""Nicky has found a creative way of channeling her feelings and has produced a piece of work that is an inspiration to people who have experienced mental health problems. It is also of great value to us professionals and we should not forget that an essential part of our continuing medical education is listening to patients"" - Dr Eleni Palazidou MD, PhD, MRCP, MRCPSYCH DescriptionNicky Thomas' extraordinary book of poetry charts her feelings and experiences of depression and the recovery of some stability in her life. Nicky found that writing her book proved a cathartic process and helped her to overcome her depression and stop self-harming. Nicky hopes that this book maybe able to help someone else feel less alone in their despair and help families, friends and health professionals gain a greater understanding. This is a wonderfully strong book from a very strong and determined woman.Depression, although so common, is still so badly misunderstood - on the one hand it is not taken seriously and people are told to 'cheer up' and 'try harder'; on the other hand the stigma leaves many people further isolated and discriminated against. Taking medication is often seen as admitting defeat, failing; when taking medication for any physical order is socially acceptable. Nicky Thomas About the AuthorNicola Thomas was born in 1968. Diagnosed with clinical depression at an early age, Nicky has had to endure twelve separate hospital admissions and years of psychotherapy before her eventual recovery. Nicola feels that her recovery has been aided by her writing - whenever she is depressed she writes about her feelings. It is no coincidence that when she is writing Nicky stops self-harming. As well as being a successful author, Nicky is currently studying at college and works voluntarily.

Maybe you've been speaking English all your life, or maybe you learned it later on. But whether you use it just well enough to get your daily business done, or you're an expert with a red pen who never omits a comma or misplaces a modifier, you must have noticed that there are some things about this language that are just weird. Perhaps you're reading a book and stop to puzzle over absurd spelling rules (Why are there so many ways to say '-gh'?), or you hear someone talking and get stuck on an expression (Why do we say "How dare you" but not "How try you"?), or your kid quizzes you on homework (Why is it "eleven and twelve" instead of "oneteen and twoteen"?). Suddenly you ask yourself, "Wait, why do we do it this way?" You think about it, try to explain it, and keep running into walls. It doesn't conform to logic. It doesn't work the way you'd expect it to. There doesn't seem to be any rule at all. There might not be a logical explanation, but there will be an explanation, and this book is here to help. In Highly Irregular, Arika Okrent answers these questions and many more. Along the way she tells the story of the many influences--from invading French armies to stubborn Flemish printers--that made our language the way it is today. Both an entertaining send-up of linguistic oddities and a deeply researched history of English, Highly Irregular is essential reading for anyone who has paused to wonder about our marvelous mess of a language.

"So use your time as best you can, be happy when you're done, and live your life with no regrets, they only give you one". Words of wisdom, whimsy and wonder fill this collection of tall tales and silly stories. As you wander through the pages you just may come across a rare Giraffapotamus, or meet The Remarkable Hector McTwee, and maybe even take a ride on a Unicornicycle. There are Cannonballs and Cartwheelers, Tree Climbers and Trampolinists, Moon Swimmers and Moose Riders, and an amazing assortment of funny, strange, and unforgettable rhymes that will have you wondering just what's coming next. A timeless collection of poems and art keeping the tradition of hardcover books and bedtime reading alive. This is the first in a projected trilogy which will include the sequel Running To The Sun, to be followed by Sailing To The Stars. In the spirit of the wonderful books by Shel Silverstein, these beautifully illustrated verses and story-poems come to life with memorable characters and messages that will appeal to youngsters, parents, grandparents, adults, teens, and basically children of all ages. This poetry collection will become a favorite that you will turn to again and again, for bedtime reading, family time, or if you just need a smile to brighten your day.

On 29 April 1841, a week after his thirty-fourth birthday, Louis (Aloysius) Bertrand died of tuberculosis. This malady, his destitute poverty, and his errant existence qualify him as a quintessential poete maudit, whose one great work, Gaspard de la Nuit: Fantasies a la maniere de Rembrandt et de Callot, was not published until 1842. Now widely considered as the first collection of prose poems to appear in France, Gaspard inspired writers like Baudelaire, Mallarme, Huysmans, and Andre Breton. This study offers a rereading of Bertrand's book grounded in modern critical theory, including the work of Derrida, Bakhtin, Barbara Johnson, Genette, Lacoue-Labarthe, and Nancy. It elaborates a new perspective on a work that contains all the paradoxes of the genre, with which theorists still struggle.

This unusual book takes the form of a dialogue between a linguist and another scientist. This unusual book takes the form of a dialogue between a linguist and another scientist. The dialogue takes place over six days, with each day devoted to a particular topic--and the ensuing digressions. The role of the linguist is to present the fundamentals of the minimalist program of contemporary generative grammar. Although the linguist serves essentially as a voice for Noam Chomsky's ideas, he is not intended to be a portrait of Chomsky himself. The other scientist functions as a kind of devil's advocate, making the arguments that linguists tend to face from those in the "harder" sciences. The author does far more than simply present the minimalist program. He conducts a running argument over the status of theoretical linguistics as a natural science. He raises the general issues of how we conceive words, phrases, and transformations, and what these processes tell us about the human mind. He also attempts to reconcile generative grammar with the punctuated equilibrium version of evolutionary theory. In his foreword, Massimo Piatelli-Palmarini says, "The vast number of readers who have been enthralled by Goedel, Escher, Bach may well like also this syntactic companion, a sort of 'Chomsky, Fibonacci, Bach.'".

This book is a compilation of haiku written over a period of seven years and a range of life experiences, bitter and sweet. The topics range from abstract images, nature, the seasons to virtually every dimension of life one gets to experience in the process of living. The poetry is soft and subtle at times and shows varying hues in other places. The writing is sensitive and thought-provoking and has a meditative feel to it. The standard structure of the conventional haiku has been broken at places and this interesting change brings in a new perspective to haiku-writing in English (structurally a very different language from Japanese), being the preferred language of expression by the poet. The small—yet powerful impact of a haiku is often associated with the masterful usage of the language of choice. This compact book offers the reader a convenient medium that can be read and re-read, with varying interpretations according to the state of mindfulness or contemplation he or she is in. This offering could be a reflection of the self for every human being who is able to absorb its true essence. It is also a tribute to one of the oldest and yet one of the strongest forms of poetry—the haiku. Incidentally, the illustrations are also by the author.