The newest volume in the Oxford History of the United States series, The Republic for Which It Stands argues that the Gilded Age, along with Reconstruction--its conflicts, rapid and disorienting change, hopes and fears--formed the template of American modernity.

This second installment of The Finish Line Series finds Ireland Murphy and Michael Farino fighting for their relationship, and for their lives. Unknown forces threaten them, causing both to take matters into their own hands. Michael and Ilee need to find out who is behind this in order to stop it. The list of suspects runs deep, thanks to both of their crime families and their personal life choices. Revelations about both of them, and their families, lead to intense passion, suspicion, betrayal, revealed secrets and a desperate attempt at regaining control of their future. What that future looks like, and who will or will not be in it, is decided.

Our national anthem celebrates it. Patriots wave it. Politicians of all kinds try to wrap themselves in it. It is saluted at baseball games, in parades, and on the most solemn of commemorative occasions. It was salvaged in the first hours following the dreadful events of September 11, and it stands outstretched just above the surface of the moon. It is, of course, the American flag, and there are few symbols as potent. With all the reverence and sacrifice and emotion it inspires, it is easy to lose sight of the fact that it is ultimately just a symbol. Why is it so powerful? Why does a piece of cloth resonate so loudly for so many? Why a flag, and why this flag, these stripes, those stars? In For Which It Stands, his timely, comprehensive, and engaging "biography" of the American flag, Michael Corcoran examines those questions and more as he explores the evolution of our most cherished emblem, from the days preceding the Revolution through the nationwide resurgence of patriotism in the aftermath of September 11. Corcoran traces the entire life of the colors, holding forth on a number of engrossing topics, including: • The fluid design of the flag, the subject of much contentious debate on the part of the founding fathers, and until fairly recently, not officially codified. • The various alternative flags ingrained in the national consciousness, among them the defiant, rattlesnake-adorned "Don't Tread on Me" banner and the "Stars and Bars" of the Confederacy. • The role of the colors in war, from how to start a fight with England (raising a flag declaring indepen-dence, high enough for the British Army in Boston to see it, ought to do the trick) to the question of whether to remove from the banner the stars emblematic of the states that seceded during the Civil War, to the giddy ubiquity of the flag following World War II. Corcoran addresses all these matters and more (including the particularly vexing questions raised by flag burning: Is it such an affront that it warrants a constitutional amendment outlawing that method of protest, or is it perhaps the single most potent expression of our right to free speech, and therefore profoundly American?) as he delves into the wind-tangled history of "Old Glory," an entertaining jumble of much-loved myth and obscure facts. Thoughtful, droll, and fast-paced, For Which It Stands definitively tells the story of America's most recognizable icon, from Bunker Hill to Iwo Jima to Tranquillity Base -- and beyond.

The American flag is the quintessential symbol of the land of opportunity in which our highest dreams and aspirations are united. As a representation of the greatest heights of freedom and human attainment, it inspires the imagination. Conceived of as a joyous exclamation of progress, the flag provokes the most spirited emotional responses the world over. This book presents a collection of contemporary artists, working in diverse media, who use this revered emblem to relate their own ideals.00.

The Oxford History of the United States is the most respected multivolume history of the American nation. In the newest volume in the series, The Republic for Which It Stands, acclaimed historian Richard White offers a fresh and integrated interpretation of Reconstruction and the Gilded Age as the seedbed of modern America. At the end of the Civil War the leaders and citizens of the victorious North envisioned the country's future as a free-labor republic, with a homogenous citizenry, both black and white. The South and West were to be reconstructed in the image of the North. Thirty years later Americans occupied an unimagined world. The unity that the Civil War supposedly secured had proved ephemeral. The country was larger, richer, and more extensive, but also more diverse. Life spans were shorter, and physical well-being had diminished, due to disease and hazardous working conditions. Independent producers had become wage earners. The country was Catholic and Jewish as well as Protestant, and increasingly urban and industrial. The "dangerous" classes of the very rich and poor expanded, and deep differences -- ethnic, racial, religious, economic, and political -- divided society. The corruption that gave the Gilded Age its name was pervasive. These challenges also brought vigorous efforts to secure economic, moral, and cultural reforms. Real change -- technological, cultural, and political -- proliferated from below more than emerging from political leadership. Americans, mining their own traditions and borrowing ideas, produced creative possibilities for overcoming the crises that threatened their country. In a work as dramatic and colorful as the era it covers, White narrates the conflicts and paradoxes of these decades of disorienting change and mounting unrest, out of which emerged a modern nation whose characteristics resonate with the present day.

A monumentally devastating plague leaves only a few survivors who, while experiencing dreams of a battle between good and evil, move toward an actual confrontation as they migrate to Boulder, Colorado.

When Beverly Hills High School welcomed a skinny boy from the other side of the tracks, no one knew just how life-changing the decision would be, not just for Carter Paysinger but for all of Beverly Hills. Carter grew up hearing his parents say, “Don’t just strive to be good. Always strive to be great.” He dreamed of finding greatness in playing professional baseball or becoming a black Donald Trump, but fate had different plans and, ultimately, he found his calling as a teacher and coach at the school that once embraced him, becoming a rock for the innumerable kids who came seeking an ear to listen or a shoulder to cry on. One such kid, a scrappy Jewish boy from a prominent family, would change the course of Carter’s life. His name was Steven Fenton. Twenty years later, as Beverly Hills High fell into disarray—with principals hired and fired and families fleeing the school—as well as his own life coming apart, Carter ran into Steven Fenton again. Together, they found renewed passion and hope to fight for their school and test the limits of what community means. But when Steven convinced Carter to throw his hat into the ring as principal, the progressive Beverly Hills suddenly thought that its winningest and most beloved coach didn’t fit the profile for the Beverly Hills image. It was the beginning of a long road, but Carter could hear his father saying, “Don’t listen to those voices. Do what you have to do.” Filled with hope, triumph, and the struggles that come to define us, Where a Man Stands is a beautiful fish-out-of-water story about the families formed in unlikely places and how, in the end, where you stand, and with whom, and for what, matters as much as anything.