When a woman takes justice into her own hands, her husband suddenly finds himself accomplice to murder in this tense psychological thriller. On their first date back in law school, Natalie and Will Clarke bonded over drinks, dinner—and whether they could get away with murder. Now married, they’ll put the latter to the test when an unchecked danger in their community places their son in jeopardy. Working as a criminal defense attorney, Nat refuses to rely on the broken legal system to keep her family safe. She knows that if you want justice . . . you have to get it yourself. Shocked to discover Nat’s taken matters into her own hands, Will has no choice but to dirty his, also. His family is in way too deep to back down now. He’s just not sure he recognizes the woman he married. Nat’s always been fiercely protective, but never this ruthless or calculating. With the police poking holes in their airtight plan, what will be the first to fall apart: their scandalous secret—or their marriage?

Lynn Johnston's own family bears an uncanny resemblance to the fictional Patterson family. In A Look Inside For Better or For Worse you'll find the evolution of Lynn Johnston's strip. From the turmoils of toddlerhood to the shock of "a teenager in the house," For Better or For Worse presents a decade of entertainment.

"For Better or For Worse: The Comic Art of Lynn Johnston will be published to coincide with an international touring exhibition of Lynn Johnston's work, organized by the Art Gallery of Sudbury. The book features some of Johnston's most popular narratives, interspersed with an essay that chronicles the development of her drawing, her life, influences both personal and artistic, and the history of her wildly successful comic strip. This book also gathers together a generous selection of Lynn Johnston's daily comic strips and Sunday pages, spanning the lives of the Patterson family."--

A collection of "For Better or For Worse" comic strips, following the Patterson family as John and Elly downsize, Mike and Deanna buy the family homestead, Elizabeth has her heart broken, and April turns sixteen.

The Patterson clan—Elly, John, Michael, and Lizzie—continues to charm moms, dads, brothers, and sisters with the lighthearted and engaging chronicles of their family in this For Better or For Worse collection, Pushing 40. Cartoonist Lynn Johnston's presentation of daily battles, bungles, tears and smiles has endeared her to a loyal following across the country. Pushing 40 provides new dimensions of Johnston's lively and entertaining portrayal of family life—bringing nods of recognition with her sensitive insight and wry sense of humor.

Did you know that...The "contemporary" fashion of living together before marriage is far from new, and was frequently practiced in earlier days...Self-divorce, although never legal, was once a commonplace occurrence...Marriage is more popular today than in the Victorian era...Marriage in church was not compulsory in England and Wales until the mid-18th century. These are just a few of the fascinating, and often surprising, revelations in For Better, For Worse, the most comprehensive treatment to date of the history of marriage in a major Western society. Using fresh evidence from popular courtship and wedding rituals over four centuries, Gillis challenges the widely held belief that marriage has evolved from a cold, impersonal arrangement to a more affectionate, egalitarian form of companionship. The truth, argues Gillis, lies somewhere in between: conjugal love was never wholly absent in preindustrial times, while today's marriages are less companionate than is commonly believed. Gillis also illustrates, in rich detail, the perpetual tension between marital ideals and actual practices. This social history of the behavior and emotions of ordinary men and women radically revises our perspective on love and marriage in the past--and the present.

Struggling to adjust to their new lives, Mike and Deanna discover that an unexpected baby is on the way, while Grandpa Jim and Iris elope to England, and Elizabeth dumps her unfaithful boyfriend, in cartoons from the comic strip.