When Tai Shan and his father, Baba, fly kites from their roof and look down at the crowded city streets below, they feel free, like the kites. Baba loves telling Tai Shan stories while the kites--one red, and one blue--rise, dip, and soar together. Then, a bad time comes. People wearing red armbands shut down the schools, smash store signs, and search houses. Baba is sent away, and Tai Shan goes to live with Granny Wang. Though father and son are far apart, they have a secret way of staying close. Every day they greet each other by flying their kites???one red, and one blue???until Baba can be free again, like the kites. Inspired by the dark time of the Cultural Revolution in China, this is a soaring tale of hope that will resonate with anyone who has ever had to love from a distance.

It all started towards the end of the 1930s when the young Hugh Hood serviced a flourishing "Saturday Evening Post" route with more than fifty weekly customers. That was where the author-to-be first encountered the short story, in the formula fiction of the famous magazine writers, Damon Runyon, Guy Gilpatric, Arthur Train, and of course the Master, P.G. Wodehouse. By the '40s, Hood had discovered Pocketbooks, and, in particular, "My Life and Hard Times" (included in "The Thurber Carnival") which led first to a story called Recollections of the Works Department' and later to some of the methods employed in his "opus," "The New Age / Le nouveau si?cle." For a writer who once professed If in the course of my life I can get a half a dozen stories printed, I'll be satisfied', "Flying a Red Kite" marked a different kind of beginning. The first selection of ten stories was completed in March of 1962 by John Colombo and Robert Weaver for publication by the Ryerson Press. Both editors felt at the time that an additional story was required to round out the sequence to a cohesive volume. Hood wrote The End of It', and that is how we have it here -- the eleven stories of Hood's first book-length publication, to which the author has added a lengthy introduction and a checklist of bibliographical data.

Canadian author Hugh Hood’s first collection of short stories.

The family from Dim Sum for Everyone! is back for a new outing– building and flying their own kite! The wind is blowing. It is a good day for kites! The whole family makes a trip to the local craft store for paper, glue, and paint. Everyone has a job: Ma-Ma joins sticks together. Ba-Ba glues paper. Mei-Mei cuts whiskers while Jie-Jie paints a laughing mouth. Dragon eyes are added and then everyone attaches the final touch . . . a noisemaker! Now their dragon kite is ready to fly. Kite Flying celebrates the Chinese tradition of kite making and kite flying and lovingly depicts a family bonded by this ancient and modern pleasure.