According to Carol Rigolot, reading the work of Nobel Prize-winning poet Saint-John Perse (1887-1975) is not unlike eavesdropping on a telephone conversation in which only one side is audible. His poems are antiphonal, and even polyphonic, works where int

These case studies link genealogical knowledge to particular circumstances in which it was created, circulated and promoted. They stress the malleability of kinship and memory, and the interests this malleability serves. From the Prophet's family tree to the present, ideas about kinship and descent have shaped communal and national identities in Muslim societies. So an understanding of genealogy is vital to our understanding of Muslim societies, particularly with regard to the generation, preservation and manipulation of genealogical knowledge.

This book offers the first comprehensive and systematic introduction to the origins and development of China’s genealogy, as well as its fundamental role in eugenics, ethics, politics and culture throughout China’s history. This book is divided into two parts: chronological research and thematic research. The first part explains the definition, origin, birth, development, transformation, optimization, popularization and contemporary status of China’s genealogy, while the second addresses its styles, content, quantity, family names, format and value, illustrations, functions and other related issues. The book, for the first time in China’s genealogy, proposes several new concepts and perspectives, such as dividing the history of China’s genealogy into seven stages; redefining genealogy; and analyses of the transformation, popularization and value of China’s genealogy. Given its scope, the book offers a groundbreaking and authoritative resource for a broad readership.

The present collection of essays follows in the wake of recent work in cultural geography challenging the idea that maps are scientifically neutral entities, or that space, unlike time, is immobile. In defining space, place and geography as forms of textuality, the essays collected in this volume examine the ways in which postcolonial and metropolitan literary and filmic texts in French can at once inscribe and produce place and space, and thereby participate in forms of “discursive geographies.” Contributors: François Bon; Alexandre Dauge-Roth; Habiba Deming; Zakaria Fatih; Jeanne Garane; Patricia Geesey; Greg Hainge; Sirène Harb; Jean-Luc Joly; Chantal Kalisa; Michel Laronde; Valérie Loichot; Mary McCullough; Michael O’Riley; Pascale Perraudin; Walter Putnam; Antoine Stéphani; Abdourahman A. Waberi.

Incendiary in its passion and irrefutable in its evidence, this classic of atheistic literature condemns Christianity as superstition and wishful thinking rooted in early paganism, "sourced" by anonymous fables, and promoted by self-serving men seeking "worldly riches and power." Raging against the blatant manipulations of the early Church and the antiscience agenda of the modern Church, American writer JOSEPH WHELESS (1868-1950) takes on everything from faked "relics" and the "holy mummery" of stigmatics and other dramatic mystics to the "priestly terrorism" of the Crusades, the Inquisition, and the Church's historical intolerance. This is an absolute must-read for anyone looking for ammunition to counter the argument that the longevity of Christianity is evidence of its legitimacy. ALSO AVAILABLE FROM COSIMO: Wheless's Is It God's Word?