The words "For Lila, forever" adorned the front of the envelope in blue ink, the handwriting all too familiar. But it didn't matter what it said. I didn't have the heart to open it.We couldn't be together. Not after everything ...Leaving Rose Crossing, Maine was one of the most painful moments of my life-or at least it was until the day I came face-to-face with Thayer Ainsworth again. After a decade of searching, he's found me, and he wants to know why I quit my housemaid job and left his family's island estate without so much as a goodbye. But I'm bound by a devastating secret much bigger than the two of us, and telling him the truth has consequences.Looking into the eyes of the only man I've ever loved, I tell him the only thing I'm allowed to: never contact me again. And when he's gone, I sit down and finally open his letter. Only it isn't a letter at all. And it changes everything.

17-year-old Lila has two secrets she's prepared to take to the grave. The first is that she can move things just by looking at them. The second is that she's been in love with her brother's best friend, Alex, since forever. After a mugging exposes her unique ability, Lila decides to run to the only people she can trust - her brother and Alex. They live in Southern California where they work for a secret organisation called The Unit, and Lila discovers that the two of them are hunting down the men who murdered her mother five years before. And that they've found them. In a world where nothing and no one is quite as they seem, Lila quickly realises that she is not alone - there are others out there just like her - people with special powers -and her mother's killer is one of them…

THE NUMBER ONE NEW YORK TIMES BESTSELLING AUTHOR Ella's best friend Lila has always been a good girl who likes pretty clothes and preppy boys. But ever since the first day she met Micha's best friend Ethan, she hasn't been able to stop thinking about him. Girls have always flocked to Ethan -- but never princesses like Lila. And until Lila came into his life he never wanted them to. From the outside the two couldn't seem more different, but somehow they have a connection deeper and more intense than anyone could have imagined. Can two people from such dramatically different worlds really have a love that lasts?

Alex and Lila are on the run, desperately trying to stay one step ahead of the Unit, which is somehow tracking their every move. WhileAlex is determined to keep Lila safe and her ability secret at any cost, Lila's only thought isoffinding a way back to California so she can rescue her brother and mother from the military base where they're being held. Struggling to control both her growing power and her deepening feelings for Alex, Lila decides the time has finally come to stop running and start fighting. Together with Alex, Demos, and the others she's come to think of as family, Lila plans not onlyto save her brother and mum, but also to completely destroy the Unit and everything it stands for. But the plan requires Lila to return to Californiaalone, andto make friends with the enemy - and in doing so, sheriskslosing everything:Alex, her family… even her life.

Lucas Storey's life is all about college, studying, and finishing his medical degree. That's until he moves in with his older brother and meets his motorcycle club friends. Only, new people make Lucas nervous, almost to the extent of peeing himself, but he soon realizes they're great people and will accept him as he is. Now, if only he can stop thinking of a certain grumpy biker, things will be good. Never before has Wade "Wreck" Williams noticed the same sex, or at least not until Lucas crashes into their lives. And notice Lucas he does. But that's not all. He wants to get to know the man, and he kind of likes looking at Lucas too. None of it makes sense, and Wreck will fight it for that reason alone. When Lucas thinks he can go out with a someone who's not Wreck-and jealously rears its ugly head to a point Wreck just has to step in-it's clear that he may just be wrecked forever.

The Story of the Lost Child is the long-awaited fourth volume in the Neapolitan novels (My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay). The quartet traces the friendship between Elena and Lila, from their childhood in a poor neighbourhood in Naples, to their thirties, when both women are mothers but each has chosen a different path. Their lives are still inextricably linked, for better or worse, especially when it comes to the drama of a lost child. Elena Ferrante was born in Naples. She is the author of seven novels: The Days of Abandonment, Troubling Love, The Lost Daughter, and the quartet of Neapolitan novels: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child. Frantugmalia, a selection of interviews, letters and occasional writings by Ferrante, will be published in 2016. She is one of Italy’s most acclaimed authors. Ann Goldstein has translated all of Elena Ferrante’s work. She is an editor at the New Yorker and a recipient of the PEN Renato Poggioli Translation Prize. Praise for Ferrante and the Neapolitan novels ‘[Ferrante’s] charting of the rivalries and sheer inscrutability of female friendship is raw. This is high stakes, subversive literature.’ Sunday Telegraph ‘Ferrante is an expert above all at the rhythm of plotting...Whether it’s work, family, friends or sex–and Ferrante, perhaps thanks to her anonymity as an author, is blisteringly good on bad sex–our greatest mistakes in life aren’t isolated acts; we rehearse them over and over until we get them as badly wrong as we can.’ Independent ‘Great novels are intelligent far beyond the powers of any character or writer or individual reader, as are great friendships, in their way. These wonderful books sit at the heart of that mystery, with the warmth and power of both.’ Harper’s ‘Elena Ferrante is one of the great novelists of our time. Her voice is passionate, her view sweeping and her gaze basilisk...In these bold, gorgeous, relentless novels, Ferrante traces the deep connections between the political and the domestic. This is a new version of the way we live now—one we need, one told brilliantly, by a woman.’ New York Times Sunday Book Review ‘When I read [the Neapolitan novels] I find that I never want to stop. I feel vexed by the obstacles—my job, or acquaintances on the subway—that threaten to keep me apart from the books. I mourn separations (a year until the next one—how?). I am propelled by a ravenous will to keep going.’ New Yorker ‘The best thing I’ve read this year, far and away...She puts most other writing at the moment in the shade. She’s marvellous.’ Richard Flanagan ‘The Neapolitan series stands as a testament to the ability of great literature to challenge, flummox, enrage and excite as it entertains.’ Sydney Morning Herald ‘The depth of perception Ms. Ferrante shows about her character’s conflicts and psychological states is astonishing...Her novels ring so true and are written with such empathy that they sound confessional.’ Wall Street Journal ‘The older you get, the harder it is to recapture the intoxicating sense of discovery that comes when you first read George Eliot, Nabokov, Tolstoy or Colette. But this year it came again when I read Elena Ferrante’s remarkable Neapolitan novels.’ Jane Shilling, New Statesman ‘There is nothing remotely tiring or trying about the experience of reading the Neapolitan novels, which I, and a great many others, now rank among our greatest book-related pleasures...it is writing that holds honesty dear.’ Weekend Australian ‘Dickens gave working people a voice. Ferrante, whoever she might be, presents a new paradigm for being female in the world...Ferrante’s great literary creations, Lenu and Lila, have the same emotional weight as Anne in Persuasion, Jo in Little Women, Maggie in The Mill on the Floss, Jane in Jane Eyre.’ Helen Elliott in the Monthly ‘This stunning conclusion further solidifies the Neapolitan novels as Ferrante’s masterpiece and guarantees that this reclusive author will remain far from obscure for years to come.’ Publishers Weekly ‘The Neapolitan novels are smart, thoughtful, serious literature. At the same time, they are violent, suspenseful soap operas populated with a vivid cast of scheming characters...Ferrante’s novels are deeply personal and intimate, getting to the very heart of what it means to be a woman, a friend, a daughter, a mother.’ Debrief Daily ‘Shattering and enthralling, intimate and vicious...The Neapolitan Novels are the kind of books that swallow me whole. As soon as I pick one up, I don’t want to breathe or move lest I break the spell...The Neapolitan Novels are among the most important in my reading life. I can’t recommend them highly enough.’ Readings ‘Ferrante captures the complexities of women, friendship and motherhood in ways that make your heart soar and ache in equal measures. If you haven’t already, treat yourself to this series.’ ELLE Australia ‘[Ferrante’s] Neapolitan novels contain real life – recognisable anxiety, joy, love and heartbreak. This is an incredibly difficult feat to achieve in the first place, let alone sustain, over four books. We will be talking about Elena and Lila for years to come.’ Sydney Morning Herald ‘There's a bright, sinewy humanness to Ferrante’s writing that is so alive it's alarming...The Story of the Lost Child is a full emotional experience, and a fitting end to a huge, arresting series.’ New Zealand Listener ‘I was one of the many who wept and wondered over Elena Ferrante’s The Story of the Lost Child. I plan to re-read the entire series soon.’ Favourite Feminist Reads from 2016, Feminist Writers Festival

Lila always knew her big eyes made her special, but she never realized how special. With her special eyes she can see her invisible pet dog, Fluffy, who is full of surprises. Fluffy introduces Lila and her parents to a kingdom of invisible people. Their lives are turned upside down in the process, but will Lila's dream come true to become an Elven princess?