The engaging author of Riding the Iron Rooster entertains with a satirical look at a Chinese Catholic grocer living in East Africa. While others plague him about politics, all Fong wants is for the milk train to wreck so he can sell his precious dairy products.

Indians, from India, outfox Fong, a Chinese grocer, in business dealings in a mythical East African country.

Africa has long captured the Western imagination as a land shrouded in danger and mystery. British and American novels written before World War II established popular conventions and stereotypes about Africa that have been increasingly challenged by contemporary American novels set in Africa. Kuhne's book overviews the ways in which Africa has been employed as a powerful setting for American novels written since World War II. Kuhne argues that contemporary American novels with African settings are largely didactic, that these novels convey specific lessons about Africa and Africans, and that they compare African and American cultures in order to evaluate and critique the two worlds. The book begins by summarizing the conventions and themes Westerners have traditionally associated with Africa and by detailing how British and American authors from Aphra Behn to Ernest Hemingway depicted Africa before World War II. It then looks at contemporary American novels set in invented African nations, novels that typically suggest that the problems that trouble actual African nations are the result of colonialism. A separate chapter then examines the African novels of African Americans, which generally aim to correct the historical record, refute stereotypes, and detail the horrors of the slave trade. The volume also looks at genre fiction set in Africa, while a final chapter discusses postcolonial novels with African settings.

Africa has long gripped the American imagination. From the Edenic wilderness of Edgar Rice Burroughs’s Tarzan novels to the ‘black Zion’ of Garvey’s Back-to-Africa movement, all manner of Americans - whether white or black, male or female - have come to see Africa as an idealized stage on which they can fashion new, more authentic selves. In this remarkable, panoramic work, David Peterson del Mar explores the ways in which American fantasies of Africa have evolved over time, as well as the role of Africans themselves in subverting American attitudes to their continent. Spanning seven decades, from the post-war period to the present day, and encompassing sources ranging from literature, film and music to accounts by missionaries, aid workers and travel writers, African, American is a fascinating deconstruction of ‘Africa’ as it exists in the American mindset.

"A border zone of the macabre, the disturbing, the not-quite accidental." —John Gross, New York Times Book Review Horrific tragedy becomes disturbingly ordinary in The Black House, a masterful collection of short stories, written during a particularly dark time in Patricia Highsmith's life. As readers will discover, the work eerily evokes the warm familiarities of suburban life: the manicured lawns, the white picket fences, and the local pubs, each providing the backbone for her chilling portraits. Seemingly small indiscretions and infidelities—along with love affairs and murder—consume the characters that commit them. Cycles of destructive jealousy overwhelm the cheating protagonists of "Blow It" and "When in Rome," and the title story explores small-town male camaraderie and the destructive secret it masks. This enthralling collection of eleven stories presents Highsmith at her finest: melancholy, suspenseful, and sizzling with a powerful awareness of human emotion.