In his thesis Fluorescence in Bio-inspired Nanotechnology, Jonas Hannestad describes the evolving field of DNA nanotechnology in a lucid and easily accessible way. A central theme in the thesis is how biological structures and mechanisms constitute a basis for the design of novel technologies. Hannestad discusses how self-assembled, nanometer-scale DNA constructs can be functionalized using fluorescent labeling. In particular, he highlights how applications are based on fluorescence resonance energy transfer (FRET). Another important contribution is the development of a lipid monolayer platform for the step-by-step assembly of DNA nanoconstructs. The work in the thesis is based on five peer-reviewed papers published in high-profile journals, all of which involve major contributions from the author.

This book focuses on the use of bio-inspired and biomimetic methods for the fabrication and activation of nanomaterials. This includes studies concerning the binding of the biomolecules to the surface of inorganic structures, structure/function relationships of the final materials and extensive discussions on the final applications of such biomimetic materials in unique applications including energy harvesting/storage, biomedical diagnostics and materials assembly.

Bio-Inspired Nanotechnology focuses on the use of bio-inspired and biomimetic methods for the fabrication and activation of nanomaterials. It summarizes recent developments in biocompatible and biodegradable materials, including their properties, fabrication methods, synthesis protocols, and applications. This includes studies concerning the binding of the biomolecules to the surface of inorganic structures, structure/function relationships of the final materials, and unique applications of such biomimetic materials in harvesting/storage, biomedical diagnostics, and materials assembly. The book chapters also cover a range of available bio-based nanomaterials, including chitin, starch and nanocellulose. It serves as a detailed reference for learners and anyone interested in sustainable nanoscale materials, including materials scientists, biomedical engineers, environmental scientists, food and agriculture manufacturers and scientists.

Nanotechnology has grown in its use and adoption across sectors. In particular, the medical field has identified the vast opportunities nanotechnology presents, especially for earlier disease detection and diagnosis versus traditional methods. Integrating Biologically-Inspired Nanotechnology into Medical Practice presents the latest research on nanobiotechnology and its application as a real-world healthcare solution. Emphasizing applications of micro-scale technologies in the areas of oncology, food science, and pharmacology, this reference publication is an essential resource for medical professionals, researchers, chemists, and graduate-level students in the medical and pharmaceutical sciences.

This book intends to provide an up-to-date information in the field of nanobiomedicine. The focus of the book is on the basic concepts and recent developments in the field of nanotechnology. This book covers a broad spectrum of nanomaterials processing, structural characteristics, and related properties and will include bio-probes, medical imaging, drug delivery, and tumor diagnosis. Critical issues are addressed in a straightforward manner so those with no technical background and university students can benefit from the information. Furthermore, many novel concepts in nanomaterials are explained in light of current theories. An important aspect of the book lies on its wide coverage in practical biomedical applications. Not only are the cutting-edge technologies in modern medicine introduced, but also unique materials applications in many clinical areas.

th The Who’s Who in Fluorescence 2008 is the 6 Volume of the Who’s Who Series. The previous five volumes (2003 - 2007) have been very well received indeed, with 1000’s of copies being distributed around the world, through conferences and workshops, as well as through internet book sites. Recently, the WWiF Volume was th disseminated at the 10 MAFS conference in Salzburg, Austria. The Volume was very well received indeed. We subsequently thank Professor Otto Wolfbeis for help in disseminating the Volume at the MAFS venue. This new 2008 Volume features some 418 entries from no fewer than 38 countries worldwide, as compared to 405 entries (35 different countries) in 2007 and 366 entries in the 2006 volume, respectively. We have received 31 new entries this year, and deleted 18 entries that were not updated by contributors from past years. In 2007 some 106 AIM numbers were submitted and listed, 88 the year before. This year, the number submitted has risen again to 129 entries, greater than 30 % of all contributors. In addition, the Volume has a continued strong company support, which will enable us to further disseminate the Volume in 2008-2009. In this regard we especially thank the instrumentation companies for their continued support, where without their financial contributions, it is likely that the Volume would not be the success it is today. The new WWiF website was also launched in August 2007. The website features all the latest WWiF templates and submission information.

This book explores how street art has been used as a tool of resistance to express opposition to political systems and social issues around the world. Aesthetic devices such as murals, tags, posters, street performances and caricatures are discussed in terms of how they are employed to occupy urban spaces and present alternative visions of social reality. Based on empirical research, the authors use the framework of creative psychology to explore the aesthetic dimensions of resistance that can be found in graffiti, art, music, poetry and other creative cultural forms. Chapters include case studies from countries including Brazil, Canada, Chile, Denmark, Egypt, Ireland, Mexico and Spain to shed new light on the social, cultural and political dynamics of street art not only locally, but globally. This innovative collection will be of particular interest to scholars of social and political psychology, urban studies and the wider sociologies and is essential reading for all those interested in the role of art in social change.