"Additional outline plates and figures in the text have been introduced as well as new coloured prints from designs expressly made by Ogata Gekko, one of the best living artists of the Popular school" -- Preface Josiah Conder Tokio May, 1899.

First published in 2005. Japanese flower arrangement is much more than an elegant amusement - it is an expression of what the Japanese call furyu - to turn away from strife, and to lose oneself in the joys of peace and nature. It is the opposite of that other key aspect of Japanese culture - Bushido, the way of the warrior. The virtues of Bushido are persistence, fidelity, endurance, bravery and activity - those of furyu are subtlety, gentleness, restraint and repose. That they see no inconsistency or contradiction between these two ways of living is one of the most interesting characteristics of the Japanese people. This volume is a succinct and comprehensive guide to the history, theory and practice of this exquisite art. It explains the three fundamental forms of Japanese flower arrangement - Shin, Gyo and So, as well as the proper arrangement of the tokonoma, the alcove where the flowers are displayed. It explains how one has to 'see' the expressions and emotions in blossoms and branches to achieve the most harmonious combinations, and gives the history of the art going back to the Ashikaga Shogunate, describing the two great classical schools of Japanese flower arrangement - the formal (rikkwa) and the natural (nageire) styles. It also deals with two new schools - the heaven-earthman (ten-chi-jin) and literati (bunjin-ike) styles - concluding with an illustrated chapter on how to arrange flowers. This is a book full of timeless serenity and beauty.

This striking work, prepared through the enthusiasm of Professor Conder, who was Professor of Art and Architecture to the Japanese Government, is particularly important as it includes six woodblocks by Tsukioka Yoshitoshi, deemed to be perhaps the finest print designer of the period (1839-1892) - a Kuniyoshi pupil who stands almost alone in expressing ukiyo-e vigor during the years of social, political and artistic upheaval.

Practical advice for flower arranging by an expert includes more than 80 drawings depicting the finer details of choosing flowers, proper use of foliage, combining different varieties of flowers, and the symbolism involved.

First published in 2005. Japanese flower arrangement is much more than an elegant amusement - it is an expression of what the Japanese call furyu - to turn away from strife, and to lose oneself in the joys of peace and nature. It is the opposite of that other key aspect of Japanese culture - Bushido, the way of the warrior. The virtues of Bushido are persistence, fidelity, endurance, bravery and activity - those of furyu are subtlety, gentleness, restraint and repose. That they see no inconsistency or contradiction between these two ways of living is one of the most interesting characteristics of the Japanese people. This volume is a succinct and comprehensive guide to the history, theory and practice of this exquisite art. It explains the three fundamental forms of Japanese flower arrangement - Shin, Gyo and So, as well as the proper arrangement of the tokonoma, the alcove where the flowers are displayed. It explains how one has to 'see' the expressions and emotions in blossoms and branches to achieve the most harmonious combinations, and gives the history of the art going back to the Ashikaga Shogunate, describing the two great classical schools of Japanese flower arrangement - the formal (rikkwa) and the natural (nageire) styles. It also deals with two new schools - the heaven-earthman (ten-chi-jin) and literati (bunjin-ike) styles - concluding with an illustrated chapter on how to arrange flowers. This is a book full of timeless serenity and beauty.

Celebrating an era of dynamic and creative cross-pollination between Japanese design and European Art Nouveau at theturn of the last century, Le Japon Artistique features stunning floral imagery drawn from a variety of rare books held in the collection of the Museum of Fine Arts, Boston. Seldom seen outside the museum context, these lush botanical motifs are as visually enchanting as they are significant in the arc of Japanese art history. This treat for art and design lovers is the perfect pick for springtime gift giving.