We all have a responsibility to care for culture. Artist Makoto Fujimura issues a call to cultural stewardship, in which we feed our culture's soul with beauty, creativity, and generosity. This is a book for artists and all "creative catalysts" who understand how much the culture we all share affects human thriving today and shapes the generations to come.

About the Author: Schirra Simmons has a passion for helping others-whether family, those he works with or others in need. At age 23, Schirra Simmons received full custody of his son, who was only six months old. A big believer in marriage's beauty, he didn't give up on finding love, despite having lost one relationship. Remarrying brought him renewed hope. He loved his wife, Shana, with everything he had, each day, even though her battle with terminal cancer. Schirra has held positions in management, where he always strives to help others. Through valuing relationships, his highest passion remains for a family-and the institute of marriage. "A lot of people think marriage is a myth," says Schirra. "But it's wonderful, in the traditional sense." Today, Schirra shares that message of hope and never gives up on pursuing love as a purposeful blessing from God. By valuing every day with others, Schirra focuses on what matters most. Book Description: When Schirra received a second chance at love, he never expected that his 28-year-old fiancé would be diagnosed with cancer before they married. But her grim illness didn't prevent Schirra from spending every day loving Shana to the utmost of his ability. Journey with Schirra, Shana, and their young son as they face her diagnosis, grueling treatment, and joy in each other. Discover the power of marriage in facing life's gravest challenges. Schirra and Shana are evidence that love does not require physical health to thrive. Through their faith in God and devotion to one another, an eternal love arises that cannot be replaced or shattered.

"From the time of the great Greek philosophers, the good, true, and beautiful were seen as inseparable. Beauty is always good and true. It can be the still, small voice crying in the wilderness, calling us to higher things. Jimmy Mitchell communicates this with an eloquence and elegance which is itself a thing of beauty." — Joseph Pearce, Biographer of Shakespeare, Solzhenitsyn, Tolkien, and Chesterton In an era marked by rampant secularism and endless noise, the ten principles of Let Beauty Speak empower Christians to evangelize the world by bringing beauty to the forefront of their lives and reminding the world what it means to be human. This book is particularly timely given the social unrest, political upheaval, and cultural strife of our times. The world's problems cannot be solved by worldly solutions. Politics, medicine, technology, and other secular fields have their place in society, but the deepest existential questions of the human heart can only be answered by the beauty of holiness found in the lives of the saints. From cave diving in Austria to summer camps in New Zealand, Let Beauty Speak is full of personal stories and rich theology that will inspire you to become a great saint as you apply the book's principles to your own life. Each chapter is organized into beautiful, bite-size sections that make it easy for non-academics to enjoy. Each chapter also concludes with practical tips and recommendations that give you an opportunity to further personalize the principles and transform your day-to-day life. From embracing childlike wonder to integrating prayer, work, and leisure into your everyday life, this is your how-to guide for evangelizing others by first living your humanity well. If not you, then who? If not now, then when? Turn these principles into a way of life, and you'll join the long line of saints whose holiness was the remedy for the isolation, confusion, and meaninglessness of their times.

Why a monumental diary by an aunt and niece who published poetry together as “Michael Field”—and who were partners and lovers for decades—is one of the great unknown works of late-Victorian and early modernist literature Michael Field, the renowned late-Victorian poet, was well known to be the pseudonym of Katharine Bradley (1846–1914) and her niece, Edith Cooper (1862–1913). Less well known is that for three decades, the women privately maintained a romantic relationship and kept a double diary, sharing the page as they shared a bed and eventually producing a 9,500-page, twenty-nine-volume story of love, life, and art in the fin de siècle. In Chains of Love and Beauty, the first book about the diary, Carolyn Dever makes the case for this work as a great unknown “novel” of the nineteenth century and as a bridge between George Eliot and Virginia Woolf, Victorian marriage plot and modernist experimentation. While Bradley and Cooper remained committed to publishing poetry under a single, male pseudonym, the diary, which they entitled Works and Days and hoped would be published after their deaths, allowed them to realize literary ambitions that were unfulfilled during their lifetime. The women also used the diary, which remains largely unpublished, to negotiate their art, desires, and frustrations, as well as their relationships with contemporary literary celebrities, including Robert Browning, Oscar Wilde, William Butler Yeats, and Walter Pater. Showing for the first time why Works and Days is a great experimental work of late-Victorian and early modernist writing, one that sheds startling new light on gender, sexuality, and authorship, Dever reveals how Bradley and Cooper wrote their shared life as art, and their art as life, on pages of intimacy that they wanted to share with the world.

"This book takes you on a photographic voyage through my life so far." –Keegan Allen Keegan Allen is currently known to fans of the ABC Family hit television series, Pretty Little Liars. He has also appeared in numerous independent films and made his New York Stage debut in the acclaimed MCC production of Small Engine Repair. Keegan was given his first camera at age nine, and began a lifelong study and pursuit of photography. life.love.beauty is a selection of photographs taken since his childhood. It's a photo journey through the life of an intensely creative soul whose expression finds various forms: in acting, in poems and stories, lyrics and music, but above all in photography. This book's content resonates in the commonality we all share on our own journeys while unveiling an inside look into a world that very few experience. Organized into three broad groups—life, love, and beauty—the book ranges over the public and private side of Keegan Allen and his world. A child of Hollywood, whose father was also an actor and his mother a painter, Keegan roams freely through that realm, photographing his fellow actors on set, behind the scenes; and recording the amazed, gleeful, sometimes weeping fans that flock to his television and career related events. Allen also has an eye for the anonymous and the unexpected: the woman gazing dreamily from the balcony of a run-down hotel; the rifle-toting dog walker who seems to have emerged from the 19th century; the performers and denizens of Venice Beach and also the streets of New York, some of them chasing the dream of fame, others having long-since abandoned it; the little boy amid in the crowd in an enormous airport; portraits of lovers kissing on subways, in parks, and on the streets. Traveling from California to New York to Paris and back, as well as through the American west, he finds beauty in both urban and rural places: from large-scale landscapes to glimpses of light transforming what it touches. Keegan's poems, stories, captions and musings, song lyrics, and journal pages complement the photographs on this journey. He provides an account of growing up just off the Sunset Strip, coming into his own as an actor/artist, dealing with public recognition while maintaining a very private life, falling in and out of love, and acknowledging the influence of his family, friends, fans, and loved ones. life.love.beauty is an unusually intimate and revealing book: a delight for anyone who values photography, and a gift for the many fans who already follow Keegan's career. Keegan's real passion comes through in both his photographs and candid story telling in this unique photo-journal.

For most of the last century the methodology of art history has followed a positivist approach, emphasizing form and style, fact and history as the means of studying works of art. By contrast the philosophical pursuit of truth, once central to the fine arts and humanities has largely been abandoned. In For The Love of Beauty, Arthur Pontynen offers a searching and ambitious critique of modern aesthetic practice that aims to restore the pursuit of the knowledge of reality--Being--to its rightful place.Pontynen begins by addressing the question of why the pursuit of truth (be it called Dao, Dharma, God, Logos, Ideal, etc.) is no longer acceptable in academic circles even though it has been intrinsic to the purpose of art at most times and in most cultures. Lacking the pursuit of truth, of some degree of knowledge of what is true and good, the humanities necessarily lack intellectual and cultural grounding and purpose. Fields of study such as philosophy, music, art, and history are therefore trivialized and brutalized. Pontynen's focus on the study of the visual arts details the how the denial of purpose and quality in modernist and postmodernist aesthetics has denied art any possibility of transcending entertainment, therapy, or propaganda.In place of the established narratives, Pontynen offers a counter-narrative based on a cross-cultural pursuit of the good, the true, and the beautiful. He recognizes that substantively different cultural traditions exist and that the truth claims of each may be valid in whole or in part. He shows how the history of art parallels the intellectual history of Western culture and how these parallels affect both aesthetics and ethics. Pontynen engages with those elements of modernist and postmodernist thought that might be true. His purpose is not simply to deny their validity but to engage a viewpoint that does not privilege the notion of a purposeless cosmos. For the Love of Beauty will be of interest

"This book is as seductive as the phenomenon that it explores. With courage, love, and joy, Frueh crosses into unexplored terrains of beauty and pleasure, where she finds a grotesquely captivating creature: Monster/Beauty. By illuminating her journey with thoughtful insight and engaging prose, she encourages readers to join her in her quest to articulate fresh ways of thinking about the aesthetic and the erotic and of theorizing the flux of lived experience." —John Alan Farmer, senior editor of Art Journal "Monster/Beauty is a daringly provocative experiment in personal and erotic writing and an important book for anyone interested in breaking normative codes of beauty, pedagogy, and authorial methodology. In a richly self-revealing text, Frueh proposes nothing less than a Rabellaisian re-ordering of aesthetic embodiments within social relations." —Mira Schor, author of Wet: On Painting, Feminism, and Art Culture "Giving new meaning to "embodied writing," this book goes farther than any other toward getting the body into the text. Joanna Frueh is a performance artist first-she is also an art historian, a singer, a poet, a bodybuilder, a professor, an academic celebrity of modest fame, but her performances collapse these distinctions. Frueh's intensely personal, intensely physical prose brings an aura of presence to the book that rivals the effect she achieves on stage." —Robyn Warhol, co-editor of Feminisms "This book is monstrous--full of gorgeous hypermuscular women, step-mothers, and vampires; full of ravishing muscular sex, classroom erotics, splendid aging. It is a performance in which Frueh explores and celebrates her body, its powers and beauties, and those of her friends and lovers." —Alphonso Lingis, author of Excesses, Abuses, and Dangerous Emotions "A welcome voice in contemporary feminist theory, Frueh's Monster/Beauty reminds us of the pleasures of thinking, teaching and creating in wholly embodied, sensual and passionate acts. Frueh poetically enacts the self as an aesthetic/erotic project, affirming the many different and beautiful selves we can become. It is a joy to read." —Marsha Meskimmon, author of We Weren't Modern Enough: Women Artists and the Limits of German Modernism "Joanna Frueh is a hero. I sleep better knowing she's out there writing and thinking." —Michael Cunningham, author of The Hours