Classic meets contemporary in James Richardson’s ninth collection. Writers from Bashō to Hardy, from Merwin to Porchia, inspire meditations on everything from artichokes to cosmology that somehow morph into fables of limitation and desire. This “new poetry made the old way” takes seriously the task of lightening and illuminating our experience, and especially, of distilling it. As Richardson writes, “The road not taken also would have gotten me home.” More than sixty poems of ten lines or fewer, and two sequences of Richardson’s trademark aphorisms and “ten-second essays,” are set alongside surging lyric meditations and odes. For Now celebrates nows of every length, from the sweep of cosmic evolution, to the span of a life, to the glint of dew on a cold shovel.

"In You Are Here (For Now), artist and author Adam J. Kurtz is vulnerable, wise and hilarious as he doles out advice and comfort to anyone who's really going through it." –BookPage The national bestseller An honest and relatable guide to figuring out where you’re headed—and feeling okay in the meantime. When life feels uncertain, or just plain out of control, making intentional choices can help us move forward and find our way. Sometimes all it takes is a gentle nudge, but for anyone waiting for that big, obvious sign from the universe: This is it! This candid collection of essays and artwork is full of reflections, encouragement, and insights on the theme of personal transformation—realistic perspectives to help you move from “staying alive” to nurturing and celebrating the person you know you really are. From the generous and slightly jaded mind of artist Adam J. Kurtz, these pages explore mental health, identity, handling setbacks, and finding humor in the unknown—and will be a touchstone for seekers, graduates, creatives, and anyone who’s trying to figure out what’s next (and maybe even feel a little hopeful about it).

“[Myles] has a good time journeying through Hell, and like a hip Virgil, . . . is happy to show us the way.”—NPR In this raucous meditation, Eileen Myles offers an intimate glimpse into creativity’s immediacy. With erudition and wit, Myles recounts their early years as an awakening writer; existential struggles with landlords; storied moments with neighbors, friends, and lovers; and the textures and identities of cities and the country that reveal the nature of writing as presence in time. For Myles, time’s “optic quality” is what enables writing in the first place—as attention, as devotion, as excess. It is this chronologized vision that enables the writer to love the world as it presently is, lending love a linguistic permanence amid social and political systems that threaten to eradicate it. Irreverent, generous, and always insightful, For Now is a candid record of the creative process from one of our most beloved artists.

Set in the steamy coastal Alabama town of Sea Breeze, an interconnected group of older teens hook up, break up . . . and much, much more. Preston is one bad boy. And Amanda has harboured a crush on him for forever. When she finally makes her move on him, it does notend well. But still, she can't resist him. Especially now that he seems to be pursuing her, too.No one wants wants them to be together. Not Amanda's brother, Marcus, who is on the verge of his marriage to Low, and definitely not any of Preston's buddies. They know way too much about Preston's dark side. Yet the dangerous attraction is there ... and neither Preston nor Amanda are going to deny it.

The inventions and inspiration of Benjamin Franklin and how they've stood the test of time What would you do if you lived in a community without a library, hospital, post office, or fire department? If you were Benjamin Franklin, you'd set up these organizations yourself. Franklin also designed the lightning rod, suggested the idea of daylight savings time, and invented bifocals-all inspired by his common sense and intelligence. In this informative book, Gene Barretta brings Benjamin Franklin's genius to life, deepening our appreciation for one of the most influential figures in American history. Now & Ben is a 2007 Bank Street - Best Children's Book of the Year.

A 2013 Endeavour Award Finalist When Sam Elling creates an algorithm to pair people with their soul mates online, he meets Meredith, his own perfect match. But when Meredith’s grandmother Livvie dies unexpectedly, Sam puts his algorithm to even better use: it compiles Livvie’s old emails and video chats to create a computer simulation so that Meredith can say goodbye. It’s not supernatural; it’s computer science, and Meredith loves it—too much to keep to herself. Together, she and Sam open RePose to help others who have lost a loved one. Business takes off, but for every person who just wants to say goodbye, there’s someone else who can’t let go. This twenty-first-century love story asks what would happen if saying goodbye were just the beginning, and shows how love can take on a life of its own.

Why does the West rule? In this magnum opus, eminent Stanford polymath Ian Morris answers this provocative question, drawing on 50,000 years of history, archeology, and the methods of social science, to make sense of when, how, and why the paths of development differed in the East and West — and what this portends for the 21st century. There are two broad schools of thought on why the West rules. Proponents of "Long-Term Lock-In" theories such as Jared Diamond suggest that from time immemorial, some critical factor — geography, climate, or culture perhaps — made East and West unalterably different, and determined that the industrial revolution would happen in the West and push it further ahead of the East. But the East led the West between 500 and 1600, so this development can't have been inevitable; and so proponents of "Short-Term Accident" theories argue that Western rule was a temporary aberration that is now coming to an end, with Japan, China, and India resuming their rightful places on the world stage. However, as the West led for 9,000 of the previous 10,000 years, it wasn't just a temporary aberration. So, if we want to know why the West rules, we need a whole new theory. Ian Morris, boldly entering the turf of Jared Diamond and Niall Ferguson, provides the broader approach that is necessary, combining the textual historian's focus on context, the anthropological archaeologist's awareness of the deep past, and the social scientist's comparative methods to make sense of the past, present, and future — in a way no one has ever done before.