An examination of architecture related to the mathematical concept of folding and catastrophe theory. Articles by Peter Eisenman and John Rajchman provide an analysis of the theory, while projects by Eisenman, Bahram Shirdel and Frank Gehry, among others, are presented, all showing folding theory worked into architectural practice.

A relatively new trend in architecture, folding is a playful method that opens up the design process to spontaneity and surprise. Folding Architecture presents the results of research into the technique, which was carried out in The Netherlands by the architectural faculty at the TU in Delft. It is an enlightening and inspiring survey that is vividly illustrated and presents all of the much-discussed concepts, projects and buildings in which this process has been applied. And as the book implies the possibilities are endless. Compulsory reference material for any architect or student of architecture who wishes to design outside of mainstream. Sophia Vyzoviti is an architect and teaches design method at the TU in Delft.

Now almost 20 years old, the digital turn in architecture has already gone through several stages and phases. Architectural Design (AD) has captured them all – from folding to cyberspace, nonlinearity and hypersurfaces, from versioning to scripting, emergence, information modelling and parametricism. It has recorded and interpreted the spirit of the times with vivid documentary precision, fostering and often anticipating crucial architectural and theoretical developments. This anthology of AD’s most salient articles is chronologically and thematically arranged to provide a complete historical timeline of the recent rise to pre-eminence of computer-based design and production. Mario Carpo provides an astute overview of the recent history of digital design in his comprehensive introductory essay and in his leaders to each original text. A much needed pedagogical and research tool for students and scholars, this synopsis also relates the present state of digitality in architecture to the history and theory of its recent development and trends, and raises issues of crucial importance for the contemporary practice of the design professions. A comprehensive anthology on digital architecture edited by one of its most eminent scholars in this field, Mario Carpo. Includes seminal texts by Bernard Cache, Peter Eisenman, John Frazer, Charles Jencks, Greg Lynn, Achim Menges and Patrik Schumacher. Features key works by FOA, Frank Gehry, Zaha Hadid, Ali Rahim, Lars Spuybroek/NOX, Kas Oosterhuis and SHoP.

Many designers use folding techniques in their work to make three-dimensional forms from two-dimensional sheets of fabric, cardboard, plastic, metal, and many other materials. This unique book explains the key techniques of folding, such as pleated surfaces, curved folding, and crumpling. It has applications for architects, product designers, and jewelry and fashion designers An elegant, practical handbook, Folding for Designers explains over 70 techniques explained with clear step-by-step drawings, crease pattern drawings, and specially commissioned photography. All crease pattern drawings are available to view and download from the Laurence King website.

An explosion of little architectural magazines in the 1960s and 1970s instigated a radical transformation in architectural culture, as the magazines acted as a site of innovation and debate. Clip/Stamp/Fold takes stock of seventy little magazines from this period. The book brings together a remarkable range of documents and original research which the project has produced during its continuous travels over the last four years starting with the exhibition at the Storefront in November 2006. The book features transcripts from the “Small Talks” events in which editors and designers were invited to discuss their magazines; a stocktaking of over 100 significant issues that tracks the changing density and progression of the little magazine phenomenon; transcripts of more than forty interviews with magazine editors and designers from all over the world; a selection of magazine facsimiles; and a fold out poster that offers a mosaic image of more than 1,200 covers examined during the research.

Frank Lloyd Wright Paper Models features step–by–step instructions and templates so you can create beautiful kirigami versions of Frank Lloyd Wright's iconic modernist architecture. Frank Lloyd Wright (1867–1959) is the most renowned and popular architect and designer in America. His buildings, including Fallingwater and New York's Guggenheim Museum, are iconic landmarks. Now you can create 14 of his best–loved buildings using the art of kirigami. Frank Lloyd Wright building kirigami templates included are: • Unity Temple • Frederick C. Robie House • Imperial Hotel • Aline Barnsdall "Hollyhock" House • Millard House (La Miniatura) • John Storer House • Freeman House • Charles Ennis House • National Life Insurance Building • Taliesin West • Herbert And Katherine Jacobs I House • Edgar J. Kaufmann House "Fallingwater" • Johnson Wax Administration Building • Solomon R. Guggenheim Museum Perfect for those that enjoy origami, each project features a short history of each house, step–by–step instructions and a template that you remove from the book. You follow the lines on the template, cutting and folding to make your own model. All you need is a scalpel, a cutting mat and a ruler. Clear cutting tips help you with the tricky stages, while photos of the finished model show you the final design. To make things easier, the most intricate parts of the templates have been pre–cut. Simply display your finished model and admire your handiwork. Frank Lloyd Wright Paper Models is a must for Wright fans and architectural model enthusiasts. "Kirigami is the elegant Japanese art of folding and cutting paper to create intricate models. It's also the perfect medium for recreating the harmonious architecture of Frank Lloyd Wright." Sunday Express, UK

It is only recently, with the increasing interest in origami and folding in natural sciences and the humanities, that the fold as a new conception in a whole range of disciplines has begun to be conceived in a broader way. Folding as a material and structural process offers a new methodology to think about the close relationship of matter, form and code. It henceforth crosses out old dichotomies, such as the organic and the inorganic or nature and technology, and blurs the boundaries between experimental, conceptual and historical approaches. This anthology aims to unfold this new interdisciplinary field and its disciplinary impact, ranging from materials science, biology, architecture, and mathematics to literature and philosophy.