In this, her second individual collection, Haidee Kruger extends the accomplishment of her earlier work. With inventive use of line and page and an unusual, but telling, juxtaposition of images, she achieves a poetry that is simultaneously visceral and intellectual. Her poems are at once both toughly gnarled and delicately gentle. They immerse the reader in a world where the body is interpenetrated by the natural, sexual and workaday, and the previously familiar emerges strange and new.

A new provocative love story from the New York Times bestselling author of All the Ugly and Wonderful Things. “The story of Zee and Gentry is the reason we read.” —Brunonia Barry Their journey will break them—or save them. A moving and complicated love story for our time, The Reckless Oath We Made redefines what it means to be heroic. Zee has never admitted to needing anybody. But she needs Gentry. Her tough exterior shelters a heart that’s loyal to the point of self-destruction, while autistic Gentry wears his heart on his sleeve, including his desire to protect Zee at all costs. When an abduction tears Zee’s family apart, she turns to Gentry—and sets in motion a journey and a love that will change their lives forever. “[A] mind-blowing book that has left me scrambling to pick up the pieces of my brain and my shattered heart . . . Prepare to have your mind and heart expanded to their limits.” —The Oklahoman

Textbook introduction to key debates from the early twentieth century to modernisms emerging between First and Second World Wars. Examines in detail texts by Chekhov, Mansfield, Gibbon, Eliot, Woolf, Brecht and Okigbo.

Poet England gives life to her dreams in this stunning text and image collection. Her collages and dioramas are constructed from fabric and paper scraps from the debris of conscious life. In this subconscious geography, viewers travel through the nightmares of the political, the paranoia of the responsible, and the tragedy of the critically aware.

Examines the fascinating ties between Surrealist artist René Magritte and the cinema. Cinemagritte: René Magritte within the Frame of Film History, Theory, and Practice investigates the dynamic relationship between the Surrealist modernist artist René Magritte (1898–1967) and the cinema—a topic largely ignored in the annals of film and art criticism. Magritte once said that he used cinema as "a trampoline for the imagination," but here author Lucy Fischer reverses that process by using Magritte's work as a stimulus for an imaginative examination of film. While Fischer considers direct influences of film on Magritte and Magritte on film, she concentrates primarily on "resonances" of Magritte's work in international cinema—both fiction and documentary, mainstream and experimental. These resonances exist for several reasons. First, Magritte was a lover of cinema and created works as homages to the medium, such as Blue Cinema (1925), which immortalized his childhood movie theater. Second, Magritte's style, though dependent on bizarre juxtapositions, was characterized by surface realism—which ties it to the nature of the photographic and cinematic image. Third, Magritte shares with film a focus on certain significant concepts: the frame, voyeurism, illusionism, the relation between word and image, the face, montage, variable scale, and flexible point of view. Additionally, the volume explores art documentaries concerning Magritte as well as the artist's whimsical amateur "home movies," made with his wife, Georgette, friends, and Belgian Surrealist associates. The monograph is richly illustrated with images of Magritte's oeuvre as well as film stills from such diverse works as The Eternal Sunshine of the Spotless Mind, Eyes Without a Face, American Splendor, The Blood of a Poet, Zorns Lemma, The Island of Dr. Moreau, The Draughtsman's Contract, and many more. Cinemagritte brings a novel and creative approach to the work of Magritte and both film and art criticism. Students, scholars, and fans of art history and film will enjoy this thoughtful marriage of the two.

The next book in the red-hot RECKLESS series is here! ""Oh man, this book pushed every crime fiction button for me...Bliss."" —PATTON OSWALT Bestselling crime noir masters ED BRUBAKER and SEAN PHILLIPS bring us a new original graphic novel starring troublemaker-for-hire Ethan Reckless. It's 1988, and Ethan has been hired for his strangest case yet: finding the secrets of a Los Angeles real estate mogul. How hard could that be, right? But what starts as a deep dive into the life of a stranger will soon take a deadly turn, and Ethan will risk everything that still matters to him. Another smash hit from the award-winning creators of RECKLESS, PULP, MY HEROES HAVE ALWAYS BEEN JUNKIES, CRIMINAL, and KILL OR BE KILLED—and a must-have for all BRUBAKER and PHILLIPS fans!

"Postcolonial Polysystems: The Production and Reception of Translated Children s Literature in South Africa" is an original and provocative contribution to the field of children s literature research and translation studies. It draws on a variety of methodologies to provide a perspective, both product- and process-oriented, on the ways in which translation contributes to the production of children s literature in South Africa, with a special interest in language and power, as well as post- and neocolonial hybridity. The book explores the forces that affect the use of translation in producing children s literature in various languages in South Africa, and shows how some of these forces precipitate in the selection, production and reception of translated children s books in Afrikaans and English. It breaks new ground in its interrogation of aspects of translation theory within the multilingual and postcolonial context of South Africa, as well as in its innovative experimental investigation of the reception of domesticating and foreignising strategies in translated picture books. The book has won the 2013 EST Young Scholar Prize."