[This book] "e;... offers prospective readers the opportunity to assess the respective merits of a poststructuralist, archaeological/genealogical approach (Foucault's) and that of a neo-pragmatist, hyper-Popperian, problem-solving critical realist, Howard Richards, who values the fact that Foucault was sensitive to the need to defend and empower 'subjugated knowledges'."e; - Bert Olivier, University of the Free State

Contributes to Foucauldian scholarship by contextualizing Foucault's key concepts and identifying current and emerging applications of his work.

.

Combining the most powerful elements of Foucault's theories, Clifford produces a methodology for cultural and political critique called "political genealogy" to explore the genesis of modern political identity. At the core of American identity, Clifford argues, is the ideal of the "Savage Noble," a hybrid that married the Native American "savage" with the "civilized" European male. This complex icon animates modern politics, and has shaped our understandings of rights, freedom, and power.

Risk, Power and the State addresses how power is exercised in and by contemporary state organisations. Through a detailed analysis of programmatic attempts to shape behaviour linked to considerations of risk, this book pursues the argument that, whilst Foucault is useful for understanding power, the Foucauldian tradition – with its strands of discourse analysis, of governmentality studies, or of radical Deleuzian critique – suffers from a lack of clarification on key conceptual issues. Oriented around four case studies, the architecture of the book devolves upon the distinction between productive and repressive power. The first two studies focus on productive power: the management of long-term unemployment in the public employment service and cognitive-behavioural interventions in the prison service. Two further studies concern repressive interventions: the conditions of incarceration in the prison service and the activity of the customs service. These studies reveal that power, as conceptualised within the Foucauldian tradition, must be modified. A more complex notion of productive power is needed, which covers interventions that appeal to desires, and which govern both at a distance and at close range. Additionally, the simplistic paradigm of repressive power is called into question by the need to consider the organising role of norms and techniques that circumvent agency. Finally, it is argued, Foucault's concept of strategies – which accounts for the thick web of administrative directives, organisational routines, and techniques that simultaneously shape the behaviour of targeted individuals and members of the organisation – requires an organisational dimension that is often neglected in the Foucauldian tradition.

Speech Begins after Death is a transcript of critic Claude Bonnefoy's interview with Michel Foucault in which he reflects on his approach to the written word throughout his life, from his school days to his discovery of the pleasure of writing. Never before published in English, this is one of Foucault's most personal statements about his life and writing.

Both as historian and maker of culture, Foucault infused numerous disciplines of study with a new conceptual vocabulary and an agenda for future research. His ideas have called central assumptions in Western culture into question and altered the ways in which scholars and social scientists approach such issues as discourse theory, theory of knowledge, Eros, technologies of the Self and Other, punishment and prisons, and asylums and madness.The contributors to this volume indicate Foucault's achievements and the suggestive power of his work, as well as his methodological weaknesses, historical inaccuracies, and ambiguities. Above all, they attempt to show how one can use Foucault to go beyond him in opening new approaches to cultural history. Though comprehensiveness was not attempted, their essays broach the major controversial aspects of Foucauldian cultural history--the position of the subject, the fusion of power and knowledge, sexuality, the historical structures and changes--and they explicitly analyze them with respect to antiquity, the Renaissance, and the nineteenth century.In this collection, Neubauer presents analyses by historians, literary scholars, and philosophers of the entire, transdisciplinary range of Foucault's oeuvre, emphasizing the rich suggestiveness of its agenda. The breadth of the undertaking makes it suitable for seminars and graduate courses in numerous departments.