The continuation of Pulitizer Prize-winning cartoonist G.B. Trudeau's bestselling Trump series, this fourth (and final?) volume chronicles Doonesbury in the time of Trumpism. Though the title doesn't mention him by name, Former Guy looms large in American politics and culture even after leaving the Executive Office of the President. This latest Doonesbury collection picks up in the heat of the 2020 presidential campaign, chronicles the infamy of the Jan. 6 Capitol riot, and continues into the next administration, the ongoing COVID-19 crisis, and the many manifestations of Trumpism in global politics and American life. Over 50 years into his legendary career, Pulitzer Prize-winning cartoonist G.B. Trudeau is still the most accomplished satirist in comics, and his ongoing comics coverage of Donald Trump are unparalleled in breadth and humor.

The second volume of this retrospective anthology covers the Pulitzer prize-winning cartoon strip from 1980 to 1989. On October 26, 1970, G.B. Trudeau introduced the world to a college jock named B.D. and his inept and geeky roommate, Mike Doonesbury. Fourteen thousand strips later, Doonesbury has become one of the most beloved and acclaimed comic strips in history. Over the years, the world of Doonesbury grew uniquely vast, sustained by an intricately woven web of relationships—over forty major characters spanning three generations. The complete 40: A Doonesbury Anthology presents more than 1,800 comic strips that chart key adventures and cast connections over the last four decades. Dropped in throughout this rolling narrative are twenty detailed essays in which Trudeau contemplates his characters, including portraits of core characters such as Duke and Honey, Zonker, Joanie, and Rev. Sloan, as well as more recent additions, such as Zipper, Alex, and Toggle. Trudeau also includes an annotated diagram that maps the mind-boggling matrix of character relationships. This second volume of the four-volume e-book edition of 40 covers the years 1980 to 1989 for the celebrated cartoon strip.

The author offers an insider's sometimes shocking account of how Defense Secretary James Mattis led the U.S. military through global challenges while serving as a crucial check on the Trump Administration.

An Edgar Award finalist for Best Fact Crime, this “impressive…open-eyed investigative inquiry wrapped within a cultural history of rural America” (The Wall Street Journal) shows legendary statistician and baseball writer Bill James applying his analytical acumen to crack an unsolved century-old mystery surrounding one of the deadliest serial killers in American history. Between 1898 and 1912, families across the country were bludgeoned in their sleep with the blunt side of an axe. Jewelry and valuables were left in plain sight, bodies were piled together, faces covered with cloth. Some of these cases, like the infamous Villasca, Iowa, murders, received national attention. But few people believed the crimes were related. And fewer still would realize that all of these families lived within walking distance to a train station. When celebrated baseball statistician and true crime expert Bill James first learned about these horrors, he began to investigate others that might fit the same pattern. Applying the same know-how he brings to his legendary baseball analysis, he empirically determined which crimes were committed by the same person. Then after sifting through thousands of local newspapers, court transcripts, and public records, he and his daughter Rachel made an astonishing discovery: they learned the true identity of this monstrous criminal. In turn, they uncovered one of the deadliest serial killers in America. Riveting and immersive, with writing as sharp as the cold side of an axe, The Man from the Train paints a vivid, psychologically perceptive portrait of America at the dawn of the twentieth century, when crime was regarded as a local problem, and opportunistic private detectives exploited a dysfunctional judicial system. James shows how these cultural factors enabled such an unspeakable series of crimes to occur, and his groundbreaking approach to true crime will convince skeptics, amaze aficionados, and change the way we view criminal history.

The groundbreaking, bestselling history of slavery, with a new foreword by Pulitzer Prize–winning historian Annette Gordon-Reed With the publication of the 1619 Project and the national reckoning over racial inequality, the story of slavery has gripped America’s imagination—and conscience—once again. No group of people better understood the power of slavery’s legacies than the last generation of American people who had lived as slaves. Little-known before the first publication of Remembering Slavery over two decades ago, their memories were recorded on paper, and in some cases on primitive recording devices, by WPA workers in the 1930s. A major publishing event, Remembering Slavery captured these extraordinary voices in a single volume for the first time, presenting them as an unprecedented, first-person history of slavery in America. Remembering Slavery received the kind of commercial attention seldom accorded projects of this nature—nationwide reviews as well as extensive coverage on prime-time television, including Good Morning America, Nightline, CBS Sunday Morning, and CNN. Reviewers called the book “chilling . . . [and] riveting” (Publishers Weekly) and “something, truly, truly new” (The Village Voice). With a new foreword by Pulitzer Prize–winning scholar Annette Gordon-Reed, this new edition of Remembering Slavery is an essential text for anyone seeking to understand one of the most basic and essential chapters in our collective history.

Former WWE head writer Brian Gewirtz brings readers behind the scenes for an unprecedented look at the chaotic, surreal, unbelievable backstage world of the WWE. With untold stories from a career spanning over 15 years and featuring the biggest names and controversial moments in wrestling history, THERE'S JUST ONE PROBLEM is an honest, unflinching look on how an introverted life-long fan unexpectedly became one the most powerful men in all of professional wrestling. For decades wrestling was shrouded in secrecy. It had larger than life personalities, bone crunching physicality and jaw-dropping theatrics but backstage it was an industry devoid of outsiders. Then in 1999, after working together on a special for MTV, Dwayne “The Rock” Johnson turned to 26-year old television writer Brian Gewirtz and asked “You ever consider writing for WWE?” That question, and its answer, would have a profound effect on both of their lives for years to come. THERE'S JUST ONE PROBLEM is a story about perseverance, tenacity, and steel chairs. Most writers in the WWE last for a matter of months; Gewirtz was there for over 15 years, writing some of most memorable and infamous storylines in WWE history (covering the “Attitude Era”, the “Ruthless Aggression Era” and into the “PG” and “Reality” eras). Throughout this journey Gewirtz found himself becoming both friend and antagonist to some of the biggest names in WWE history – Stone Cold Steve Austin, John Cena, Stephanie McMahon, Bill Goldberg, Paul Heyman, Chris Jericho, Shawn Michaels, and the two men who he worked the most closely with WWE Chairman Vince McMahon and Dwayne “The Rock” Johnson. These men not only shaped his life professionally but also personally, forcing him to grow and change both as a writer and a human being. So how does a lifelong fan and outsider break through to become the ultimate insider? How does a low-key personality deal directly with his boss, the most brash, unpredictable “alpha male” on the planet, WWE Chairman Vince McMahon? How does one gain respect in a locker room that wants nothing more than to see him disappear? Where does one go when every year in wrestling takes you further away from the writing career you always wanted? Taking advice from his idol, the late “Rowdy” Roddy Piper, when you’re so full of fear, there’s only one way to push through: become fearless.

Even Before he Became President, Trump said and did things that gave the Russian intelligence services the means by which to coerce him-either subtly or explicitly-into taking actions that would benefit their country rather than his. The moment Trump said publicly, "I have no business dealings with Russia," he knew he was lying, Putin knew he was lying, and the FBI had reason to believe he was lying. But American citizens didn't know that. The then-presidential candidate's public denial of his business dealings in Russia signaled to Putin that Trump was more interested in maintaining his personal financial interests than in telling the truth to the American people, and that he needed Putin's complicity to maintain the lie. To use an intelligence term that you will be seeing a lot in this book, in this moment Trump became compromised. Book jacket.