A Queer Film Classic on the 1992 feature documentary on lesbian experience from the 1940s to the 1960s as seen through the lens of lesbian pulp fiction. This award-winning movie became the most popular ever produced by the National Film Board of Canada, and became emblematic of the bold new queer cinema of the early 1990s. In 2014, the NFB re-released the film in a digitally remastered version. Jean Bruce and Gerda Cammaer are both associate professors in the School of Image Arts at Ryerson University in Toronto.

QUEER FILM CLASSICS is a critically acclaimed series that launched in 2009, edited by Thomas Waugh and Matthew Hays, covering some of the most important and influential films about and/or by LGBT people made between 1950 and 2005, and written by leading LGBT film scholars and critics. A Queer Film Classic on the 1992 Canadian feature documentary subtitled "The Unashamed Stories of Lesbian Lives": a film on lesbian experience from the 1940s to the 1960s as seen through the lens of lesbian pulp fiction. The film interweaves an historical dramatization with interviews with women who speak frankly about their experiences living as lesbians in times when they could not be out, as well as with Ann Bannon, the American writer who wrote lesbian pulp fiction novels from 1957 to 1962 known as The Beebo Brinker Chronicles. This award-winning movie, directed by Aerlyn Weissman and Lynne Fernie, ended up as the most successful ever produced by the National Film Board of Canada, and became emblematic of the bold new queer cinema of the early 1990s. In 2014, the NFB re-released the film in a digitally remastered version. Jean Bruce and Greta Cammaer's book examines the historical context and critical reception of this important film.

Paris Is Burning (Jennie Livingston, 1991) captures the energy, ambition, wit, and struggle of African-American and Latino participants in the 1980s New York drag ball scene. This book contextualizes the film within the longer history of drag balls, the practices of documentary, the fervor of the culture wars, and the development of queer theory and critical race studies.

QUEER FILM CLASSICS is a critically acclaimed series that launched in 2009, edited by Thomas Waugh and Matthew Hays, covering some of the most important and influential films about and/or by LGBT people made between 1950 and 2005, and written by leading LGBT film scholars and critics. A Queer Film Classic on the 2005 film by French-Canadian director Jean-Marc Vallee (best known for Dallas Buyers Club and Wild), about a young gay man named Zac growing up in the 1960s and '70s who struggles to find his sense of self amidst a "crazy" family of four brothers, a loving mother, and a macho father who seeks to cure him when the boy reveals that he prefers dolls to hockey, David Bowie to Patsy Cline, and his cousin's boyfriend Paul's luscious lips to those of the girl next door. With exquisite attention to period detail, at once highly realistic and magical, C.R.A.Z.Y. chronicles Zac's place in an evolving family romance set against the backdrop of Quebec's "Quiet Revolution," when traditional Catholic culture made way for the modern age. The film won a best picture Genie Award (Canada's version of the Oscars) in 2006. Robert Schwartzwald's book discusses the film's context within a turbulent Quebec, and how French Canada is situated between, and conflicted about, American and French popular culture.

“This series will be a significant, valuable contribution to the history and literature of gay cinema. Each of these works will be valuable additions for academic and popular students of film and gay culture.”—Library Journal Trash, one of three inaugural titles in Arsenal Pulp Press' new film book series Queer Film Classics, delves into the legendary 1970 film that was arguably the greatest collaboration between director Paul Morrissey and producer Andy Warhol. The film Trash is a down-and-out domestic melodrama about a decidedly eccentric couple: Joe, an impotent junkie (played by Warhol film regular Joe Dallesandro), and Holly, Joe's feisty and sexually frustrated girlfriend (played by trans Warhol superstar Holly Woodlawn). Joe is the hunky yet passive center around whom proud Holly orbits; while Morrissey intended to show that "there's no difference between a person using drugs and a piece of refuse," Woodlawn's incredible turn reverses his logic: she makes trash as precious as human beings. The book examines the film in the context of Morrissey and Warhol's legendary partnership, with a special focus on Woodlawn's acclaimed performance: a glorious embodiment of "trash" and glamour that was so stunning, director George Cukor led a campaign (albeit unsuccessful) to win her an Oscar nomination.

Brings together the work of both film scholars and queer theorists to advance a more sophisticated notion of queer film criticism.

Manila by Night follows denizens of the city’s sordid yet exuberant underworld as they pursue their notions of life, love, and pleasure. In turn, this book follows the film’s equally arduous yet exhilarating journey through repression and censorship to a reluctanct release by the Marcos government as proof of its liberalism during the 1986 uprising.