A close analysis of forgeries and historical writings at Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury, offering valuable access to why medieval people often rewrote their pasts.What modern scholars call "forgeries" (be they texts, seals, coins, or relics) flourished in the central Middle Ages. Although lying was considered wrong throughout the period, such condemnation apparently did not extend to forgeries. Rewriting documents was especially common among monks, who exploited their mastery of writing to reshape their records. Monastic scribes frequently rewrote their archives, using charters, letters, and narratives, to create new usable pasts for claiming lands and privileges in their present or future. Such imagined histories could also be deployed to "reform" their community or reshape its relationship with lay and ecclesiastical authorities. Although these creative rewritings were forgeries, they still can be valuable evidence of medieval mentalities. While forgeries cannot easily be used to reconstruct what did happen, forgeries embedded in historical narratives show what their composers believed should have happened and thus they offer valuable access to why medieval people rewrote their pasts.This book offers close analysis of three monastic archives over the long eleventh century: Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury. These foci provide the basis for contextualizing key shifts in documentary culture in the twelfth century across Europe. Overall, the book argues that connections between monastic forgeries and historical writing in the tenth through twelfth centuries reveal attempts to reshape reality. Both sought to rewrite the past and thereby promote monks'' interests in their present or future. easily be used to reconstruct what did happen, forgeries embedded in historical narratives show what their composers believed should have happened and thus they offer valuable access to why medieval people rewrote their pasts.This book offers close analysis of three monastic archives over the long eleventh century: Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury. These foci provide the basis for contextualizing key shifts in documentary culture in the twelfth century across Europe. Overall, the book argues that connections between monastic forgeries and historical writing in the tenth through twelfth centuries reveal attempts to reshape reality. Both sought to rewrite the past and thereby promote monks'' interests in their present or future. easily be used to reconstruct what did happen, forgeries embedded in historical narratives show what their composers believed should have happened and thus they offer valuable access to why medieval people rewrote their pasts.This book offers close analysis of three monastic archives over the long eleventh century: Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury. These foci provide the basis for contextualizing key shifts in documentary culture in the twelfth century across Europe. Overall, the book argues that connections between monastic forgeries and historical writing in the tenth through twelfth centuries reveal attempts to reshape reality. Both sought to rewrite the past and thereby promote monks'' interests in their present or future. easily be used to reconstruct what did happen, forgeries embedded in historical narratives show what their composers believed should have happened and thus they offer valuable access to why medieval people rewrote their pasts.This book offers close analysis of three monastic archives over the long eleventh century: Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury. These foci provide the basis for contextualizing key shifts in documentary culture in the twelfth century across Europe. Overall, the book argues that connections between monastic forgeries and historical writing in the tenth through twelfth centuries reveal attempts to reshape reality. Both sought to rewrite the past and thereby promote monks'' interests in their present or future.lose analysis of three monastic archives over the long eleventh century: Saint Peter''s, Ghent; Saint-Denis near Paris; and Christ Church, Canterbury. These foci provide the basis for contextualizing key shifts in documentary culture in the twelfth century across Europe. Overall, the book argues that connections between monastic forgeries and historical writing in the tenth through twelfth centuries reveal attempts to reshape reality. Both sought to rewrite the past and thereby promote monks'' interests in their present or future.

This book argues that abbatial authority was fundamental to monastic historical writing in the period c.500-1500. Writing history was a collaborative enterprise integral to the life and identity of medieval monastic communities, but it was not an activity for which time and resources were set aside routinely. Each act of historiographical production constituted an extraordinary event, one for which singular provision had to be made, workers and materials assigned, time carved out from the monastic routine, and licence granted. This allocation of human and material resources was the responsibility and prerogative of the monastic superior. Drawing on a wide and diverse range of primary evidence gathered from across the medieval Latin West, this book is the first to investigate systematically how and why abbots and abbesses exercised their official authority and resources to lay the foundations on which their communities' historiographical traditions were built by themselves and others. It showcases them as prolific authors, patrons, commissioners, project managers, and facilitators of historical narratives who not only regularly put pen to parchment personally, but also, and perhaps more importantly, enabled others inside and outside their communities by granting them the resources and licence to write. Revealing the intrinsic relationship between abbatial authority and the writing of history in the Middle Ages with unprecedented clarity, Benjamin Pohl urges us to revisit and revise our understanding of monastic historiography, its processes, and its protagonists in ways that require some radical rethinking of the medieval historian's craft in communal and institutional contexts.

Considers the role gender played in the production, use and preservation of documents. How was the world of medieval documentation and memory creation affected by gender? This question is central to the essays collected here, which bring together aspects of gender and documentary culture that are usually studied only in isolation. Covering the tenth to the thirteenth centuries, the volume offers a broad geographical reach - England, France, Flanders, Germany, Spain - and an array of sources, from charters, letters and court proceedings to seals, iconography, and illumination. There is a particular focus on lay female communities, including women's collective legal action in pre-Conquest England, documentary initiatives of Castilian peasant widows, and urban Flemish women's sealing practices. Re-examinations of noblewomen's centrality - and erasure - in charters focus on Ermengarde of Brittany, Mathilda of Boulogne and Berengaria of Navarre. Contributions on gender and historical writing explore their development in Ottonian courts, tenth-century English coronation portraits, Orderic Vitalis' Historia Ecclesiastica, and French chroniclers' rhetorical strategies for writing noblewomen's rage. Further chapters consider monastic spaces, including women's houses at Auxerre and Marcigny and at Holy Trinity, Caen, and explore women's memory preservation efforts, at Spanish houses - San Salvador de Oña and Santa María de Piasca - and a community at Bouxières. This volume demonstrates the new insights that can be gleaned by viewing various processes, such as legal disputes and monastic narratives and foundation, through a gendered lens.

Considers how elite women could participate in Crusade, their means and motivations. The popular perception of the medieval Crusades is of conflicts spanning from the Holy Land to the Baltic, with huge armies of religious zealots led by knights wearing crosses. However, the reality is far more nuanced. The vast majority of those living in western Europe did not go on crusade at all. But that does not mean that crusading was not on their minds, or that they could not influence the movement. They urged others to take up the cross, provided financial support, and prayed for the campaigns in the Holy Land; for them, this was crusade. This book investigates how English laywomen were encouraged to support crusades and identify with holy war during the Middle Ages, challenging preconceptions of what crusade "meant", and bringing out the diverse ways of their participation. It draws on detailed analysis of cartularies, judicial records, chronicles and lyrical sources; it also examines the rich material culture of commemoration that celebrated the endeavour, alongside the papal propaganda which idealised women's sponsorship of crusade. This study therefore sheds new light not only on the role of women in crusade, but on their influence and piety more generally.

In the early Middle Ages, the conversion of the early English kingdoms acted as a catalyst for significant social and cultural change. One of the most visible of these changes was the introduction of a new type of household: the monastic household. These reproduced through education and training, rather than biological means; their inhabitants practised celibacy as a lifelong state, rather than as a stage in the life course. Because monastic households depended on secular households to produce the next generation of recruits, previous studies have tended to view them as more mutable than their secular counterparts, which are implicitly regarded as natural and ahistorical. Katharine Sykes charts some of the significant changes to the structure of households between the seventh to eleventh centuries, as ideas of spiritual, non-biological reproduction first fostered in monastic households were adopted in royal households in the tenth and eleventh centuries, and as ideas about kinship that were generated in secular households, such as the relationship between genealogy and inheritance, were picked up and applied by their monastic counterparts. In place of binary divisions between secular and monastic, biological and spiritual, real and imagined, Sykes demonstrates that different forms of kinship and reproduction in this period were intimately linked.

An exploration of the letters from the First Crusade, yielding evidence for a number of reinterpretations of the movement. The letters stemming from the First Crusade are premier sources for understanding the launch, campaign, and aftermath of the expedition. Between 1095 and 1100, epistles sustained social relationships across the Mediterranean and within Europe, as a mixture of historical writing, literary invention, news, and theological interpretation. They served ecclesiastical administration, projected authority, and formed focal points for spiritual commemoration and para-liturgical campaigns. This volume, grounded on extensive research into the original manuscripts, and presenting numerous new manuscript witnesses, argues that some of the letters are post hoc "inventions", composed by generations of scribe-readers who visited crusading sites from the twelfth century on, adding new layers of meaning in the form of interpolations and post-scripts. Drawing upon this new understanding, and blurring the distinction of epistolary "reality", it rewrites central aspects of the history of the First Crusade, considering the documents in a new way: as markers of enthusiasm and support for the crusade movement among monastic clergy, who copied and consumed them as a form of scribal crusading. Whether authentic letters or literary "confections", they functioned as communal sites for the celebration, commemoration and memorialisation of the expedition.

"A series which is a model of its kind" Edmund King Considers the clerical friends of Ermengarde of Brittany, showing how these men enabled Ermengarde to fulfil both her duty and her desire to live an intensely pious life. Explores the ways in which grief was represented in the Histoire de Guillaume le Maréchal. Two thirteenth-century Evesham forgeries demonstrate that early thirteenth-century people, even so-called experts at the papal chancery, seem to have been ignorant of the physical form taken by early papal bulls. Explores the world of the scribes who composed Exon Domesday, demonstrating their working methods as well as giving us further insights into the composition of Great Domesday, completed by 1088. Looks at the involvement of Bernard, abbot of Le Mont Saint-Michel, 1131-49, in the development of the abbey in peril of the sea. Examines how the introduction of musical notation into Normandy around the millennium made it possible for people to understand melodies without aid from a master. Offers insights into the career of Ranulf Flambard, the most "infamous tax collector" of the late eleventh century in England. Investigates the annals of the Anglo-Saxon Chronicle for the years 1062 to 1066, showing that they were written largely in retrospect after the events of 1066 had played out. Looks at the case for the evidence relating to the foundation of Kirkstead Abbey, Lincolnshire. Finally, presents evidence for spying and espionage in the Anglo-Norman World.