The First World War profoundly affected every community in Canada. In Regina, the politics of national identity, the rural myth, and the social gospel all lent a distinctive flavour to the city’s experience of the Great War. For many Reginans, the fight against German militarism merged with the struggle against social evils and the “Big Interests,” adding new momentum to the forces of social reform, including the fights for prohibition and women’s suffrage.James M. Pitsula traces these social movements against the background of the lives of Regina men who fought overseas in battles such as Passchendaele and Vimy Ridge. Skillfully combining vivid detail with the larger social context, For All We Have and Are provides a nuanced picture of how one Canadian community rebuilt both its realities and myths in response to the cataclysm of the “war to end all wars.”

When a teenage girl’s single mom is taken by ICE, everything changes—all of her hopes and dreams for the future turn into survival. Seventeen-year-old Rania is shaken awake in her family's apartment in Brooklyn. ICE is at the door, taking her mother away. But Ammi has done everything right, hasn’t she? Their asylum case is fine. This was supposed to be Rania’s greatest summer: hanging out with her best friend, Fatima, and getting ready for college in the fall. But now, none of that is certain. Now, along with her younger brother, Kamal, and a new friend, Carlos, Rania must figure out how to survive. In this vivid exploration of what happens when the country you have put your hopes into is fast shutting down, award-winning author Marina Budhos shows us how one girl bursting with dreams navigates secrets, love, and the lure of the open road.

For fans of All the World and Love, a poetic story that celebrates the littlest things we all need to be happy -- and the beauty of sharing with others when we have more to give. Each bustling day in our busy world, we can take a moment to appreciate the little things. From the simplest essentials like air and water to the wonderful warmth of family, friends, and neighbors, there is so much in life to be thankful for. Kathy Wolff's melodic verse and Margaux Meganck's lush and cozy city scenes follow three families through moments of daily discovery and joy, culminating in a celebration of community and giving. When we have all we need, plus a little to spare, the only need left . . . is to share.

From the author of THE BRIDGE FROM ME TO YOU, a groundbreaking novel about what matters most -- when time is running out. What do you do with your last day on earth?There are 27 hours and fifteen minutes left until an asteroid strikes North America, and, for Emerson and everyone else who didn't leave, the world will end. But Emerson's world already ended when she ran away from home last year. Since then she has lived on the streets, relying on her wits and her friend Vince to help her find places to sleep and food to eat.The city's quieter now that most people are gone, and no one seems to know what to do as the end approaches. But then Emerson and Vince meet Carl, who tells them that he has been granting people's wishes. He gave his car away so a woman could take her son to see the ocean for the first time, and he gives Emerson and Vince all the money he has in his wallet.Suddenly this last day seems full of possibility. Emerson and Vince can grant a lot of wishes in 27 hours -- maybe even their own.

Interweaving stories from past and present, All We Have Left brings one of the most important days in our recent history--September 11th--to life, showing that love and hope will always triumph. Now: Sixteen-year-old Jesse is used to living with the echoes of the past. Her older brother died in the September 11th attacks, and her dad since has filled their home with anger and grief. When Jesse gets caught up with the wrong crowd, one momentary hate-fueled decision turns her life upside down. The only way to make amends is to face the past, starting Jesse on a journey that will reveal the truth about how her brother died. Then: In 2001, sixteen-year-old Alia is proud to be Muslim . . . it's being a teenager that she finds difficult. After being grounded for a stupid mistake, Alia decides to confront her father at his Manhattan office, putting her in danger she never could have imagined. When the planes collide into the Twin Towers, Alia is trapped inside one of the buildings. In the final hours, she meets a boy who will change everything for her as the flames rage around them . . . A Kirkus Reviews Best Books of 2016 selection

Novelist, playwright, essayist, and master of the short story. Artist and engaged working-class intellectual; husband, father, and grandfather as well as committed revolutionary activist. From his first publication (a short story collection An Old Pub Near the Angel on a tiny American press) through his latest novel (God's Teeth and other Phenomena) and work with Noam Chomsky (Between Thought and Expression Lies a Lifetime—both published on a slightly larger American press), All We Have Is the Story chronicles the life and work—to date—of “Probably the most influential novelist of the post-war period.” (The Times) Drawing deeply on a radical tradition that is simultaneously political, philosophical, cultural, and literary, James Kelman articulates the complexities and tensions of the craft of writing; the narrative voice and grammar; imperialism and language; art and value; solidarity and empathy; class and nation state; and. above all, that it begins and ends with the story. “One of the things the establishment always does is isolate voices of dissent and make them specific—unique if possible. It's easy to dispense with dissent if you can say there's him in prose and him in poetry. As soon as you say there's him, him, and her there, and that guy here and that woman over there, and there's all these other writers in Africa, and then you've got Ireland, the Caribean—suddenly there's this kind of mass dissent going on, and that becomes something dangerous, something that the establishment won't want people to relate to and go Christ, you're doing the same as me. Suddenly there's a movement going on. It's fine when it's all these disparate voices; you can contain that. The first thing to do with dissent is say ‘You're on your own, you're a phenomenon.’ I'm not a phenomenon at all: I'm just a part of what's been happening in prose for a long, long while.” —James Kelman from a 1993 interview