If Americans knew the real reason Senator Joseph Bibby, Jr. voted for a change in the National Energy Policy, or what crimes oil tycoon Neil Rodkin was willing to commit to "save" the country from Middle Eastern oil companies, the current world situation - war, high gas prices, and terrorism - would all make sense. The kidnapping of Desi Adams, Senator Bibby's secret sex toy, by a wealthy oil tycoon leads to an action packed hunt through the streets of D.C. and the suburbs of Virginia by Desi's boyfriend, police officer Nate Ramano. At the same time, Middle Eastern oil cartels and environmental terrorists are tying to manipulate other key politicians into continuing the moratorium on oil exploration in Alaska's Artic National Wildlife Refuge (ANWR). These competing interests cause chaos in the suburbs of Washington, D.C. and political turmoil inside the beltway.

Two murders. Twenty years. Now the killer is back for more...

This Element focuses on the machinery of commercial theatre, on extra-authorial interventions into the creative process and on the people and institutional forces that foster them. Such a process challenges the autonomy of the artwork and authorial integrity. The primary focus of this Element is then on the hybrid genre of theatre where collective esthetics tends to override and so to supersede individual creation. The essay pays special attention to Samuel Beckett's first professionally produced play, Waiting for Godot, primarily its English language premieres in the US, UK, and the Republic of Ireland. Its implications, however, reach far beyond the genetic and production histories of a single theatrical work to deal with the nature of authorship in a monetized culture, the process of realizing dramatic texts in such a culture, and Samuel Beckett's engagement with such machinery of art.

The purpose of this course is to learn English and increase students’ understanding and critical perception of English Drama. Lessons will focus on the elements of theatrical practice, on Drama as an art form and a social phenomenon. Participation in class/web forum discussion and sharing of “critiques” will enable students to improve their fluency and understand how English is used in different social, psychological and historical contexts. The aim is to develop their appreciation of Drama and stimulate their knowledge of English for the performing arts. Each play will be considered in its screen version.

This collection of 11 plays, from North America, the U.K., and South Africa—many published here for the first time—delves into the vibrant, cosmopolitan theatre of the South Asian diaspora. These original and provocative works explore the experience of diaspora by drawing on cultural references as diverse as classical Indian texts, adaptations of Shakespeare and Homer, current events, and world music, film, and dance. Neilesh Bose provides historical background on South Asian migration and performance traditions in each region, along with critical introductions and biographical background on each playwright. Includes works by Anuvab Pal, Aasif Mandvi, Shishir Kurup, Rahul Varma, Rana Bose, Rukhsana Ahmad, Jatinder Verma, Sudha Bhuchar and Kristine Landon-Smith, Ronnie Govender, Kessie Govender, and Kriben Pillay.

In this incisive blend of personal narrative and philosophical inquiry, journalist and activist Barrett Holmes Pitner seeks a new way to talk about racism in America An NPR Best Book of the Year Can new language reshape our understanding of the past and expand the possibilities of the future? The Crime Without a Name follows Pitner’s journey to identify and remedy the linguistic void in how we discuss race and culture in the United States. Ethnocide, first coined in 1944 by Jewish exile Raphael Lemkin (who also coined the term "genocide"), describes the systemic erasure of a people’s ancestral culture. For Black Americans, who have endured this atrocity for generations, this erasure dates back to the transatlantic slave trade and reached new resonance in a post-Trump world.