This book examines the tales of a Kammu folklore teller from the North Eastern Muan Khwa region of Laos. It contains 19 stories, all annotated from both cultural and folklore aspects and illustrated by a young Kammu artist, and including one story given in the original language with an interlinear translation.

Fourteen stories about Kammu folklore offering insights into the Kammu culture and language, as well as a view of the field of folklore generally. It is fully illustrated with Kammu drawings.

Combining autobiography and ethnography, Damrong Tayanin examines the lifestyles, customs, practices, and beliefs of the Kammu people by describing his own early experiences.

This is a study of vocal expressions in the borderland between speech and song, based on performances from cultural contexts where oral transmission dominates. Approaches drawn from perspectives belonging to both ethnomusicology and linguistics are integrated in the analysis. As the idea of the performance template is employed as an analytical tool, the focus is on those techniques that make performance possible. The result is an increased understanding of what performers actually do when they employ variation or improvisation, and sometimes composition as well. The transmission of these culture-specific techniques is essential for the continuation of this form of human communication and interaction with the spirit world. By comparative study of other research, the result of the analysis is viewed in relation to ongoing processes in society.

Postcolonial Animalities, co-edited by Suvadip Sinha and Amit R. Baishya, brings together ten essays to consider the interfaces between "human" and "animal" and the concrete presence of animals in postcolonial cultural production. This edited collection critiques monohumanist conceptions of the "human" and considers the co-constitutiveness of imaginaries of the human with grammars of animality. One of the central contributions of this volume is to decolonize existing conceptualizations of the human-animal relationship, and to consider the material representation of animals within the realm of colonial and postcolonial cultural production from the perspective of ethical alterity and alternative narratives of anticolonial and postcolonial politics. The volume also explores entanglements of race and species in colonial and neocolonial frameworks without transforming such inquiries into a zero-sum game that privileges one category over another. The essays in the volume, focusing on multiple geographical locations ranging from South Asia, Southeast Asia, post-Ottoman Turkey, the Caribbean, Australia, South Africa and Palestine/Israel, historicizes and understands multispecies, interspecies and transspecies encounters, affiliations and connections in and through their localized dimensions, and studies human-animal encounters in their varied and complex affective relationalities. Through such inquiries, the volume considers how modes of representing animals, including located forms of anthropomorphism and zoomorphism, help us think-with and be-with different animals.