This book is in homage to Flora Tristan, the great pioneer of the first years of the 19th century. She was more than the first feminist, she was the pioneer of the worker's demands against the injustice of the factorie's owners in the industrialization era. She also emphasized a review of the tremendous injustices weighing down upon women and she demanded the elimination of laws that diminished women by making them permanently dependent on men and that subjected women to infamous medieval conditions that are endorsed by tradition and religion. Flora fluorished as a true torch for illuminating awareness during the first half of her century until now. She did so as a real woman and without hating men. She is one of the highest ranking social fighters at the forefront of women's liberation. She suffered incomprehension of the society. She was shooting by a jealous husband, and in addition she suffered the greedy behavior of her uncle when she tried to recover her inheritance in Peru. Flora wrote books asking the UNION of the movement workers and the international union of them. She wrote severe criticism to the British society in Promenades dans London, and she wrote hard criticism to the slave use in Peru.

Flora Tristan is best known as a nineteenth century French social critic and reformer. Her writings can be seen as a precursor to Marxism and Feminism. Flora Tristan: Life Sories by Susan Grogan, investigates the life of Flora Tristan through an exploration of the way she represented herself in her own writings. The author also examines the portrayal of Flora Tristan in paintings and literature. Rather than adopting a chronological approach, the author surveys the personae of Flora Tristan through thematic chapters on her roles as author, socialist, traveller and "Mother of the Workers". She places Flora Tristan in the context of contemporary debates and ideas, adding to our understanding of the times in which Flora Tristan lived. Flora Tristan: Life Stories argues that Flora Tristan's self-representations were attempts to claim a role of authority and significance not open to women in the nineteenth century. This authoritative study also engages with attempts to re-evaluate the writing of biography and to explore the meaning of an individual life in historical context.

In the Footsteps of Flora Tristan is the first ever study devoted to Jules Puech (1879–1957), and is a double biography that examines his life’s work on Flora Tristan (1803–1844), feminist and socialist. It begins by examining newly found press reports of Flora Tristan during her lifetime and subsequently, then positions Puech’s discovery of her, as a postgraduate student in Paris in the 1900s. It continues with an account of how he embarked on the first in-depth biography published in 1925. Puech was unmatched in his expertise as a writer on Flora Tristan having discovered her papers through his numerous political connections and having become a historian of Proudhon’s legacy on the international aspirations of the labour movement. Together with his wife Marie-Louise Puech, née Milhau (1876-1966), suffragist feminist, he was a militant in the early twentieth-century pacifist movement that advocated international arbitration. His research on Flora Tristan was enriched by his other projects but was thwarted by the wars of 1914–1918 and 1940–1945. The circumstances of the long gestation of Puech's biography are drawn from his letters and papers, hitherto unseen. The correspondence curated brings a new understanding to the multi-faceted nature of Puech’s activism and rate of progress in the publication of his findings on his subject, Flora Tristan.

Marie de France, Mme. De Sävignä, and Mme. De Lafayette achieved international reputations during periods when women in other European countries were able to write only letters, translations, religious tracts, and miscellaneous fragments. There were obstacles, but French women writers were more or less sustained and empowered by the French culture. Often unconventional in their personal lives and occupied with careers besides writing?as educators, painters, actresses, preachers, salon hostesses, labor organizers?these women did not wait for Simone de Beauvoir to tell them to make existential choices and have "projects in the world." French Women Writers describes the lives and careers of fifty-two literary figures from the twelfth century to the late twentieth. All the contributors are recognized authorities. Some of their subjects, like Colette and George Sand, are celebrated, and others are just now gaining critical notice. From Christine de Pizan and Marguerite de Navarre to Rachilde and Häl_ne Cixous, from Louise Labe to Marguerite Duras?these women speak through the centuries to issues of gender, sexuality, and language. French Women Writers now becomes widely available in this Bison Book edition.

For a full list of entries and contributors, sample entries, and more, visit the Routledge International Encyclopedia of Women website. Featuring comprehensive global coverage of women's issues and concerns, from violence and sexuality to feminist theory, the Routledge International Encyclopedia of Women brings the field into the new millennium. In over 900 signed A-Z entries from US and Europe, Asia, the Americas, Oceania, and the Middle East, the women who pioneered the field from its inception collaborate with the new scholars who are shaping the future of women's studies to create the new standard work for anyone who needs information on women-related subjects.

This collection brings together twelve original essays by prominent medievalists which address problems posed by contemporary literary and cultural theory. Taken together, the essays call into question the view that contemporary criticism has little to say about medieval literature and that medieval studies should remain isolated from the issues of contemporary criticism. The contributors apply a variety of critical methodologies to explore issues in textuality, intertextuality, and the role of the reader in works of medieval writers as diverse as Chaucer, Dante, Christine de Pizan, Anselm, and Talavera. Incorporating critical approaches such as deconstructionism, Marxism, feminism, new-historicism and reader-response criticism, the essays place these writers and their texts within a wider realm of cultural reference that embraces philosophy, religion, rhetoric, history, politics, and anthropology.