The &“technocratic revolution&” that ushered in the age of neoliberalism in Mexico under the presidency of Carlos Salinas (1988&–1994) helped create the conditions for, and the constraints on, a resurgence of activism among the indigenous communities of Mexico. This resurgence was given further impetus by the protests in 1992 against the official celebration of the five hundredth anniversary of Columbus&’s landing in America and by the Zapatista uprising in Chiapas in 1994. Local, regional, and national indigenous organizations formed to pursue a variety of causes&—cultural, economic, legal, political, and social&—to benefit Indian peoples in all regions of the country. Folkloric Poverty analyzes the crisis these indigenous political groups faced in Mexico at the turn of the twenty-first century. It tells the story of an indigenous peoples&’ movement in the state of Guerrero, the Consejo Guerrerense 500 A&ños de Resistencia Ind&ígena, that gained unprecedented national and international prominence in the 1990s and yet was defunct by 2002. The fate of the Consejo points to the ways that Mexican multiculturalism&‚ indigenismo, combined with neoliberal reforms to keep Indians in a political quarantine, effectively limiting their actions and safely isolating their demands on the state.

Folk art emerged in twentieth-century Nova Scotia not as an accident of history, but in tandem with cultural policy developments that shaped art institutions across the province between 1967 and 1997. For Folk’s Sake charts how woodcarvings and paintings by well-known and obscure self-taught makers - and their connection to handwork, local history, and place - fed the public’s nostalgia for a simpler past. The folk artists examined here range from the well-known self-taught painter Maud Lewis to the relatively anonymous woodcarvers Charles Atkinson, Ralph Boutilier, Collins Eisenhauer, and Clarence Mooers. These artists are connected by the ways in which their work fascinated those active in the contemporary Canadian art world at a time when modernism – and the art market that once sustained it – had reached a crisis. As folk art entered the public collection of the Art Gallery of Nova Scotia and the private collections of professors at the Nova Scotia College of Art and Design, it evolved under the direction of collectors and curators who sought it out according to a particular modernist aesthetic language. Morton engages national and transnational developments that helped to shape ideas about folk art to show how a conceptual category took material form. Generously illustrated, For Folk’s Sake interrogates the emotive pull of folk art and reconstructs the relationships that emerged between relatively impoverished self-taught artists, a new brand of middle-class collector, and academically trained professors and curators in Nova Scotia’s most important art institutions.

When viewed from the perspective of those who suffer the consequences of repressive approaches to public security, it is often difficult to distinguish state agents from criminals. The mistreatment by police and soldiers examined in this book reflects a new kind of stigmatization. The New War on the Poor links the experiences of labour migrants crossing Latin America's international borders, indigenous Mexicans defending their territories against capitalist mega-projects, drug wars and paramilitary violence, Afro-Brazilians living on the urban periphery of Salvador, and farmers and business people tired of paying protection to criminal mafias. John Gledhill looks at how and why governments are failing to provide security to disadvantaged citizens while all too often painting them as a menace to the rest of society simply for being poor.

This comprehensive and engaging text explores contemporary Mexico's political, economic, and social development and examines the most important policy issues facing the country today. Readers will find this widely praised book continues to be the most current and accessible work available on Mexico’s politics and policy.

"'Globalization.'" The rise of Trumpism has once again galvanized public debate about this highly charged term. This book looks at the last time the concept spurred wide-ranging and unruly agitation: the late twentieth century. In offering a transnational history of the explosive emergence of antiglobalization movements in the United States and Mexico, it considers how farmers, workers, and Indigenous peoples struggled to change the direction of the world economy. They did so by grounding their efforts to confront free-market economic reforms in frontline struggles for economic and racial justice. The story revolves around three popular organizations, and their paths allow us to reinterpret some of the crucial moments, messages, and movements of the era, including the Mexican roots of the idea of food sovereignty, racism and whiteness at the momentous 'Battle of Seattle' protests outside the 1999 World Trade Organization meetings, and the rise of dramatic street demonstrations around the globe"--

Oaxaca Resurgent examines how Indigenous people in one of Mexico's most rebellious states shaped local and national politics during the twentieth century. Drawing on declassified surveillance documents and original ethnographic research, A. S. Dillingham traces the contested history of indigenous development and the trajectory of the Mexican government's Instituto Nacional Indigenista, the most ambitious agency of its kind in the Americas. This book shows how generations of Indigenous actors, operating from within the Mexican government while also challenging its authority, proved instrumental in democratizing the local teachers' trade union and implementing bilingual education. Focusing on the experiences of anthropologists, government bureaucrats, trade unionists, and activists, Dillingham explores the relationship between indigeneity, rural education and development, and the political radicalism of the Global Sixties. By centering Indigenous expressions of anticolonialism, Oaxaca Resurgent offers key insights into the entangled histories of Indigenous resurgence movements and the rise of state-sponsored multiculturalism in the Americas. This revelatory book provides crucial context for understanding post-1968 Mexican history and the rise of the 2006 Oaxacan social movement.

Winner, Humanities Book Prize, Mexico Section of the Latin American Studies Association, 2018 Many scholars believe that the modern concentration camp was born during the Cuban war for independence when Spanish authorities ordered civilians living in rural areas to report to the nearest city with a garrison of Spanish troops. But the practice of spatial concentration—gathering people and things in specific ways, at specific places, and for specific purposes—has a history in Latin America that reaches back to the conquest. In this paradigm-setting book, Daniel Nemser argues that concentration projects, often tied to urbanization, laid an enduring, material groundwork, or infrastructure, for the emergence and consolidation of new forms of racial identity and theories of race. Infrastructures of Race traces the use of concentration as a technique for colonial governance by examining four case studies from Mexico under Spanish rule: centralized towns, disciplinary institutions, segregated neighborhoods, and general collections. Nemser shows how the colonial state used concentration in its attempts to build a new spatial and social order, and he explains why the technique flourished in the colonies. Although the designs for concentration were sometimes contested and short-lived, Nemser demonstrates that they provided a material foundation for ongoing processes of racialization. This finding, which challenges conventional histories of race and mestizaje (racial mixing), promises to deepen our understanding of the way race emerges from spatial politics and techniques of population management.