When Clint, a handsome, mysterious stranger, rents a room in Madigan's grandmother's house, Madigan becomes convinced that he is the father she's never met.

Sixteen years after this 1992 story, and forced outing remains a hot button in gay politics. When an activist's claims that men he's outed are stalking him don't ring true, Albany's only gay PI drops his protection detail - and the client winds up dead. Strachey peels back the layers of his client's double cross only to find...a triple cross. (Filmed for release by HereTV in 2005.)

Twelve-year-old Molly and her ten-year-old brother, Michael, have never liked their seven-year-old stepsister, Heather. Ever since their parents got married, she's made Molly and Michael's life miserable. Now their parents have moved them all to the country to live in a house that used to be a church, with a cemetery in the backyard. If that's not bad enough, Heather starts talking to a ghost named Helen and warning Molly and Michael that Helen is coming for them. Molly feels certain Heather is in some kind of danger, but every time she tries to help, Heather twists things around to get her into trouble. It seems as if things can't get any worse. But they do—when Helen comes.

"Like A Wrinkle in Time (Miranda's favorite book), When You Reach Me far surpasses the usual whodunit or sci-fi adventure to become an incandescent exploration of 'life, death, and the beauty of it all.'" —The Washington Post This Newbery Medal winner that has been called "smart and mesmerizing," (The New York Times) and "superb" (The Wall Street Journal) will appeal to readers of all types, especially those who are looking for a thought-provoking mystery with a mind-blowing twist. Shortly after a fall-out with her best friend, sixth grader Miranda starts receiving mysterious notes, and she doesn’t know what to do. The notes tell her that she must write a letter—a true story, and that she can’t share her mission with anyone. It would be easy to ignore the strange messages, except that whoever is leaving them has an uncanny ability to predict the future. If that is the case, then Miranda has a big problem—because the notes tell her that someone is going to die, and she might be too late to stop it. Winner of the Boston Globe–Horn Book Award for Fiction A New York Times Bestseller and Notable Book Five Starred Reviews A Junior Library Guild Selection "Absorbing." —People "Readers ... are likely to find themselves chewing over the details of this superb and intricate tale long afterward." —The Wall Street Journal "Lovely and almost impossibly clever." —The Philadelphia Inquirer "It's easy to imagine readers studying Miranda's story as many times as she's read L'Engle's, and spending hours pondering the provocative questions it raises." —Publishers Weekly, Starred review

The editors, William J. Devlin and Shai Biderman, have compiled an impressive list of contributors to explore the philosophy at the core of David Lynch's work. Lynch is examined as a postmodern artist and the themes of darkness, logic and time are discussed in depth.

A Critical Companion to Christopher Nolan provides a wide-ranging exploration of Christopher Nolan's films, practices, and collaborations. From a range of critical perspectives, this volume examines Nolan's body of work, explores its industrial and economic contexts, and interrogates the director's auteur status. This volume contributes to the scholarly debates on Nolan and includes original essays that examine all his films including his short films. It is structured into three sections that deal broadly with themes of narrative and time; collaborations and relationships; and ideology, politics, and genre. The authors of the sixteen chapters include established Nolan scholars as well as academics with expertise in approaches and perspectives germane to the study of Nolan's body of work. To these ends, the chapters employ intersectional, feminist, political, ideological, narrative, economic, aesthetic, genre, and auteur analysis in addition to perspectives from star theory, short film theory, performance studies, fan studies, adaptation studies, musicology, and media industry studies.

Imagine an island that was a perfect place to take that long deserved vacation. Clean beaches, a boardwalk that stretches for two miles, charter fishing, horseback riding, entertainment rides for the young and old, almost everything you would want for the perfect vacation. Imagine an island with three unique towns with their own historical flavor and a large lake where you can go skiing, fishing, or camp if you prefer to just sleep under the star-filled skies. In Red Dreams, the first in a series, Michael Ham takes you to such a place, but instead of warm late spring days, you will venture into a journey of darkness. The story begins with Peggy, who is being held captive by a church that has a completely twisted view on their understanding of God. She escapes with four others, and agents for the church quickly track them down, except for Peggy. One attempt after another, they try to either capture her or kill her until finally, they succeed. But she isnt dead. Now in the hospital, she must make a decision. Should she return to Ravenswood or should she run? These are just the stepping stones in Red Dreams. There are quite a few people you will read about, and as for a few of them, you will never hear of them again. There is a lot to this story and the path to understand it all will take time.