It's 2110 and Creid Xerkler, the creator of the Molecular Advantage Machine - a virtual system that facilitates instantaneous access to all of humanity's knowledge and experience - is unwillingly entangled in a government Council plot to prove the existence of an illegally engineered race called the Imagofas. Unfortunately Xerkler knows more than he should and fears what the Council might discover. The Imagofas are revered by many as the next step in human evolution - a nano-DNA hybrid: part human, part machine - but to the Council they are a dangerous aberration and a threat to the very existence of humankind. In their quest to prove this crime against humanity, the Council plans on abducting specimens from the Order sanctioned research facility on Mars. When the kidnapping takes an unexpected turn and the Imagofas are forced to become fugitives, the Council vows to destroy them - while others plan to capitalize on their existence. The Imagofas, in a determined bid to return to Mars, must draw upon their still developing and unique skills to survive the dangers of Earth. Along the way, they are helped by three unexpected and unlikely heroes: the Cadet, a hard core gamer; Ochbo, a cleanlife pervert; and Prometheus, an enlightenment-seeking MAMintelligence, who, while on his own secret quest, ultimately holds the answers to everyone's survival.

This is an authoritative account of the career of Sydney Box, one of British cinema's most successful and significant producers. Concentrating on the period 1940-65, it highlights the crucial but often misunderstood role that the producer plays in the film making process and, using largely unpublished material, affords an exceptional insight into the workings of the film industry. This study will be essential reading for scholars and students interested in British cinema and television history, but its focus on the frequently misrepresented or misunderstood role of the producer will make it valuable for students of film generally.