During the early modern age religious orders had to interpret papal strategies and directives in international politics in the light of a substantial ambiguity. They were loyal subjects of the pope, but also trusted agents and advisers of princes. They were operatives of the Holy See and, at the same time, of strategies not necessarily in line with Roman guidelines. This ambiguity resulted in conflicts, both overt and latent, between obedience to the pope and obedience to the sovereign, between membership in a universal religious order and individual «national» origins and personal ties, between observance of Roman directives and the need to maintain good relations with the authorities of the territory in which the religious orders lived and worked. This book aims to examine, through a series of case studies not only in Europe but also America and the Middle East, the roles played by religious orders in the international politics of the Holy See. It seeks to determine the extent to which the orders were mere objects or instruments; whether they were able to give life, more or less openly, to autonomous strategies, and for what reasons; and what awareness of their own identity groups or individuals developed in relation to the influences of international politics in an age of conflict.

What are the origins of the imagery and designs on common jewelry and portable artwork between late antiquity and the Middle Ages? These dynamic centuries encompass the transformation of the Greco-Roman world into the nascent kingdoms and medieval states upon which most modern European nations are based. The choices of jewelry and other forms of personal expression among the lower classes in ancient times is notoriously difficult to contextualize for a number of reasons. Nonetheless, these precious articles were expressions of individual identity as well as signifiers of rites of passage. As such, they reflect not only the people who wore them, but also the social milieu and artistic trends at that moment in time. This new study assists in identifying the types, origins and routes of transmission of personal artwork, particularly finger rings, across Europe and Byzantium, an area of study that has been neglected in previous works. Some of this material represents the first time relevant research from Central and Eastern Europe has been translated and made available to the general reader in the English-speaking world.

The figure of Alexander the Great haunted the medieval imagination - as much as Arthur, as much as Charlemagne. His story was translated more often in medieval Europe than any work except the Gospels. Yet only small sections of the Alexander Romance have been translated into modern French, and Nigel Bryant's is the first translation into English. The Deeds and Conquests of Alexander the Great is Jehan Wauquelin's superb compendium, written for the Burgundian court in the mid-fifteenth century, which draws together all the key elements of the Alexandrian tradition.With great clarity and intelligence Wauquelin produced a redaction of all the major Alexander romances of the twelfth, thirteenth and fourteenth centuries - including the verse Roman d'Alexandre, The Vows of the Peacock and La Venjance Alixandre - to tell the whole story of Alexander's miraculous birth and childhood, his conquests of Persia and India, his battles with fabulous beasts and outlandish peoples, his journeys in the sky and under the sea, his poisoning at Babylon and the vengeance taken by his son. This is an accomplished and exciting work by a notable writer at the Burgundian court who perfectly understood the appeal of the great conqueror to ambitious dukes intent upon extending their dominions. Nigel Bryant has translated five major Arthurian romances from medieval French, including Perceforest in which Alexander features prominently. He has also translated the fourteenth-century chronicles of Jean le Bel.