved into the Lone Star State.

This book features ten tours to Central Texas that capture the essence of its flavor and charm. Included in this guide are historic tidbits, folklore, geography, major attractions, maps, listings of accomodations, a calendar of events, and more.

Certificate of Commendation, American Association for State and Local History, 1994 T. R. Fehrenbach Book Award, Texas Historical Commission, 1992 San Antonio Conservation Society Citation, 1993 Dramatic historical events have frequently provided subject matter for artists, particularly in pre-twentieth-century Texas, where works portraying historical, often legendary, events and individuals predominated. Until now, however, these paintings of Texas history have never received the kind of study given to historical, fictional, and film versions of the same events. Painting Texas History to 1900 fills this gap with an interdisciplinary approach that explores these paintings both as works of art and as historical documents. The author examines the works of more than forty artists, including Henry McArdle, Theodore Gentilz, Robert Onderdonk, William Huddle, Frederic Remington, Friedrich Richard Petri, Arthur T. Lee, Seth Eastman, Sarah Hardinge, Frank Reaugh, W. G. M. Samuel, Carl G. von Iwonski, and Julius Stockfleth. He places each work within its historical and cultural context to show why such subject matter was chosen, why it was depicted in a particular way, and why such a depiction gained popular acceptance. For example, paintings of heroic events of the Texas Revolution were especially popular in the years following the Civil War, when, in Ratcliffe's view, Texans needed such images to assuage the loss of the war and the humiliation of Reconstruction. Though the paintings cut across traditional art history categories—from the pictographs of early historic Indians to European-inspired oil paintings—they are bound together by their artists' intent for them to function as historically evocative documents. With their visual narratives of events that characterized all of America's westward expansion—Indian encounters, military battles, farming, ranching, surveying, and the closing of the frontier—these works add an important chapter to the story of the American West.

On May 9, 1846, Second Lieutenant Theodore Lincoln Chadbourne, United States Army, fell in the battle of Resaca de la Palma during the war with Mexico. Dead at twenty-three in a remote desert, his promise outweighing his accomplishments, Chadbourne slid into obscurity. But his lapse was not immediate, nor was it complete; clues to Chadbourne lay scattered about the historical landscape. Hunting Lieutenant Chadbourne is Jim W. Corder's account of his obsessive search for information about this soldier, whose name he first read on a historical marker beside a highway in Texas. A thoughtful meditation on the connectedness of history and the possibilities of recovering and understanding the past, the book reveals as much about Corder's literary and historiographical preoccupations as it does about the life of his subject. Rather than order his material into a linear, chronological narrative, Corder presents it in much the same sequence and form as it came to him. The effect is to dramatize the historical process and allow the very details that Corder collects to reveal Chadbourne to the reader. Who was Chadbourne, and can we ever really know? If Corder has any answers, they lie in his subtext of uncertainty.