This collection of essays composed by an international array of friends and colleagues typifies the career accomplishments and scholarly endeavors of W. G. Lambert.

At the beginning of Mesopotamia s Early Dynastic period, the political landscape was dominated by temple administrators, but by the end of the period, rulers whose titles we translate as king assumed control. This book argues that the ritual process of mourning, burying, and venerating dead elites contributed to this change. Part one introduces the rationale for seeing rituals as a means of giving material form to ideology and, hence, structuring overall power relations. Part two presents archaeological and textual evidence for the death rituals. Part three interprets symbolic objects found in the Royal Cemetery of Ur, showing they reflect ideological doctrines promoting the office of kingship. This book will be particularly useful for scholars of Mesopotamian archaeology and history.

In The Divine/Demonic Seven and the Place of Demons in Mesopotamia, Gina Konstantopoulos analyses the Sebettu, a group of seven divine/demonic figures found across a wide range of Mesopotamian textual and artistic sources in Mesopotamia from the late third to first millennium BCE. The Sebettu appeared both as fierce, threatening demons and as divine, protective, figures. These seemingly contradictory qualities worked together, as their martial ferocity facilitated their religious and political role. When used in royal inscriptions, they became fierce warriors attacking the king’s enemies, retaining that demonic nature. This flexibility was not unique to the Sebettu, and this study thus provides a lens through which to examine the place of demons in Mesopotamia as a whole.

This is the first comprehensive study of Babylonian prayers dedicated to Marduk, the god of Babylon, since J. Hehn's essay Hymnen und Gebete an Marduk (1905). Marduk was the god of the city of Babylon and was the most important god in Babylonia from the time of Hammurabi (the 18th century BCE) onwards. In this book, Takayoshi Oshima presents an up-to-date catalog of all known Babylonian prayers dedicated to Marduk from different historical periods and offers critical editions of 31 ancient texts based on newly identified manuscripts and a collation of the previously published manuscripts. The author also discusses various aspects of Akkadian prayers to different deities and the ancient belief in the mechanism of punishment and redemption by Marduk.

This volume, edited by Tzvi Zbusch and Karel van der Toorn, contains the papers delivered at the first international conference on Mesopotamian magic held under the auspices of the Netherlands Institute for Advanced Studies (NIAS) in June 1995. It is the first collective volume dedicated to the study of this topic. It aims at serving as a bench-mark and provides analytic and innovative but also sythetic and programmatic essays. Magical texts, forms, and traditions from the Mesopotamian cultural worlds of the third millennium BCE through the first millennium CE, in the Sumerian, Akkadian and Aramaic languages as well as in art, are examined.

This book brings together ancient manuscripts of the large compendium of Mesopotamian exorcistic incantations known as Udug.hul (Utukku Lemnutu), directed against evil demons, ghosts, gods, and other demonic malefactors within the Mesopotamian view of the world. It allows for a more accurate appraisal of variants arising from a text tradition spread over more than two millennia and from many ancient libraries.

Takayoshi Oshima analyses the two most important Babylonian wisdom texts: Ludlul Bel Nemeqi (also known as the Babylonian Job or the Babylonian Righteous Sufferer) and the so-called Babylonian Theodicy. On the basis of the hitherto published as well as newly available, unpublished cuneiform manuscripts, the author establishes a new critical text for each poem and gives an English translation. He offers detailed philological and critical notes to the texts, discussing both the textual and the interpretive issues evoked by individual words and passages. In addition, however, each poem is preceded by a lengthy discussion of its origins, intention, and plot, as well as by more general considerations of its cultural and historical background, including short but important observations on the relationship to Old Testament wisdom literature.